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John Constable, 1776–1837

East Bergholt Church, Looking Out the South Archway of the Ruined Tower

(1806)

• Materials & TechniquesWatercolor over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to Willey Reveley, 1760–1799

Views in the Levant: Ruined Flat Archway

(ca. 1785)

• Materials & TechniquesWatercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Willey Reveley, 1760–1799

Views in the Levant: Rome with Ruins seen Through an Archway

(ca. 1785)

• Materials & TechniquesWatercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
• DimensionsSheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Isaac Shaw, active 1830

Opening of the Liverpool and Manchester Railway

(ca. 1830)

• Materials & TechniquesBrown wash, brown ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir William Nicholson, 1872–1949

Canterbury Gate, Christ Church, Oxford

(1903)

• Materials & TechniquesWatercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
• DimensionsSheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm), Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir Robert Smirke the younger, 1781–1867

Interior of a Church

(1802-1804)

• Materials & TechniquesGray wash and graphite on moderately thick, moderately textured, beige wove paper
• DimensionsSheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm), Image: 12 1/4 × 10 1/2 inches (31.1 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Stothard, 1755–1834

October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot... [Read more]

(undated)

• Materials & TechniquesGray wash with pen and black ink on thin, smooth, cream wove paper
• DimensionsSheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Shepheard, ca. 1770–1842

Winkle Street, Southampton

(1819)

• Materials & TechniquesWatercolor, black ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Benjamin Robert Haydon, 1786–1846

Study of the Resurrection of Lazarus

(undated)

• Materials & TechniquesPen and brown ink, and brown wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Martin, 1789–1854

The Raising of Lazarus

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

(undated)

• Materials & TechniquesWatercolor with pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 1/4 × 10 inches (21 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Morton, ca. 1807–1825

Gateway to Battle Abbey

(after 1819)

• Materials & TechniquesWatercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James William Giles, 1801–1870

Nemi

(1824)

• Materials & TechniquesBrown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
• DimensionsSheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm), Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Hosmer Shepherd, 1792–1864

Temple Bar

(undated)

• Materials & TechniquesWatercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Inigo Richards, 1730/31?–1810

Thornbury Castle, Gloucestershire

(undated)

• Materials & TechniquesWatercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Hot Spice Gingerbread All Hot

(undated)

• Materials & TechniquesWatercolor with pen and gray and red-brown ink over graphite on medium, smooth, cream wove paper
• DimensionsSheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Dr. Syntax Attends the Execution

(1820)

• Materials & TechniquesWatercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

St. Alban's Cathedral, Hertfordshire

(ca. 1797)

• Materials & TechniquesWatercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Caernarfon Castle

(undated)

• Materials & TechniquesWatercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
• DimensionsMount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm), Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Sawrey Gilpin, 1762–1843

Priory At Dover

(undated)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/16 x 14 5/8in. (25.9 x 37.1cm), Sheet: 10 1/8 × 14 5/8 inches (25.7 × 37.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Heneage Finch, 4th Earl of Aylesford, 1751–1812

Ruined Archway with a Line of Washing, possibly in Rome

(after 1771)

• Materials & TechniquesWatercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm), Mount: 14 3/8 × 12 7/8 inches (36.5 × 32.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection