The Poems of Thomas Gray, Design 37, "Ode to Adversity."
between 1797 and 1798
27
Print made by William Blake, 1757–1827
For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"
1826
28
William Blake, 1757–1827
The Poems of Thomas Gray, Design 43, "The Progress of Poesy."
between 1797 and 1798
29
Print made by William Blake, 1757–1827
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
30
Print made by William Blake, 1757–1827
Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
1797
31
William Blake, 1757–1827
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
32
Print made by William Blake, 1757–1827
Jerusalem, Plate 13, "And that toward Eden...."
1804 to 1820
33
Print made by William Blake, 1757–1827
Jerusalem, Plate 43, "They saw their Wheels...."
1804 to 1820
34
Print made by William Blake, 1757–1827
Death's Door; Plate 17
1793
35
Print made by William Blake, 1757–1827
Jerusalem, Plate 51
1804 to 1820
36
William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
37
John Nixon, ca. 1760–1818
Annabella, Lady Blake, as Juno, Receiving the Cestus from Venus
1771
38
circle of Benjamin West, 1738–1820
A Scene from Roman History
undated
39
Print made by Charles Heath, 1785–1848
Benjamin West, Esq., President of the Royal Academy of London
1818
40
Print made by George Richmond, 1809–1896
The Shepherd
1827
41
Edward Fisher, 1722–1785
Sir Thomas Harrison
1765
42
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
43
Attributed to William Dickinson, 1746–1823
Harriet Callander of Craigforth
ca. 1772
44
Edward Fisher, 1722–1785
Laurence Sterne, A.M
1760
45
Print made by John Dixon, ca. 1740–1811
William Robertson, D.D
1772
46
Edward Fisher, 1722–1785
Hope Nursing Love
1771
47
Edward Fisher, 1722–1785
Elizabeth, Countess of Northumberland
between 1759 and 1776
48
Edward Fisher, 1722–1785
Elizabeth, Countess of Northumberland
between 1759 and 1776
49
John Dixon, ca. 1740–1811
William Robert Fitzgerald, Second Duke of Leinster
1775
50
James Fittler, 1758–1835
Benjamin West, P.R.A
1817
51
John Faber the Younger, ca. 1695–1756
Hamlet Winstanley
1731
52
Edward Fisher, 1722–1785
Dr. William Markham, Head Master of Westminster School, Bishop of Chester
1762
53
Print made by Richard Earlom, 1743–1822
Sensibility
1789
54
Print made by William Faithorne, ca. 1620–1691
Henry More
1675
55
Print made by Richard Earlom, 1743–1822
Sensibility
1789
56
Renold Elstrack, 1570–1625(?)
Thomas Sutton
between 1616 and 1621
57
William Marshall, fl. 1617–1649
Henry VII
after 1618
58
Attributed to Renold Elstrack, 1570–1625(?)
Henry VII
1618 or 1628
59
John Faber the Younger, ca. 1695–1756
Thomas Sutton
1714
60
Print made by John Faber the Younger, ca. 1695–1756
His Royal Highness Prince Frederick
between 1716 and 1725
61
Print made by John Faber the Younger, ca. 1695–1756
His Royal Highness Frederick, Prince of Wales
after 1730
62
Print made by Anthony Cardon, 1772–1813
E. Edwards, Associate and Teacher of Perspective in the Royal Academy
1808
63
Print made by Richard Earlom, 1743–1822
James McArdell
1771
64
John Faber the Younger, ca. 1695–1756
George I
1722
65
Print made by Edward Le Davis, active 1671–1691
Catherine of Braganza
1682
66
John Faber the Younger, ca. 1695–1756
Michael Rysbrack
1734
67
Thomas Rowlandson, 1756–1827
A Group of Figures
ca. 1820
68
Thomas Girtin, 1775–1802
Figure Costume Study of Henry VIII
between 1793 and 1795
69
Thomas Rowlandson, 1756–1827
Portrait of an Old man
undated
70
David Roberts, 1796–1864
A Dame de Picpus
undated
71
Print made by Thomas Frye, 1710–1762
Portrait of a Young Woman with a Feather in Her Hair