<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Gillray, James, 1757–1815

Remove constraint Creator: Gillray, James, 1757–1815

Search Results

unknown artist We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist, ( John Dalrymple )
We Explain the Rights of Man to de Noblesse -- Scene from the House of Lords
unknown artist Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
unknown artist
Sketch of the Interior of St. Stephens as it now Stands (Pitt speaking)
1802
James Gillray A Morning Ride
James Gillray, 1757–1815, British
A Morning Ride
1804
James Gillray The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 1 - "Ah me! what perils doth that Youth encounter, who dares within the Fellow's Bog to enter."
1806
James Gillray The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 5 - "Convened for wearing Gaiters - sad offence! Expelled - nor e'en permitted a defence."
1806
James Gillray The Legacy
James Gillray, 1757–1815, British
The Legacy
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1757–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Dutch Divisions
Print made by James Gillray, 1757–1815, British
The Dutch Divisions
1787
James Gillray The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
James Gillray, 1757–1815, British
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
James Gillray Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
Print made by James Gillray, 1757–1815, British
Hyde-Park; - Sunday, - or - Both Hemispheres of the World in a Sweat ---
1789
James Gillray Paille d'Avoine - Paille d'Avoine
James Gillray, 1757–1815, British
Paille d'Avoine - Paille d'Avoine
1786
James Gillray The Loves of the Fox and the Badger, - or The Coalition Wedding
James Gillray, 1757–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
James Gillray The Fall of Dagon - or Rare News for Leaden-Hall Street
James Gillray, 1757–1815, British
The Fall of Dagon - or Rare News for Leaden-Hall Street
1784
James Gillray The Battle of Bow-Street
James Gillray, 1757–1815, British
The Battle of Bow-Street
1788
James Gillray A Modern Cherub, - Vide Peters
James Gillray, 1757–1815, British
A Modern Cherub, - Vide Peters
1791
James Gillray The English Regency
James Gillray, 1757–1815, British
The English Regency
1789
James Gillray Mason, The Duke's Confectioner Disposing of the Trinkets
Print made by James Gillray, 1757–1815, British
Mason, The Duke's Confectioner Disposing of the Trinkets
1788
James Gillray John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
Print made by James Gillray, 1757–1815, British
John Bull, in a Quandary, Which Way Shall I Turn Me, How Shall I Decide?
1789
James Gillray The Valley of the Shadow of Death
James Gillray, 1757–1815, British
The Valley of the Shadow of Death
1808
James Gillray Shakespeare Sacrificed; or, The Offering to Avarice
Print made by James Gillray, 1757–1815, British
Shakespeare Sacrificed; or, The Offering to Avarice
1789
James Gillray Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
James Gillray, 1757–1815, British
Weird Sisters; Ministers of Darkness; Minions of the Moon (Thurlow, Pitt, and Dundas)
1791
James Gillray Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid.
James Gillray, 1757–1815, British
Squire Thomas Just Arriv'd, Touch Me Not! I'm Still a Maid
1783
James Gillray Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
James Gillray, 1757–1815, British
Presentation of the Mahometan Credentials - or - The Final Resource of French Atheists (from: Caricature, vol. 2)
1793
James Gillray The Chancellor of the Inquisition Marking the Incorrigibles
James Gillray, 1757–1815, British
The Chancellor of the Inquisition Marking the Incorrigibles
1793
James Gillray Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
James Gillray, 1757–1815, British
Alecto and Her Train, at the Gate of Pandeomonium; - or - The Recruiting Sargeant Enlisting John Bull, Into the Revolution Service
1791
James Gillray Ancient Music
James Gillray, 1757–1815, British
Ancient Music
1787
James Gillray French Democrats Surprizing the Royal-Runaways
James Gillray, 1757–1815, British
French Democrats Surprizing the Royal-Runaways
1791
James Gillray Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
James Gillray, 1757–1815, British
Substitutes for Bread; - or - Right Honorables, Saving the Loaves and Dividing the Fishes
1795
James Gillray Les Trois Magots
James Gillray, 1757–1815, British
Les Trois Magots
1791
James Gillray The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
James Gillray, 1757–1815, British
The Bishop of a Tun's Breeches; - or - The Flaming Eveque, Purifying the House of Office
1792
James Gillray Design for the New Gallery of Busts and Pictures
James Gillray, 1757–1815, British
Design for the New Gallery of Busts and Pictures
1792
James Gillray Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
James Gillray, 1757–1815, British
Anti-Sacharrites, - or - John Bull and His Family Leaving off the Use of Sugar
1792
James Gillray The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
James Gillray, 1757–1815, British
The Power of Beauty; - St. Cecillia Charming the Brute; - or - The Seduction of the Welch-Ambassador (from: Caricature, vol. 2)
1792
James Gillray A Sphere, Projecting against a Plane ---
James Gillray, 1757–1815, British
A Sphere, Projecting against a Plane ---
1792
James Gillray What a Cur ' tis
James Gillray, 1757–1815, British
What a Cur ' tis
1795
James Gillray Blindmans-Buff - or - Too Many for John Bull
James Gillray, 1757–1815, British
Blindmans-Buff - or - Too Many for John Bull
1795
James Gillray The Noble Sans - Culotte
James Gillray, 1757–1815, British
The Noble Sans - Culotte
1794
James Gillray Taking Physick; - or - The News of Shooting the King of Sweden!
James Gillray, 1757–1815, British
Taking Physick; - or - The News of Shooting the King of Sweden!
1792
James Gillray The Slough of Despond----; Vide - The Patriots Progress
James Gillray, 1757–1815, British
The Slough of Despond----; Vide - The Patriots Progress
1793
James Gillray Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
Print made by James Gillray, 1757–1815, British
Flannel-Armour; Female-Patriotism, -or- Modern Heroes Accoutred for the Wars
1793
James Gillray The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
James Gillray, 1757–1815, British
The Eruption of the Mountain - or - The Horrors of the Bocca Del Inforno----With the Head of the Protector Saint Januarius Carried in Processions by the Cardinal Archeveque of the Lazaroni
1794
James Gillray The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 3 - "The Master's Wig the guilty wight appals, who brings his Dog within the College walls."
1806
James Gillray The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 2 - "Ah me! that thou the Freshman's-Guide should'st read, yet venture on the hallowed grass to tread"
1806
James Gillray A Cognocenti Contemplating ye Beauties of ye Antique
Print made by James Gillray, 1757–1815, British
A Cognocenti Contemplating ye Beauties of ye Antique
1801
James Gillray The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
James Gillray, 1757–1815, British
The Rake's-Progress at the University - No. 4 - "Expulsion waits that Son of Alma Mater who dares to shew his face in Boot or Gaiter"
1806
Charles Turner James Gillray
Charles Turner, 1774–1857, British
James Gillray
1819
James Gillray A Man of Importance
James Gillray, 1757–1815, British
A Man of Importance
1799
James Gillray A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
James Gillray, 1757–1815, British
A Kick at the Broad-Bottoms! - i.e.- Emancipation of "All the Talents"
1807
James Gillray Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
James Gillray, 1757–1815, British
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
James Gillray Fatal Effect of the French Defeat - Hanging (and) Drowning
James Gillray, 1757–1815, British
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795