The Reflection: Grotesque Fat man Looking in a Hand Mirror
undated
5
James Gillray, 1756–1815
A Morning Ride
1804
6
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
7
unknown artist
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
8
James Gillray, 1756–1815
Evacuation Before Resignation
1782
9
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
10
Print made by James Gillray, 1756–1815
The Theatrical Bubble: Being a New Specimen of the Astonishing Powers of the Great Politico-Punchinello, in the art of Dramatic Puffing
1805
11
unknown artist
Four Figures on a Sheet
undated
12
Print made by James Gillray, 1756–1815
A Cognocenti Contemplating ye Beauties of ye Antique
1801
13
Charles Turner, 1774–1857
James Gillray
1819
14
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
15
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
16
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
17
James Gillray, 1756–1815
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
18
James Gillray, 1756–1815
Miss, I Have a Monstrous Crow to Pluck with You!
1794
19
James Gillray, 1756–1815
John Bull Bother'd; - or - The Geese Alarming the Capitol
1792
20
James Gillray, 1756–1815
The Chancellor of the Inquisition Marking the Incorrigibles
1793
21
James Gillray, 1756–1815
Sin, Death, and the Devil
1792
22
James Gillray, 1756–1815
French Liberty - British Slavery
1792
23
James Gillray, 1756–1815
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
24
James Gillray, 1756–1815
Louis XVI Taking Leave of His Wife and Family
1793
25
James Gillray, 1756–1815
Un Petit Souper, a La Parisienne; - or - A Family of Sans-Culotts Refreshing, After the Fatigues of the Day
1792
26
James Gillray, 1756–1815
Dumourier Dining in State at St. James on the 15th of May 1793
1793
27
James Gillray, 1756–1815
Design for the New Gallery of Busts and Pictures
1792
28
James Gillray, 1756–1815
French Democrats Surprizing the Royal-Runaways
1791
29
James Gillray, 1756–1815
Homer Singing His Verses to the Greeks
1797
30
James Gillray, 1756–1815
Independence
1799
31
James Gillray, 1756–1815
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
32
James Gillray, 1756–1815
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
33
James Gillray, 1756–1815
A Hackney Meeting
1796
34
James Gillray, 1756–1815
A Portrait ------------
1799
35
James Gillray, 1756–1815
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
36
James Gillray, 1756–1815
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
37
James Gillray, 1756–1815
A Uniform Whig ---
1791
38
James Gillray, 1756–1815
The - Battle Royal, or Who Wears the Breeches
1784
39
James Gillray, 1756–1815
A Natural Crop; - Alias - A Norfolk Dumpling
1791
40
James Gillray, 1756–1815
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
41
Print made by James Gillray, 1756–1815
Evacuation Before Resignation
1782
42
Print made by James Gillray, 1756–1815
Ornaments of Chelsea Hospital; or - A Peep Into the Last Century ---
1789
43
James Gillray, 1756–1815
Swearing to the Cutting Monster or - A Scene in Bow Street
1790
44
James Gillray, 1756–1815
The Tottering Pyramid
1784
45
James Gillray, 1756–1815
The Funeral Procession of Miss Regency
1789
46
James Gillray, 1756–1815
The Hustings-Vox Populi, - "We'll Have a Mug! - A Mug! - A Mug! / Mayor of Garret--" (Fox) (from: Caricature, vol. 1)
1796
47
James Gillray, 1756–1815
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
48
James Gillray, 1756–1815
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
49
James Gillray, 1756–1815
Meeting of - Unfortunate Citoyens. " Dismay of Two Disgraced Patriots"
1798
50
James Gillray, 1756–1815
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
51
James Gillray, 1756–1815
No Flower that Blows, Is Like this Rose
1796
52
James Gillray, 1756–1815
Parliamentary-Reform, - or - Opposition-Rats, Leaving the House They Had Undermined
1797
53
James Gillray, 1756–1815
To Be Paid For - The Dog Tax
1796
54
James Gillray, 1756–1815
St. George's Volunteers Charging Down Bond Street, After Clearing the Ring in Hyde Park, and Storming the Dunghill at Marybone
1797
55
James Gillray, 1756–1815
Pylades & Orestes (Stadtholder & His Secretary)
1797
56
James Gillray, 1756–1815
Un Diplomatique, Settl'ing Affairs at Stevens's (Baron Haslang, Bavarian Minister)
1794
57
James Gillray, 1756–1815
Le Coup de Maitre
1797
58
James Gillray, 1756–1815
The Tree of Liberty, - With The Devil Tempting John Bull (Fox)
1798
59
James Gillray, 1756–1815
The Salute, - Vide, The Parade
1797
60
James Gillray, 1756–1815
Shrine at St. Ann's Hill
1798
61
James Gillray, 1756–1815
The Table's Turn'd. Billy, in the Devil's Claws. - Billy, Sending the Devil Packing
1797
62
James Gillray, 1756–1815
Nightly Visitors, at St. Ann's Hill; In Glided Edward's Pale-Eye'd Ghost, and Stood at Carlo's Feet
1798
63
James Gillray, 1756–1815
God Save the King. - In a Bumper. Or - An Evening Scene Three Times a Week at Wimbleton
1795
64
James Gillray, 1756–1815
The Republican - Hercules Defending His Country
1797
65
James Gillray, 1756–1815
The Death of the Great Wolf
1795
66
James Gillray, 1756–1815
French - Telegraph Making Signals in the Dark
1795
67
James Gillray, 1756–1815
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition
1795
68
James Gillray, 1756–1815
Light Expelling Darkness, - Evaporation of Stygian Exhalations, - or - The Sun of the Constitution, Rising Superior to the Clouds of Opposition
1795
69
James Gillray, 1756–1815
The Prophet of the Hebrews, - The Prince of Peace, Conducting the Jews to the Promis'd-Land
1795
70
James Gillray, 1756–1815
The Real Cause of the Present High-Price of Provisions or A View on the Sea Coast of England, with French Agents Smuggling Away Supplies for France
1795
71
James Gillray, 1756–1815
Copenhagen House
1795
72
James Gillray, 1756–1815
Buonaparte, Hearing of Nelson's Victory, Swears by His Sword, to Extirpate the English off the Earth (from: Caricature, vol. 1)
1798
73
James Gillray, 1756–1815
Horrors of the Irish-Union; - Botheration of Poor Pat! - or - A Whisper Across the Channel (from: Caricature, vol. 1)
1798
74
James Gillray, 1756–1815
Fighting for the Dunghill, - or - Jack Tar Settling Citoyen Francois (from: Caricature, vol. 1)
1798
75
James Gillray, 1756–1815
The Crown & Anchor - Libel, Burnt by the Public Hangman (from: Caricature, vol. 1)
1795
76
James Gillray, 1756–1815
The York Reverence; - or - City - Loyalty Amply Rewarded
1791
77
James Gillray, 1756–1815
The Prodigal Son
1787
78
James Gillray, 1756–1815
The Slough of Despond----; Vide - The Patriots Progress
1793
79
Print made by James Gillray, 1756–1815
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
80
James Gillray, 1756–1815
Pantagruel's Victorious Return to the Court of Gargantua, (After Extirpating the Soup-Meagres of Bouille Land.) (from: Caricature, vol. 2)
1794
81
James Gillray, 1756–1815
A Democrat, - or - Reason and Philosophy
1793
82
James Gillray, 1756–1815
Vices overlook'd in the New Proclamation
1792
83
James Gillray, 1756–1815
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
84
James Gillray, 1756–1815
Hounds in Full-Cry
1800
85
James Gillray, 1756–1815
Two New Sliders for the State Magic Lanthern
1783
86
James Gillray, 1756–1815
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
87
James Gillray, 1756–1815
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
88
James Gillray, 1756–1815
The Soliloquy
1782
89
James Gillray, 1756–1815
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
90
James Gillray, 1756–1815
Paille d'Avoine - Paille d'Avoine
1786
91
James Gillray, 1756–1815
The Legacy
1786
92
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
93
James Gillray, 1756–1815
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
94
Print made by James Gillray, 1756–1815
The Sick Prince
1787
95
James Gillray, 1756–1815
The Doctor Indulged with his Favorite Scene ---
ca. 1790
96
James Gillray, 1756–1815
The (Prince's) Nursery or Nine Months After
1786
97
Print made by James Gillray, 1756–1815
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
98
Print made by James Gillray, 1756–1815
The (Coward), Comforted; - or - A Scene Immediately After the Duel ---
1789
99
Print made by James Gillray, 1756–1815
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
100
James Gillray, 1756–1815
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)