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James Watson, 1740–1790

Mrs. Irwin

Richard Purcell, active 1746–1766

Jewess

John Faber the Younger, ca. 1695–1756

The Right Honorable the Countess of Jersey

James McArdell, ca. 1729–1765

Katharine Countess of Lincoln

John Simon, 1675–1755

Luisa...Queen of Denmark and Norway

Samuel Rawle, 1771–1860

The Cottage of the late John Wilkes, Esquire, in the Isle of Wight; page 94 (Volume Three)

undated

Thomas Barber, ca. 1768–1843

Abbotsford, The Seat of Sir Walter Scott Bart; page - (Volume One)

unknown artist

Birthplace of Akenside (with text); page 5 from Mirror (Volume One)

Thomas Prattent, active 1780–1810

Albion Mill Blackfriers Bridge; page 6 (Volume One)

Robert Scott, 1771–1841

Arbuthnott House, The Seat of Lord Viscount Arbuthnott; page 10 (Volume One)

unknown artist

Vue de L'Arsenal rise du haut de la Riviere; page 10 (Volume One)

William Le Petit, early 1800s

Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)

Samuel Rawle, 1771–1860

Albyns, Essex, The Seat of John R. Abdy, Esquire (published by L. Asperne); page 7 (Volume One)

1806

Thomas Barber, ca. 1768–1843

Apsley House, Hyde Park Corner; page 9 (Volume One)

William Le Petit, early 1800s

Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)

Matthew Urlwin Sears, active 1826–1859

House of Elias Ashmole, at Lambeth; page 14 (Volume One)

James S. Storer, 1771–1853

Auchtertyre House, Perthshire; page 17 [page 18 is blank] (Volume One)

Samuel Rawle, 1771–1860

A View of the New Tower and part of the Great Kitchin Window of Arundel Castle, Sussex (published by J. Sewell); page 13 (Volume One)

1802

Print made by Thomas Prattent, active 1780–1810

North View of the New Buildings at the Bank of England (page 20, volume 1)

1797

unknown artist

View of the Banqueting House, White Hall; page 24 (Volume One)

B. Winkles, active 1830–1840

Bank of Ireland, Dublin (South Portico); page 22 (Volume One)

Edward Mitchell, active 1805–1816

Bank of Scotland; page 21 (Volume One)

unknown artist

Barry's House; page 25 (Volume One)

unknown artist

A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)

A. Birrell, ca.1770–ca. 1820

Baynard's Castle (published by Harding); page 28 (Volume One)

1790

Alfred William Warren, active 1791–1809

Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)

Francis Stephen Cary, 1808–1880

Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)

unknown artist

Biebrich; page 33 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Boscobel House; page 35 (Volume One)

John Rogers, 1808–ca.1888

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)

Robert Scott, 1771–1841

Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)

unknown artist

Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)

Edward Mitchell, active 1805–1816

Brain Hermitage; page 38 (Volume One)

unknown artist

Breaching Castle, Angus Shire; page 37 (Volume One)

F. Mansell, 19th century

Brownholme Hall; page 41 (Volume One)

Robert Tingle, 19th century

Brewer's Alms House, Mile End; page 40 (Volume One)

William Angus, 1752–1821

Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)

1787

Michael "Angelo" Rooker Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

Michael "Angelo" Rooker, 1746–1801

Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)

1777

Print made by Henry Wallis, 1805–1890

Burnshead Hall, Westmorland; page 45 (Volume One)

1835

unknown artist

Bunyan's Vestry Chair (with text) from the mirror; page 47 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Bunyan's Native House at Elstow; page 46 (Volume One)

unknown artist

Burghley House from the Gardens; page 48 (Volume One)

unknown artist

Burn House; page 51 (Volume One)

Pierre Charles Canot, ca. 1710–1777

Burton Constable; page 53 (Volume One)

unknown artist

The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)

Matthew Urlwin Sears Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

John J. Hinchliff, 1805–1875

Carstairs (Central View) Lanarkshire; page 57 (Volume One)

unknown artist

Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)

William Watts, 1752–1851

Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)

1780

Thomas Barber, ca. 1768–1843

Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)

1836

unknown artist

Downing; page 88 (Volume One)

unknown artist

An Academy for Young Gentlemen near Dresden; page 91 (Volume One)

Print made by Adamo 'Ghisi' Scultori, ca.1530–1585

Series of Studies from the Ceiling of the Sistine Chapel

1550 to 1585

Print made by unknown artist

Sepulchrum C. Cesti Epulonis Ostiensi

1547

Print made by Ambrogio Brambilla, active ca. 1579–1599

Sepulchrum C. Cestii Epulonis Ostensi Via Et Pyramide Et Marmore Quadrato Nobilissimum Atque Omnium Vetustissimum

1602

Print made by unknown artist

Ad Metellae Echo

1549

Antonio Lafreri, 1512–1577

Circi Maximi Accuratissima Descriptio

1546-1590

Antonio Lafreri, 1512–1577

Circi Maximi Accuratissima Descriptio

1546-1590