<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Work Type watercolor

Remove constraint Work Type: watercolor

Subject Terms man

Remove constraint Subject Terms: man

Search Results

Oberon and Titania
Creator:
Francis Danby, 1793–1861
Date:
1837
Materials & Techniques:
Watercolor and black ink with gum over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 6 × 8 1/4 inches (15.2 × 20.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
One of Burch's
Creator:
John R. Skeaping, 1901–1980
Date:
1974
Materials & Techniques:
Watercolor and gouache on rough, thick, white wove paper
Dimensions:
Sheet: 21 × 28 inches (53.3 × 71.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Study of a Pilgrim
Creator:
attributed to Samuel Palmer, 1805–1881
Date:
undated
Materials & Techniques:
Watercolor, brown wash, white gouache, gold, black chalk, and graphite on slightly textured, medium, green wove paper
Dimensions:
Sheet: 10 3/4 x 8 inches (27.3 x 20.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Male Nude
Creator:
John Constable, 1776–1837
Date:
1808
Materials & Techniques:
Graphite and white gouache on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 21 3/4 x 17 1/2 inches (55.2 x 44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Man with Horse and Cart Entering a Quarry
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1797
Materials & Techniques:
Watercolor, graphite and gray wash on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 8 1/8 x 10 3/4 inches (20.7 x 27.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Great Tree
Creator:
Joseph Mallord William Turner, 1775–1851
Date:
ca. 1796
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream laid paper, mounted on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 10 x 15 1/4 inches (25.4 x 38.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Egpytian Man on Camel
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 2 1/16 x 1 11/16 inches (5.2 x 4.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Egyptian Man
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1 11/16 x 1 3/8 inches (4.3 x 3.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Egyptian Man
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1 13/16 x 7/8 inches (4.6 x 2.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Egyptian Man
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1 11/16 x 1 7/16 inches (4.3 x 3.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Egyptian Man
Creator:
Edward Lear, 1812–1888
Date:
1867
Materials & Techniques:
Watercolor, graphite, pen and brown ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 1 13/16 x 15/16 inches (4.6 x 2.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Greek Woodcutter, June 13 /56
Creator:
Edward Lear, 1812–1888
Date:
1856
Materials & Techniques:
Watercolor with pen in brown ink over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 1/16 x 6 1/8 inches (23 x 15.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939
Duke of Dorset (So-called)
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 1/2 x 13 5/8 inches (52.1 x 34.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Lord Salisbury, Standing by a Pillar
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with brown wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/4 x 13 1/4 inches (50.2 x 33.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Classical Male Nude
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Graphite; verso: gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 20 x 8 1/4 inches (50.8 x 21 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938, to the Yale University Art Gallery
Two Lovers (Man Awakening from a Dream)
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown wash and graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 12 3/4 x 19 3/4 inches (32.4 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
A Mother with Her Child in Her Arms Flying upon the Ramparts of a City in Flames
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink and brown wash on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 19 1/2 x 16 inches (49.5 x 40.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. River God

River God
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Brown ink with gray wash over graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 15 3/4 x 20 1/4 inches (40 x 51.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Ladies in Waiting
Creator:
George Romney, 1734–1802
Date:
undated
Materials & Techniques:
Gray wash and graphite on medium, smooth, cream laid paper
Dimensions:
Sheet: 5 x 6 1/2 inches (12.7 x 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 101, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 33, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 35, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 5, "Ode on the Spring."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 53, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 115, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 13, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 99, "Ode for Music."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 16, "Oft Bursts My Song beyond the Bounds of Life"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 33, "Like That, the Dial Speaks; and Points to Thee"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jerusalem, Plate 76
Creator:
Print made by William Blake, 1757–1827
Date:
1804 to 1820
Materials & Techniques:
Relief etching printed in orange ink, with watercolor, pen and black ink, and gold on moderately thick, smooth, cream wove paper
Dimensions:
Sheet: 13 1/2 x 10 3/8 inches (34.3 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 63, "This King of Terrors Is the Prince of Peace"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 27, "A Long Story."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 65, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 69, "The Fatal Sisters."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 85, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827
Date:
1789
Materials & Techniques:
Relief etching printed in brown ink, with watercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 7 1/2 x 5 3/8 inches (19.1 x 13.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 80, "The Thunder If in That the Almighty Dwells"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 86, "His Hand the Good Man Fastens on the Skies"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"
Creator:
Print made by William Blake, 1757–1827
Date:
1797
Materials & Techniques:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Spine: 17 1/2 inches (44.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 1, "The Pindaric Genius Receiving His Lyre"
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 37, "Ode to Adversity."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 55, "The Bard."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 79, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Poems of Thomas Gray, Design 83, "The Descent of Odin."
Creator:
William Blake, 1757–1827
Date:
between 1797 and 1798
Materials & Techniques:
Watercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
Dimensions:
Sheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Moses Receiving the Law
Creator:
William Blake, 1757–1827
Date:
ca. 1780
Materials & Techniques:
Pen and black ink with gray wash, black wash and graphite on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 26 x 12 1/4 inches (66 x 31.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Widow Embracing Her Husband's Grave
Creator:
William Blake, 1757–1827
Date:
1805 to 1808
Materials & Techniques:
Pen and gray ink with graphite and watercolor on medium, moderately textured, cream wove paper
Dimensions:
Sheet: 6 x 8 1/8 inches (15.2 x 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Watering Four Horses
Creator:
Conrad Gessner, 1764–1826
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/8 × 7 inches (10.5 × 17.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hero and Leander
Creator:
William Hamilton, 1751–1801
Date:
1801
Materials & Techniques:
Watercolor, pen and brown ink, black ink, gouache, and graphite on thin, slightly textured, cream wove paper
Dimensions:
Sheet: 16 5/8 × 11 inches (42.2 × 27.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Wooded Landscape with Figures Round a Cooking Pot
Creator:
Thomas Hand, died 1804
Date:
1793
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 7/8 × 9 5/8 inches (17.5 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Leander Taking Leave of Hero Before Swimming Back Across the Hellespont
Creator:
Attributed to William Hamilton, 1751–1801
Date:
undated
Materials & Techniques:
Watercolor, gray wash, pen and brown ink, red chalk, graphite, with scraping out on moderately thick, moderately textured, cream laid paper
Dimensions:
Sheet: 14 1/8 × 10 5/8 inches (35.9 × 27 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ferdinand Riding the Waves
Creator:
Theodor von Holst, 1810–1844
Date:
ca. 1830
Materials & Techniques:
Watercolor with gray wash and gouache over graphite on moderately thick, moderately textured, beige wove paper
Dimensions:
Sheet: 9 3/4 × 7 1/4 inches (24.8 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Faust and Margaret
Creator:
Theodor von Holst, 1810–1844
Date:
undated
Materials & Techniques:
Graphite, watercolor and black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 9 3/4 × 6 1/2 inches (24.8 × 16.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Regency Pair
Creator:
James Hook, ca. 1772–1828
Date:
1802
Materials & Techniques:
Watercolor, graphite, pen and black ink, and pen and brown ink on medium, slightly textured, cream wove paper mounted on medium, slightly textured, brown wove paper
Dimensions:
Sheet: 11 3/8 × 10 1/4 inches (28.9 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Soldier on Horseback
Creator:
Attributed to unknown artist
Date:
undated
Materials & Techniques:
Gray and brown wash with pen and black ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 5 3/8 × 9 1/16 inches (13.7 × 23 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Inattention
Creator:
Thomas Heaphy, 1775–1835
Date:
1808
Materials & Techniques:
Watercolor, pen and ink, sponging, and gum over graphite on wove paper
Dimensions:
Sheet: 25 3/8 x 19 3/4 inches (64.5 x 50.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Half Timbered and Thatched Shack
Creator:
Thomas Hearne, 1744–1817
Date:
1798
Materials & Techniques:
Watercolor and brown ink over graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Contemporary drawn border: 11 3/4 x 9 1/4 inches (29.8 x 23.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Messrs. Carfax
Creator:
Sir Max Beerbohm, 1872–1956
Date:
undated
Materials & Techniques:
gray wash with pen and black ink, watercolor and graphite on medium, slightly textured, cream laid paper mounted on board
Dimensions:
Sheet: 11 5/8 x 12 3/8 inches (29.5 x 31.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Creator:
Thomas Carwitham, active 1723
Date:
ca. 1723
Materials & Techniques:
Pen and brown ink and brown wash on moderately thick, moderately textured, beige laid paper
Dimensions:
Sheet: 4 5/16 x 3 3/4 inches (11 x 9.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948
Self-Portrait
Creator:
John Jackson, 1778–1831
Date:
ca. 1823
Materials & Techniques:
Watercolor and gouache on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 12 x 9 1/4in. (30.5 x 23.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cheesecake House, Hyde Park
Creator:
Thomas Hearne, 1744–1817
Date:
ca. 1795
Materials & Techniques:
Watercolor and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 13 1/8 × 10 1/4 inches (33.3 × 26 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Boar and a Ram
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/4 inches (12.7 × 18.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Lion Standing over a Wounded Leapard
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor, pen and black ink and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 7 1/8 inches (12.7 × 18.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riders Outside an Inn
Creator:
Samuel Howitt, 1756–1822
Date:
undated
Materials & Techniques:
Watercolor and pen and black ink over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 5 × 8 1/8 inches (12.7 × 20.6 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Bearded Man Looking Down
Creator:
Francis Le Piper, 1640–1698
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 × 3 5/8 inches (10.2 × 9.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Sly Man in a Cap
Creator:
Francis Le Piper, 1640–1698
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 4 1/2 × 4 1/8 inches (11.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Man in Eccentric Head Gear and Collar
Creator:
Francis Le Piper, 1640–1698
Date:
undated
Materials & Techniques:
Pen with black ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 4 1/2 × 4 1/8 inches (11.4 × 10.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Celadon and Amelia from Thomson's 'The Seasons'
Creator:
Alexander Runciman, 1736–1785
Date:
undated
Materials & Techniques:
Brown wash and graphite on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 x 9 3/8 inches (15.6 x 23.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Greatheart's Battle with Grim
Creator:
Richard Westall, 1765–1836
Date:
undated
Materials & Techniques:
Watercolor with pen and black ink on moderately thick, slightly textured cream wove paper
Dimensions:
Sheet: 4 7/8 × 4 inches (12.4 × 10.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a portrait of an architect or a painter
Creator:
Sir James Thornhill, 1675–1734
Date:
undated
Materials & Techniques:
Pen and brown ink with brown wash over graphite on medium, slightly textured, beige laid paper
Dimensions:
Sheet: 6 7/8 x 5 1/4 inches (17.5 x 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with beech trees and man driving cattle and sheep
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, and black chalk on medium, slightly textured, cream laid paper on blue wove paper mount
Dimensions:
Sheet: 14 1/2 x 10 1/2 inches (36.8 x 26.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Landscape with a man playing a pipe under an old tree
Creator:
style of Paul Sandby, 1731–1809
Date:
undated
Materials & Techniques:
Watercolor, gouache, pen and black ink, graphite, black chalk on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 3/4 x 10 3/8 inches (37.5 x 26.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Artist Sketching Mlle. de St. Legier as a Shepherdess
Creator:
James Moore, 1762–1799
Date:
1787
Materials & Techniques:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 1/2 × 10 inches (19.1 × 25.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and graphite on medium, slightly textured, gray wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The Death of Cordelia
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Watercolor, gouache, red crayon, and graphite on moderately thick, slightly textured, beige laid paper
Dimensions:
Sheet: 12 x 9 3/4 inches (30.5 x 24.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
One of eighteen designs for a series of plates illustrating Venus and Adonis
Creator:
Hablot Knight Browne, 1815–1882
Date:
undated
Materials & Techniques:
Graphite, brown chalk, watercolor and white gouache on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 6 5/8 × 6 5/8 inches (16.8 × 16.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Incantation Scene
Creator:
Henry Pierce Bone, 1779–1855
Date:
undated
Materials & Techniques:
Watercolor on moderately thick, slightly textured, cream wove paper
Dimensions:
Sheet: 19 3/4 × 23 5/8 inches (50.2 × 60 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man in a Blue Cloak
Creator:
attributed to Thomas Barker, 1769–1847
Date:
undated
Materials & Techniques:
Watercolor, graphite and pen and black ink on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 9 5/8 × 6 1/4 inches (24.4 × 15.9 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Man Asleep in a Bunk on Board a Ship
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Pen and black ink and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 7 3/8 inches (13 × 18.7 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shepherd, Shepherdess and Dog
Creator:
Michel Vincent Brandoin, 1733–1807
Date:
undated
Materials & Techniques:
Pen and black ink, graphite and gray wash on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 5 1/8 × 3 7/8 inches (13 × 9.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Portrait of a Man with a Double Chin
Creator:
Louis Philippe Boitard, active 1734–1760
Date:
undated
Materials & Techniques:
Watercolor and pen and brown ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 6 1/8 × 4 3/4 inches (15.6 × 12.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Secundini Monument at Ighel in the Duchy of Luxembourg
Creator:
William Pars, 1742–1782
Date:
undated
Materials & Techniques:
Watercolor with pen and gray and black ink with gouache on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 13 3/16 x 20 inches (33.5 x 50.8 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Conway Castle
Creator:
Paul Sandby, 1731–1809
Date:
1789
Materials & Techniques:
Watercolor on medium, moderately textured, cream laid paper
Dimensions:
Sheet: 18 7/8 x 25 3/8 inches (47.9 x 64.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Jerome in his Study
Creator:
Alexander Marshal, active 1651–died 1682
Date:
1650
Materials & Techniques:
Gouache, watercolor, and graphite on vellum
Dimensions:
Sheet: 7 3/8 × 9 5/8 inches (18.7 × 24.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Venus and Adonis
Creator:
Peter Oliver, 1589–1647
Date:
1631
Materials & Techniques:
Gray wash, graphite, and pen and gray ink on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 7 9/16 x 8 13/16 inches (19.2 x 22.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection