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William Blake "A Select Collection of English Songs," London, 1783
William Blake, 1757–1827
"A Select Collection of English Songs," London, 1783
1783
George Dance "Curtius Leaping into the Gulph"
George Dance, 1741–1825
"Curtius Leaping into the Gulph"
undated
Thomas Hosmer Shepherd "London in the Nineteenth Century"
Thomas Hosmer Shepherd, 1792–1864
"London in the Nineteenth Century"
unknown artist "Mr. Sponge's Sporting Tour"
unknown artist
"Mr. Sponge's Sporting Tour"
unknown artist "Romeo And Juliet", Act I, Scene V
unknown artist
"Romeo And Juliet", Act I, Scene V
Henry Heath "The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park...
Henry Heath, active 1824–1835
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
Charles Hamilton Smith 'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc.
Charles Hamilton Smith, 1776–1859
'Hunting Scenes' in Africa, North & South America, Ceylon, Australia, The Antarctic, Arctic, etc
George Townly Stubbs 'Mambrino'
George Townly Stubbs, 1748–1815
'Mambrino'
1794
Thomas Cook 'O the Roast Beef of Old England'
Thomas Cook, 1744–1818
'O the Roast Beef of Old England'
George Townly Stubbs 'Sweetwilliam'
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
Charles Rosenberg 'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ...
Charles Rosenberg, active 1828–1848
'The Burial of Tom Moody', the celebrated Whipper in / who was upwards of Thirty Years in the service of George Forrester Esq. of Willey Hall, ..
1831
James Roberts 'The Happy Consultation' or 'Modern Match'
James Roberts, active 1766–1809
'The Happy Consultation' or 'Modern Match'
James Gillray ("Portrait of Gentleman" Walking)
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
Dean Wolstenholme (1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
Dean Wolstenholme, 1757–1837
(1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire
1841
Dean Wolstenholme (2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
Dean Wolstenholme, 1757–1837
(2) Burial of Tom Moody...Exhibiting the View of Willey Church in Shropshire
1841
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
Thomas Hope (One of) Twenty-one pen drawings of Decorative Details in Antique Style
Thomas Hope, 1769–1831
(One of) Twenty-one pen drawings of Decorative Details in Antique Style
undated
W. Stack 1. The Exeter College Eight on the Isis Oxford
W. Stack, active 1824
1. The Exeter College Eight on the Isis Oxford
1824
George Hunt 1st of October
George Hunt, active 1820–1840
1st of October
1827
George Hunt 1st of October
George Hunt, active 1820–1840
1st of October
1827
George Hunt 1st of September
George Hunt, active 1820–1840
1st of September
1827
George Hunt 1st of September
George Hunt, active 1820–1840
1st of September
1827
W. Stack 2. A rowing eight at Oxford
W. Stack, active 1824
2. A rowing eight at Oxford
1824
William Henry Toms 24 drawings for West's Churches of London
William Henry Toms, ca. 1700–ca. 1750
24 drawings for West's Churches of London
Paul Sandby 75 Etchings of Landscape and Genre Scenes
Paul Sandby, 1731–1809
75 Etchings of Landscape and Genre Scenes
Paul Sandby 93 Etchings of Landscape and Genre Scenes
Paul Sandby, 1731–1809
93 Etchings of Landscape and Genre Scenes
1750-1752
Francesco Bartolozzi ? Poet addressing a Queen on a Throne surrounded by Muses
Francesco Bartolozzi, 1728–1815
? Poet addressing a Queen on a Throne surrounded by Muses
Jan van Huchtenburg [A rest during the hunt: King William III and Queen Mary with attendants, dogs, etc.]
Print made by Jan van Huchtenburg, 1647–1733
[A rest during the hunt: King William III and Queen Mary with attendants, dogs, etc.]
undated
William Alfred Delamotte [A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817
William Alfred Delamotte, 1775–1863
[A set of] Twenty etchings, Ten etchings, Sandhurst, 1816, 1817
1816 to 1817
Jeremiah Bridges [Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
James Ward [Animals] Studies from Nature
James Ward, 1769–1859
[Animals] Studies from Nature
1807
George Edwards [Beetle]
George Edwards, 1694–1773
[Beetle]
ca. 1758
George Edwards [Bird]
George Edwards, 1694–1773
[Bird]
ca. 1758
George Edwards [Bird]
George Edwards, 1694–1773
[Bird]
ca. 1758
George Edwards [Black Bird]
George Edwards, 1694–1773
[Black Bird]
ca. 1758
George Edwards [Blue Bird]
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
George Edwards [Brown Bird]
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
Charles Rosenberg [Coaching ] The Road-Side
after Charles Rosenberg, active 1828–1848
[Coaching ] The Road-Side
1833
Matthew Dubourg [Coaching] Mail Coach
Matthew Dubourg, active 1786–1838
[Coaching] Mail Coach
1824
James Baily [Coaching] Stage Waggon
James Baily, active 1815–1834
[Coaching] Stage Waggon
1820
Matthew Dubourg [Coaching] The Mail Guard
Matthew Dubourg, active 1786–1838
[Coaching] The Mail Guard
1825
Charles Hunt [Coaching]: Royal Mails, starting from the Post Office, Lombard Street.
Charles Hunt, 1803–1877
[Coaching]: Royal Mails, starting from the Post Office, Lombard Street
1827
George Edwards [Cock Sparrow]
George Edwards, 1694–1773
[Cock Sparrow]
ca. 1758
Charles Turner [Fencing ] Backswords
Charles Turner, 1774–1857
[Fencing ] Backswords
1825
Robert Cockburn [Figure Seated]
Robert Cockburn, 1812–1836
[Figure Seated]
1835-1836
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 1. Drawing cover / with a View of Gatton Park
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 1. Drawing cover / with a View of Gatton Park
undated
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 2. The Chase / Crossing the Old Brighton Road at Merstham
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 2. The Chase / Crossing the Old Brighton Road at Merstham
undated
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
undated
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
undated
Francesco Bartolozzi [Fox-Hunting]
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
Theodore Henry Adolphus Fielding [Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 1. Breaking Cover (Hadley Heath)
1826
Theodore Henry Adolphus Fielding [Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 2. Full Cry (Westwood Park Hall)
1826
Theodore Henry Adolphus Fielding [Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 3. A Check (Near Hampton Lovett)
1826
Theodore Henry Adolphus Fielding [Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)
Theodore Henry Adolphus Fielding, 1781–1851
[Fox-hunting] set of four - Worcestershire: 4. The Death (Southall Farm)
1826
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate I. "A Southerly Wind and a Cloudy Sky, / Proclaims a hunting morning..." / "On horseback we're got together we'll trot ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
1835
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
1836
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
Charles Hunt [Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover
Charles Hunt, 1803–1877
[Fox-Hunting]: A Hunting Phaeton - A Party Going to Cover
undated
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804