Search Constraints
Search Results
1
- Hadleigh Castle
- 1828 to 1829
- Not on view
2
- Hampstead Heath, with a Bonfire
- ca. 1822
- Not on view
3
- Self-Portrait
- ca. 1759
- Not on view
4
- Landscape with Goatherd
- ca. 1842
- Not on view
5
- The Passing of the Great Emancipation Act
- ca. 1829
- Not on view
6
- Landscape with a Lake
- 1808
- Not on view
7
- Landscape with a Castle
- ca. 1808
- Not on view
8
- Chelsea Pensioners Receiving the Gazette Announcing the Battle of Waterloo
- ca. 1819
- Not on view
9
- A Setter at the Edge of a Wood
- between 1775 and 1785
- Not on view
10
- Still Life with a Prayer Book, Shawl, Vase of Flowers and Inkwell
- late 1920s
- Not on view
11
- The Only Child; The Jew's Harp; The Cut Finger; Blind Man's Buff; The Rent Day; The Scotch Piper; The Prieu-Dieu; and Self Portrait: A Sketch of the Eight Paintings Framed and Hanging on a Wall
- undated
- Not on view
12
- Study of a Groom, Seen from Behind
- ca. 1820
- Not on view
13
- The Quorn Hunt: a Sketch of the Artist and his Friends Moving Off
- ca. 1825
- Not on view
14
- Study - Figure
- 1954
- Not on view
15
- Whitby
- 1878
- Not on view
16
- Dutch Sailing Vessels
- 1814
- Not on view
17
- A Wherry Taking Passengers out to Two Anchored Packets
- 1825
- Not on view
18
- A View of the Church of S. Sabina and the Pyramid of Cestius, Rome
- ca. 1825
- Not on view
19
- Young Woman in Mulberry Dress
- Winter 1923 to 1924
- Not on view
20
- A View of the Laguna, Venice
- 1895 to 1896
- Not on view
21
- The Pink Jockey
- ca. 1950
- Not on view
22
- Joshua Rose of Liverpool
- ca. 1795
- Not on view
23
- Triarchy
- 1957
- Not on view
24
- After the Race
- 1875
- Not on view
25
- Polo Pony: Perfection
- cast 1963 (original model 1933)
- Not on view
26
- Mumtaz-Mahal
- 1957
- Not on view
27
- Her Majesty
- 1992 (recreated 2012)
- Not on view
28
- The Kill
- undated
29
- Figures at Mass, Poland
- ca. 1904
30
- The Horse Mart (Barbican No. 1)
- 1920
31
- Ancient Trees, Lullingstone Park
- 1828
32
- A Moonlit Scene with a Winding River
- ca. 1827
33
- Study of a Pilgrim
- undated
34
- Wilmot's Hill, Kent
- ca. 1851
35
- Sunset
- ca. 1861
36
- Old Cedar Tree in Botanic Garden, Chelsea
- 1854
37
- A Cow Lodge with a Mossy Roof
- ca. 1829
38
- The Bellman
- 1879
39
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
40
- Opening the Fold
- 1880
41
- The Rising Moon
- 1857
42
- Human Skeleton, Lateral View
- 1795 to 1806
43
- Tiger Body, Lateral View (Shows the third stage in dissection)
- 1795 to 1806
44
- Dorking Hen, Lateral View
- 1795 to 1806
45
- Dorking Hen Body, Lateral View (Study of the muscles of the body and limbs at a later stage of dissection)
- 1795 to 1806
46
- Tiger Body, Standing in Human Posture
- 1795 to 1806
47
- Dorking Hen Skeleton, Lateral View (Probably prepared for an unpublished key figure)
- 1795 to 1806
48
- Hudibras and the Lawyer (no.7)
49
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
50
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
51
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
52
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
53
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
54
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
55
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
56
- Plate 11, The Idle 'Prentice Executed at Tyburn
- 1747
57
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
58
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
59
- Plate 12, The Industrious 'Prentice Lord Mayor of London
- 1747
60
- Benjamin Read
- ca. 1757
61
- The Drawing of the Clyde
- 1809
62
- Calm
- 1812
63
- The Fifth Plague of Egypt
- 1808
64
- Glaucus and Scylla
- between 1813 and 1823
65
- Bonneville, Savoy
- 1816
66
- The Stork and Aqueduct
- between 1813 and 1823
67
- Interior of a Church
- 1819
68
- Bonneville, Savoy
- 1816
69
- Dumblain Abbey, Scotland
- 1816
70
- Mer de Glace, Valley of Chamouni, Savoy
- 1812
71
- Rispah: 2nd Book of Samuel, Chap. 21
- 1812
72
- The Crypt of Kirkstall Abbey
- 1812
73
- Junction of Severn and Wye
- 1811
74
- Morpeth, Northumberland
- 1809
75
- Lauffenbourgh on the Rhine
- 1811
76
- Mt. St. Gothard
- 1808
77
- The Woman and Tambourine
- 1807
78
- Bridge and Cows
- 1807
79
- The Source of the Arveron in the Valley of Chamouni, Savoy
- 1816
80
- Ville de Thun, Switzerland
- 1816
81
- River Wye
- 1812
82
- Calm
- 1812
83
- Windmill and Lock
- 1811
84
- Ships in a Breeze
- 1808
85
- Basle
- 1807
86
- On the Washburn
- ca. 1815
87
- Scene in the Campagna
- 1812
88
- Shields Lighthouse
- between 1820 and 1826
89
- Knowsley Hall
- undated
90
- Landscape Near Segni
- 1838
91
- Prison Scene
- undated
92
- Sketches for "The Accusation of Susanna"
- undated
93
- Two Children Embracing
- undated
94
- Reclining Nude
- undated
95
- Anger, Envy, and Fear
- undated
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
96
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
97
- Abraham and Isaac
- 1799 to 1800
98
- Five Visionary Heads of Women
- 1819 to 1820
99
- Introduction to the Fables, The Shepherd and the Philosopher
- 1793
100
- Fable XIII. The Tame Stag
- 1793