Image Available: Unavailable - YCBA Collections Search Search Results

James Clark, 19th century

Catrou and Rouille's Roman History

undated

Bernard Leach, 1887–1979, British

St. Luke's, Chelsea

1908

unknown artist

East View of Westminster Abbey; with the Archbishop and Bishops doing Homage

unknown artist

West View of Westminster Abbey; representing the Ceremony of His Majesty's Crowning

unknown artist

A perspective of Westminster Abbey from the High Altar to the West End

unknown artist

The Coronation of George IV

unknown artist, ( Richard Roffe ? )

A View of the Range of Building adjoining Westminster Hall, and fronting the River Thames

William Johnstone White, active 1804–died c.1870, British

North West Entrance of the Vestibule to the House of Commons

Charles Hunt, 1803–1877, British

Newton Races, 1831: Fylde, beating Halston, and Recovery

1832

William James Bennett Royal British Bowmen / This Plate representing the Meeting of the Royal British Bowmen in the Grounds of Erthig, Denbighshire ....

William James Bennett, 1787–1844, British

Royal British Bowmen / This Plate representing the Meeting of the Royal British Bowmen in the Grounds of Erthig, Denbighshire ...

1823

Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."

Thomas Fairland, 1804–1852, British

[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 1. "To Bachelor's Hall we good fellows invite, / Did you see us you'd swear, as we mount with a grace, / ..."

c. 1835

Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."

Newton Limbird Smith Fielding, 1799–1856, British

[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate I. "Tis the pace that kills. / The chase is up, hark! to the wild away! /... Gallants have pause: though but a moment, stay /..."

1836

Henry Thomas Alken, 1785–1851, British

The Eagle Paris and Dover [sic] Coach

1827

Henry Pyall, 1795–1833, British

A Pair: (2) October

1846

Richard Gilson Reeve, 1803–1889

Heaton Park Races

1837

W. Stack, active 1824

1. The Exeter College Eight on the Isis Oxford

1824

Painted by Henry Walter, 1786–1849, British

Mail Coach Behind Time

1827

James Ward, 1769–1859, British

[Racing] Set of fourteen with dedicatory title page: Celebrated Horses from Pictures Painted by James Ward

1823-1824

Richard Gilson Reeve, 1803–1889

Fox Chase. Plate I

1817

Dean Wolstenholme, 1757–1837, British

(1) Death of Tom Moody...Exhibiting a View of Rockwood in Shropshire

1841

Richard Gilson Reeve, 1803–1889

[Shooting] Plate 1. Two sportsmen and servant with spaniels in a wood

1806

Dean Wolstenholme, 1798–1882, British

Partridge Shooting

1824

unknown artist, nineteenth century

By Permission of the Patentees ths Engraving of the First Carriage 'The Ariel'

1843

Richard Gilson Reeve, 1803–1889

Set of four: (2) The Dog and Vixen Fox

1811

Sir John Everett Millais, 1829–1896, British

Etchings for the Art Union of London by the Etching Club: Going to the Park, Number 2

1872

John Calcott Horsley, 1817–1903, British

Etchings for the Art Union of London by the Etching Club: Monsieur se Chauffe, Number 3

John Calcott Horsley, 1817–1903, British

Etchings for the Art Union of London by the Etching Club: Madame se Chauffe, Number 4

George Bernard O'Neill, 1828–1917, British

Etchings for the Art Union of London by the Etching Club: The Fourteenth of February, Number 5

Charles West Cope, 1811–1890, British

Etchings for the Art Union of London by the Etching Club: The Illuminator, Number 6

Richard Redgrave, 1804–1888, British

Etchings for the Art Club of London by the Etching Club: Undercliff, Number 15

1868

James Clarke Hook, 1819–1907, British

Etchings for the Art Union of London by the Etching Club: Sea Urchins, Number 18

Alfred Walter Bayes, active 1858–1903, British

English Etchings: John Phillip R.A., Number 4

ca. 1881

Martin Snape, 1853–1930, British

English Etchings: Yew Avenue near Queenwood Cottage, Number 5

ca. 1881

J. A. Poulter, active 1840–1881

English Etchings: The Break of Day---Bury Church Huntingdon, Number 8

1881

Thomas Creswick, 1811–1869, British

Etchings for the Art Union of London by the Etching Club: The Old Bridge, Number 1

Sir John Everett Millais, 1829–1896, British

Etchings for the Art Union of London by the Etching Club: The Baby House, Number 9

1872

James Clarke Hook, 1819–1907, British

Etchings for the Art Union of London by the Etching Club: Dort, The Birthplace of Cuyp, Number 11

John Frederick Tayler, 1802–1889, British

Etchings for the Art Union of London by the Etching Club: Dogs and Wild Boar, Number 12

Charles West Cope, 1811–1890, British

Etchings for the Art Club of London by the Etching Club: Summer Dreams, Number 20

William Holmes May, active 1880s

English Etchings: The Thames at Pangbourne, Number 6

1881

Percy Thomas, 1846–1922, British

English Etchings: London---The City---in Thames Street, Number 10

ca. 1881

John Frederick Tayler, 1802–1889, British

Etchings for the Art Club of London by the Etching Club: Otter-Hounds Questing, Number 8

Charles Hamilton Smith, 1776–1859, Belgian

Views of Northern Europe, Volume II

undated

Charles Hamilton Smith, 1776–1859, Belgian

Views of Spain, Volume II

undated

Robert White, 1645–1703, British

General Ludlow; prefixed to first edition of Edmund Ludlow's Works

1698

Charles Hamilton Smith, 1776–1859, Belgian

Views of France, Volume II

undated

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: The Spirit of the South Sends Forth the Albatross as a Sign of Peace to the Ship

ca. 1831

David Scott, 1806–1849, British

Six Designs for Colreidge's Rime of the Ancient Mariner: The Spectre Ship Approaches

ca. 1831

David Scott, 1806–1849, British

Six Designs for Coleridge's Rime of the Ancient Mariner: He Rows Ashore in the Pilot's Boat

ca. 1831

David Scott, 1806–1849, British

Christian and Hopeful in the Castle of Giant Despair

ca. 1831

Thomas Sibson, 1817–1844, British

Torturing the Prisoners

undated

Henry Thomas Alken, 1785–1851, British

Giving the Village Donkeys a Treat

undated

unknown artist

Eton Cricket Match

undated

Jean Baptiste Guth, active 1890s

One of a set; VANITY FAIR, Ambassadors to England: French Ambassador: M. Paul Cambon. 9 March 1899

1899

unknown artist

Dunlure Castle

Print made by Valentine Green, 1739–1813, British

Georgiana, Duchess of Devonshire as 'Cynthia'

1783

Print made by Louis Sailliar, 1748–1795, French

His Royal Highness George Prince of Wales

1786-1787

Print made by James Watson, 1740–1790, British

Shepherd Boy

c. 1778

Print made by Valentine Green, 1739–1813, British

Scene in a Country Town at Time of a Race

1789

Print made by William Ward, 1766–1826, British

The Delightful Story

1787

Print made by William James Ward, ca. 1800–1840, British

Juliana Vinicombe Lady St. Aubyn

undated

Print made by Robert Pollard, 1755–1838, British

Boys Playing at Marbles

1786

Print made by William Dickinson, 1746–1823, British

Lydia

1776

John Laguerre, 1688–1746, British

From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

c.1730

John Laguerre, 1688–1746, British

From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

c.1730

John Laguerre, 1688–1746, British

From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

c.1730

John Laguerre, 1688–1746, British

From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

c.1730

John Laguerre, 1688–1746, British

From Doggett and Hippisley's Ballad-Opera [set of seven]: 'Flora, or Hob in the Well'

c.1730

Thomas Rowlandson, 1756–1827, British

Set of sixteen: Outlines of Figures and Landscapes

1790-1792

Thomas Rowlandson, 1756–1827, British

Set of sixteen: Outlines of Figures and Landscapes

1790-1792

Thomas Rowlandson, 1756–1827, British

Set of sixteen: Outlines of Figures and Landscapes

1790-1792

Thomas Rowlandson, 1756–1827, British

Set of sixteen: Outlines of Figures and Landscapes

1790-1792

Thomas Rowlandson, 1756–1827, British

Set of sixteen: Outlines of Figures and Landscapes

1790-1792

George Smith, (and John Smith), 1714–1776, British

Rural Scene, Chichester

unknown artist, ( Corbould & Dent )

Untitled

unknown artist

Untitled

unknown artist, ( Milton )

Picture of Suicide

Alfred-Louis Brunet-Debaines, 1845–ca. 1935, French

Fountains Abbey, Chapel of IX Albans

Alfred-Louis Brunet-Debaines, 1845–ca. 1935, French

Beyland Abbey

J. B. Maxwell

Castle of Valzin

G. Jedburgh

Untitled

Charles John Watson, 1846–1927, British

Chelsea

1879

unknown artist

East View of the Giant's Causeway

Print made by John Raphael Smith, 1752–1812, British

The Pretty Maid Buying a Love Song

1780

Print made by John Dean, 1754–1798, British

Lady Gertrude Fitzpatrick as Collina

1780

John Howe, active 1838

The Great Fair in Hyde Park on the 28th of June 1838 to Celebrate the Coronation of her most gracious Majesty Queen Victoria the First

1838

Print made by John Love, active 1771

Diogenes

1771

Print made by Samuel Cousins, 1801–1887, British

Elizabeth Duchess of Rutland

1825

Mary Howard, 19th century, British