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Print made by Vanessa Bell, 1879–1961

Dahlias

1918

Vanessa Bell, 1879–1961

Woman in an Armchair

ca. 1921

Print made by Vanessa Bell, 1879–1961

An Unwritten Novel

1921

Print made by Vanessa Bell, 1879–1961

The String Quartet

1921

Print made by Vanessa Bell, 1879–1961

A Society

1921

Print made by Vanessa Bell, 1879–1961

A Haunted House

1921

Print made by Vanessa Bell, 1879–1961

Basket of Flowers

ca. 1954

Print made by Samuel Palmer, 1805–1881

Harvest under a Crescent Moon

ca. 1826

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

1797

Print made by William Blake, 1757–1827

'The longest night though longer far, would fail' (Page 15)

1797

Print made by William Blake, 1757–1827

Night the Second. On Time, Death, and Friendship; Title Page (Page 17)

1797

Print made by William Blake, 1757–1827

'We censure nature for a span too short' (Page 23)

1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

1797

Print made by William Blake, 1757–1827

'The vale of death! that hush'd cimmerian vale' (Page 54)

1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

1797

Print made by William Blake, 1757–1827

'Till death, that mighty hunter, earths them all' (Page 70)

1797

Print made by William Blake, 1757–1827

'Draw the dire steel? – ah no! – the dreadful blessing' (Page 73)

1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

1797

Print made by William Blake, 1757–1827

Night the First. On Life, Death, and Immortality; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'What, though my soul fantastick measures trod' (Page 4)

ca. 1797

Print made by William Blake, 1757–1827

'Its favours here are trials, not rewards' (Page 12)

ca. 1797

Print made by William Blake, 1757–1827

'Tis greatly wise to talk with our past hours' (Page 31)

ca. 1797

Print made by William Blake, 1757–1827

'Angels should paint it, angels ever there' (Page 40)

ca. 1797

Print made by William Blake, 1757–1827

'One radiant mark, – the death-bed of the just' (Page 41)

ca. 1797

Print made by William Blake, 1757–1827

Night the Third. Narcissa; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'As if the sun could envy, check'd his beam' (Page 49)

ca. 1797

Print made by William Blake, 1757–1827

'Ungrateful, shall we grieve their hovering shades' (Page 55)

ca. 1797

Print made by William Blake, 1757–1827

The Christian Triumph; Title Page

ca. 1797

Print made by William Blake, 1757–1827

'And vapid; sense and reason shew the door' (Page 72)

ca. 1797

Print made by William Blake, 1757–1827

'The thunder if in that the Almighty dwells' (Page 80)

ca. 1797

Print made by William Blake, 1757–1827

'His hand the good man fastens on the skies' (Page 86)

ca. 1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

ca. 1797

Print made by William Blake, 1757–1827

'O treacherous conscience! while she seems to sleep" (Page 27)

1797

Print made by William Blake, 1757–1827

'The thunder, if in that the Almighty dwells' (Page 80)

1797

Print made by William Blake, 1757–1827

'Is lost in love! thou great Philanthropist' (Page 87)

1797

Print made by William Blake, 1757–1827

'That touch, with charm celestial heals the soul' (Page 90)

1797

Print made by William Blake, 1757–1827

'When faith is virtue, reason makes it so' (Page 92)

1797

Print made by William Blake, 1757–1827

'If angels tremble, 'tis at such a sight' (Page 93)

1797

Print made by William Blake, 1757–1827

'Swift on his downy pinion flies from woe' (Page 1)

ca. 1797

Print made by William Blake, 1757–1827

'Disease invades the chastest temperence' (Page 10)

ca. 1797