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Collection

Prints and Drawings 906
Rare Books and Manuscripts 8

Creator

Bartolozzi, Francesco, 1727–1815 914

Cipriani, Giovanni Battista, 1727–1785 167
Unknown artist 77
Guercino, Giovanni Francesco Barbieri, 1591–1666 66
Hamilton, William, 1751–1801 45
Reynolds, Joshua, Sir, 1723–1792 45
Kauffmann, Angelica, 1741–1807 41
Holbein, Hans the Younger, ca. 1497–1543 28
Chamberlaine, John, 1745–1812 19
Vieira, Francis, 1765–1806 18
Cosway, Richard, 1742–1821 17
Piazzetta, Giovanni Battista, 1682–1754 14
Burney, Edward Francis, 1760–1848 10
Carracci, Annibale, 1560–1609 10
West, Benjamin, 1738–1820 10
Gainsborough, Thomas, 1727–1788 9
Dance, Nathaniel, Sir, 1735–1811 8
Dickinson, William, 1746–1823 8
Macklin, Thomas, active 1779–1793 8
Violet, Pierre N., 1749–1819 8
Byrne, William, 1743–1805 7
Maratti, Carlo, 1625–1713 7
Rigaud, John Francis, 1742–1810 7
Vinci, Leonardo da, 1452–1519 7
Zocchi, Giuseppe, 1711–1767 7
Castiglione, Giovanni Benedetto, c.1610–1665 6
Freeman, Samuel, 1773–1857 6
Gabbiani, Antonio Domenico, 1652–1726 6
Livesay, Richard, 1753–1826 6
Luti, Benedetto, 1666–1724 6

Date

From

To

On-site Access

Accessible in the Study Room 914

Image Use

Free to Use 905
Under Certain Circumstances 9

Image Available

available 724
unavailable 190

Provenance

New Online Additions

Classification

Prints 908
Books 5
Three-Dimensional Artifacts 1

Collective Title

Iconographie Anglaise par Reynolds et Autres 15
Robert Adam, Ruins of the palace of the Emperor Diocletian at Spalatro in Dalmatia 4
Hamlet 2
Othello 2
Peru 2
Book of Proverbs, Chapter V 1
Constitutions of Masonry 1
Four Seasons 1
Juvenilia 1
Macklin's British Poets 1
The Clerk's Tale from the Canterbury Tales 1
The History of Tom Jones, a Foundling 1
To Althea, from Prison 1

Period

18th century 784
18th century-19th century 61
19th century 47
20th century 1
21st century 1

Materials & Techniques

stipple engraving 721
line engraving 419
laid paper 127
etching (printing process) 117
wove paper 73
mezzotint 19
brown wash 15
brown ink 12
colored ink 11
aquatint 6
black ink 6
hand coloring 5
red ink 4
letterpress printing 2
color printing 1
drypoint 1
engraver's proof 1
gouache 1
gray wash 1
sepia 1
silk (textile) 1
watercolor 1

Height [cm]

From

To

Width [cm]

From

To

Work Type

intaglio print 826
ticket 76
drawing book 3
book illustration 2
engraving 2
etching 2
stipple engraving 2
botanical illustration 1
costume 1
ephemera 1
frontispiece 1
keepsake 1
matrice 1
printing plate 1

Genre

portrait 282
religious and mythological subject 259
genre subject 199
literary theme 122
historical subject 39
animal art 23
military art 23
figure study 15
landscape 14
sporting art 12
architectural subject 7
anatomical study 1
cityscape 1
marine art 1

Subject Terms

portrait 127
costume 68
oval 56
woman 54
man 52
religious and mythological subject 29
trees 29
curls 28
coat 27
dress 25
literary theme 24
children 23
women 23
clouds 21
genre subject 19
wig 17
hat 16
sash 16
buttons 14
landscape 14
men 14
music 14
wings 14
child 13
feathers 13
bow (costume accessory) 11
boy 11
cravat 11
dog (animal) 11
family 11

Subject Period

19th century 2

Associated Places

England 10
United Kingdom 10
London 5
Greater London 4
City of Westminster 3
Great Britain 2
Perú 2
Westminster Abbey 2
Asia 1
Clumber House 1
Devon 1
Exeter 1
France 1
Gatehouse Prison 1
Glasgow 1
Hanover Square 1
Hanover Square Rooms 1
India 1
Mayfair 1
Mysore 1
Nottinghamshire 1
Scotland 1
Worksop 1

Associated People

Shakespeare, William (1564–1616), playwright and poet 32
Cupid 4
Jesus Christ (7–2 BC/BCE to 30–36 AD/CE) 4
Venus 4
saint 4
Abington, Frances (1737–1815), actress 3
Clinton, Sir Henry (1730–1795), army officer 3
Gainsborough, Thomas (1727–1788), painter and printmaker 3
Pinto de Sousa Coutinho, Luis, first Viscount Balsemão (1735–1804 ) 3
Salpietro, Giovanni (active 1782–1799), violinist 3
St. Cecilia as patroness of music 3
St. Cecilia making music and/or singing 3
Adam (Biblical figure) 2
Ariosto, Ludovico (1474–1533) Italian poet 2
Cornwallis, Charles (1738–1805), lieutenant-general 2
Dunning, John, first Baron Ashburton (1731–1783), barrister and politician 2
Edward VI (1537–1553), king of England and Ireland 2
Elizabeth I (1533–1603), queen of England and Ireland 2
Eve (Biblical figure) 2
Fothergill, John (1712–1780), physician and naturalist 2
Henderson, John (bap. 1747, d. 1785), British actor and draftsman 2
Henry VIII (1491–1547), king of England and Ireland 2
Iago (character in Othello, the Moor of Venice) 2
Mary 2
Mary I (1516–1558), queen of England and Ireland 2
Milton, John, 1608–1674 2
Murray, William, first earl of Mansfield (1705–1793), judge and politician 2
Ophelia (character in Hamlet) 2
Somer [Sommers], William (d. 1559), court fool 2
muses 2

Exhibition History

Crown Pictorial - Art and the British Monarchy (Yale Center for British Art, 1990-12-05 - 1991-02-17) 5
Painters and Engraving - The Reproductive Print from Hogarth to Wilkie (Yale Center for British Art, 1980-03-26 - 1980-06-22) 5
Pleasures and Pastimes (Yale Center for British Art, 1990-02-21 - 1990-04-29) 3
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) 3
The Romantic Print in the Age of Revolutions: Hero, Hero-Worship, and the Heroic in History (Yale Center for British Art, 2003-01-23 - 2003-06-01) 2
Art and Music in Britain: Four Encounters, 1730-1900 (Yale Center for British Art, 2006-10-05 - 2006-12-31) 1
Francis Wheatley (Yale Center for British Art, 2005-08-31 - 2006-02-05) 1
Noble Exercise - The Sporting Ideal in Eighteenth-Century British Art (Yale Center for British Art, 1982-07-14 - 1982-09-19) 1
Red Letter Days - British Sporting Art of the 18th and 19th Centuries (Sweetbriar College Art Galleries, 1990-11-09 - 1991-02-10) 1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (The Huntington Library, Art Collections, and Botanical Gardens, 2006-02-11 - 2006-05-14) 1
Sensation and Sensibility: Viewing Gainsborough's " Cottage Door " (Yale Center for British Art, 2005-10-06 - 2005-12-31) 1
The Anglo-American Artist in Italy 1750-1820 (University Art Museum, Santa Barbara, 1982-04-07 - 1982-05-09) 1
William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06) 1
William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14) 1

Credit Line

Yale Center for British Art, Paul Mellon Collection 844
Yale Center for British Art, Paul Mellon Fund 25
Yale Center for British Art, Gift of Herman W. Liebert 14
Yale Center for British Art, Yale University Art Gallery Collection 11
22711724760008651|Yale Center for British Art, Gift of Neale Albert, Yale JD 1961, and Margaret Albert 2
Yale Center for British Art, Gift of Frederick W. Hilles 2
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Edward B. Greene 2
22653267320008651|Yale Center for British Art, Paul Mellon Collection 1
22679668660008651|Yale Center for British Art, Paul Mellon Collection 1
22696236380008651|Yale Center for British Art, Paul Mellon Collection 1
22767019520008651|Yale Center for British Art, Paul Mellon Collection 1
22852420520008651|Yale Center for British Art, Gift of George Gregory Smart, Yale BA 1977 1
Yale Center for British Art, Gift of Chauncey Brewster Tinker 1
Yale Center for British Art, Gift of David Alexander 1
Yale Center for British Art, Gift of Mary E. Knapp 1
Yale Center for British Art, Gift of William Drummond 1
Yale Center for British Art, Yale Art Gallery Collection 1
Yale Center for British Art, Yale Art Gallery Collection, Bequest of Ralph Kirkpatrick, Yale MA (HON.) 1965 1
Yale Center for British Art, Yale Art Gallery Collection, Gift of Robert W. Carle, B.A. 1897 1
Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Robert W. Carle, B.A. 1897 1

Language

English 6
Italian 1

Archival Collections

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Place of baptism

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Creator: Bartolozzi, Francesco, 1727–1815
Per page: 100
Keywords: collection_sort_s asc, score desc
Keywords: list

All (914)
Objects (914)
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Shows 1 - 100 from 914 results

Grid

Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

The Death of Arcite

1790
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

William Murray First Earl of Mansfield

1786
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Thais

1792
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Lady Smith and Her Children: George Henry, Louisa, and Charlotte

1789
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Master Philip Yorke

1788
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Miss Gwatkin as 'Simplicity'

1789
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

The Right Honorable Lady Jane Dundas

ca. 1802
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

The Honourable Mrs. Bingham

after 1786
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1803
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

For the Benefit of Mr. Savoia

1789
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Dragonetti

1792
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Concert Ticket: Benefit Night of Luigi Borghi

1780
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Hanover Square Grand Concert
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Giardini
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Benefit of Mr. Sal Pietro
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Brandenbourg House Masquerade

ca. 1797
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salpietro

1799
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Ticket: For the Benefit of Mr. Salomon

1794
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Ticket to Westminster Abbey

before 1791
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Theatre Royal

Between 1775 and 1800
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Orpheus and Eurydice
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Concert Ticket: Grand Professional Concert

1791
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Professional Concert 1789, First Night Hanover Square

1789
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Hanover Square Grand Professional Concert
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Masked Ball at Ranelagh

1776
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket to the Masqued Ball, New Club, Soho

1775
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Wynnstay Theatre Ticket

1785
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Hanover Square

1782
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket for the Ball at the Mansion House

1775
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Ticket to the Scavoir-Vivre Masquerade

1775
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Regatta Ball at Ranelagh

1775
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Ticket: Walker's Lectures

1794
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

St. Cecilia

1784
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

The Daughters of Guercino

1772
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Ticket: Mr. Cox's Museum

1772
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Sappho Embracing Love

1783
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Medallions of F. Hutcheson and L. Natter

1780
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

The Graces Crowning the Bust of Raphael

1787
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Cornelia, Mother of the Gracchi

1783
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Cottagers at the Bottom of Mt. Vesuvius

1799
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Certificate From The Royal Academy, Appointing John Opie, As An Academician

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

The Dukes Of Northumberland And Suffolk Praying Lady Jane Gray To Accept... [Read more]

1786
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Hercules, Deianeira and Nessus

1762
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Hermaphrodite

1787
Accessible in the Study Room
Benjamin Comte, 1760–1851

Jupiter and Leda

1814
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

The Toilet Of Venus

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Mercury, Minerva, And Paris

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Medea Murdering Her Two Children

1787
Accessible in the Study Room
Benjamin Comte, 1760–1851

Narcissus

1814
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Laocoon And His Sons Wrestling With Two Snakes

1765
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

A Sacrifice To Diana The Goddess Of Hunting

1791
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Faun

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Woman Dying On A Bed, With One Man and Two Women Mourning Her

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Hercules, Deianeira And Nessus

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

A Naiad

1779
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Nymph And Cupid

1800
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Bacchus And Bacchante

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Bacchante And Cupid

1800
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Nymphs And Diana Bathing

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Nymphs And Diana Bathing

1787
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

The Judgment of Paris

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus Sleeping

1785
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Mrs. Abington As Thalia

1783
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus And Adonis

1778
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Hercules Presented To Jupiter And Juno

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus Lending Juno Her Belt

1784
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus, Cupid And Satyr

1767
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Minerva And The Muses

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus Attired By The Graces

1784
Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815

Edward, Prince of Wales, Presenting the Captive King John of France and His Sons... [Read more]

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

1789
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

The Heroism of Prince Edward, Son of Henry VI

1789
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

His Ego Ne Metas Rerum, Nec Tempora Pono

ca.1785
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Pax Artium Nutrix

1787
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Jonah: An Oratorio, Disposed For Voice And Harpsicord

1775
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

S. Pietro Regalato

1746
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

1773
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Illustration For The Book: Evelina, Or, The History Of A Young Lady's Entrance... [Read more]

1778
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Sed Placidam Pueri Metuens Turbare Quietem, Fixit Vicinis Basia Mille... [Read more]

1778
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Vignette: Monk Giving Letter to a Pregnant Woman in a Cell

ca.1785
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Title page: L'Amico' de Fanciulli, Vol. III

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Title page: Depicting Cupid, Venus, and Juno

1782
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Illustration from Bell's Edition of the Poets of Great Britain, Volume... [Read more]

1785
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Rural Felicity

1789
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Illustration For a Book

1794
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Jupiter and Juno on Mount Ida

1784
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Venus Standing By the Sea, Two Cupids Carry Masks

1776
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Medea looking at her two Children, one of whom she has Murdered with a Dagger

1777
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

As You Like It, Act IV, Orlando and Oliver

1788
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Coriolanus, Act 5, Scene III

1783
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Diana Preparing for the Hunt

1781
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Soldier Kneeling On A Stone Embracing a Woman, Soldiers in Background

undated
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Macbeth, Act I, Scene II

1784
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Britannia Rewarding Music and Literature

1792
Accessible in the Study Room
Francesco Bartolozzi, 1728–1815

Diana of Ephesus Being Unveiled by Cupid and Mercury

ca.1785

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