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attributed to John Martin, 1789–1854

The Raising of Lazarus

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James William Giles, 1801–1870

Nemi

(1824)

• Materials & TechniquesBrown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
• DimensionsSheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm), Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Isaac Shaw, active 1830

Opening of the Liverpool and Manchester Railway

(ca. 1830)

• Materials & TechniquesBrown wash, brown ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Caernarfon Castle

(undated)

• Materials & TechniquesWatercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
• DimensionsMount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm), Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

St. Alban's Cathedral, Hertfordshire

(ca. 1797)

• Materials & TechniquesWatercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Willey Reveley, 1760–1799

Views in the Levant: Rome with Ruins seen Through an Archway

(ca. 1785)

• Materials & TechniquesWatercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
• DimensionsSheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Benjamin Robert Haydon, 1786–1846

Study of the Resurrection of Lazarus

(undated)

• Materials & TechniquesPen and brown ink, and brown wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Dr. Syntax Attends the Execution

(1820)

• Materials & TechniquesWatercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection