We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
2
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
3
James Gillray, 1757–1815, British
A Morning Ride
1804
4
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
5
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
6
James Gillray, 1757–1815, British
The Legacy
1786
7
James Gillray, 1757–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
8
Print made by James Gillray, 1757–1815, British
The Dutch Divisions
1787
9
James Gillray, 1757–1815, British
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
10
Print made by James Gillray, 1757–1815, British
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
11
James Gillray, 1757–1815, British
Paille d'Avoine - Paille d'Avoine
1786
12
James Gillray, 1757–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
13
James Gillray, 1757–1815, British
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
14
James Gillray, 1757–1815, British
The Battle of Bow-Street
1788
15
James Gillray, 1757–1815, British
A Modern Cherub, - Vide Peters
1791
16
James Gillray, 1757–1815, British
The English Regency
1789
17
Print made by James Gillray, 1757–1815, British
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
18
Print made by James Gillray, 1757–1815, British
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
19
James Gillray, 1757–1815, British
The Valley of the Shadow of Death
1808
20
Print made by James Gillray, 1757–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
21
James Gillray, 1757–1815, British
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
22
James Gillray, 1757–1815, British
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
23
James Gillray, 1757–1815, British
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
24
James Gillray, 1757–1815, British
The Chancellor of the Inquisition Marking the Incorrigibles
1793
25
James Gillray, 1757–1815, British
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
26
James Gillray, 1757–1815, British
Ancient Music
1787
27
James Gillray, 1757–1815, British
French Democrats Surprizing the Royal-Runaways
1791
28
James Gillray, 1757–1815, British
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
29
James Gillray, 1757–1815, British
Les Trois Magots
1791
30
James Gillray, 1757–1815, British
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
31
James Gillray, 1757–1815, British
Design for the New Gallery of Busts and Pictures
1792
32
James Gillray, 1757–1815, British
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
33
James Gillray, 1757–1815, British
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
34
James Gillray, 1757–1815, British
A Sphere, Projecting against a Plane ---
1792
35
James Gillray, 1757–1815, British
What a Cur ' tis
1795
36
James Gillray, 1757–1815, British
Blindmans-Buff - or - Too Many for John Bull
1795
37
James Gillray, 1757–1815, British
The Noble Sans - Culotte
1794
38
James Gillray, 1757–1815, British
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
39
James Gillray, 1757–1815, British
The Slough of Despond----; Vide - The Patriots Progress
1793
40
Print made by James Gillray, 1757–1815, British
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
41
James Gillray, 1757–1815, British
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
42
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
43
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
44
Print made by James Gillray, 1757–1815, British
A Cognocenti Contemplating ye Beauties of ye Antique
1801
45
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
46
Charles Turner, 1774–1857, British
James Gillray
1819
47
James Gillray, 1757–1815, British
A Man of Importance
1799
48
James Gillray, 1757–1815, British
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
49
James Gillray, 1757–1815, British
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
50
James Gillray, 1757–1815, British
Fatal Effect of the French Defeat - Hanging (and) Drowning