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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Charles Earl Cornwallis, Lieutenant General of His Majesty's Forces,... [Read more]
(1781)
- Materials & TechniquesStipple engraving and etching on medium, slightly textured, cream laid paper
- DimensionsSheet: 10 1/4 x 7 3/4 inches (26 x 19.7 cm), Plate: 6 5/8 x 5 1/8 inches (16.8 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
unknown artist
Two Figures
(undated)
- Materials & TechniquesGray wash and pen and black ink on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 1/2 × 2 1/2 inches (8.9 × 6.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Philip Audinet, 1766–1837
James Northcote
(1831)
- Materials & TechniquesEtching on medium, slightly textured, cream wove paper
- DimensionsSheet: 8 13/16 x 5 9/16 inches (22.4 x 14.1 cm), Plate: 7 3/8 x 5 inches (18.7 x 12.7 cm), Image: 3 5/8 x 2 9/16 inches (9.2 x 6.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
unknown artist
A Dangerous Leap
(ca. 1850)
- Materials & TechniquesPen and brown ink on medium, smooth, cream wove paper
- DimensionsSheet: 3 9/16 × 4 5/16 inches (9 × 11 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Richard Crosse, 1742–1810
A Gentleman in a Blue Coat
(ca. 1790)
- Materials & TechniquesWatercolor on ivory
- DimensionsOverall: 3 1/2 × 2 7/8 × 1/4 inches (8.9 × 7.3 × 0.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Ann and Kenneth Rapoport
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Accessible in the Study Room
Richard Crosse, 1742–1810
Young Man in a Brown Jacket
(ca. 1795)
- Materials & TechniquesWatercolor on ivory
- DimensionsOverall: 3 5/8 × 2 1/2 × 1/4 inches (9.2 × 6.4 × 0.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Ann and Kenneth Rapoport
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Accessible in the Study Room
George Chinnery, 1774–1852
A Gentleman with Auburn Hair
(undated)
- Materials & TechniquesWatercolor on ivory
- DimensionsOverall: 3 5/8 × 3 1/4 inches (9.2 × 8.3 cm), Frame: 5 3/4 × 4 3/4 inches (14.6 × 12.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Ann and Kenneth Rapoport
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 4 1/8 x 3 3/8 inches (10.5 x 8.5 cm), Plate: 3 9/16 x 2 11/16 inches (9 x 6.9 cm), Image: 3 9/16 x 2 11/16 inches (9 x 6.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 15/16 x 3 5/16 inches (10 x 8.4 cm), Plate: 3 9/16 x 2 13/16 inches (9 x 7.2 cm), Image: 3 9/16 x 2 13/16 inches (9 x 7.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 4 3/16 x 3 1/4 inches (10.6 x 8.3 cm), Plate: 3 5/8 x 2 11/16 inches (9.2 x 6.8 cm), Image: 3 5/8 x 2 11/16 inches (9.2 x 6.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
unknown artist
John Gilpin Then Stopp'd at His Own Door
(undated)
- Materials & TechniquesPen and black ink, and watercolor on medium, slightly textured, cream wove paper
- DimensionsSheet: 3 1/2 × 4 inches (8.9 × 10.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
(1780)
- Materials & TechniquesStipple engraving on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 10 7/8 x 7 15/16 inches (27.6 x 20.1 cm), Plate: 6 3/4 x 5 1/8 inches (17.1 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
(1780)
- Materials & TechniquesStipple engraving on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 10 3/16 x 7 1/2 inches (25.9 x 19 cm), Plate: 6 3/4 x 5 1/8 inches (17.1 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by George Cooke, 1781–1834
Tooting Church
(1827)
- Materials & TechniquesEtching and line engraving on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 4 7/16 × 5 1/8 inches (11.2 × 13 cm), Image: 3 5/8 × 4 15/16 inches (9.2 × 12.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Ticket: For the Benefit of Mr. Salomon
(1794)
- Materials & TechniquesEtching on medium, slightly textured, cream wove paper
- DimensionsSheet: 3 11/16 x 4 5/8 inches (9.4 x 11.7 cm), Plate: 2 11/16 x 3 11/16 inches (6.8 x 9.3 cm), Image: 2 1/16 x 3 1/4 inches (5.3 x 8.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
unknown artist
Portrait of a Young Man
(1764)
- Materials & TechniquesWatercolor and gouache on vellum
- DimensionsSheet: 3 3/8 x 3 1/8 inches (8.6 x 7.9 cm), Frame: 6 3/4 x 6 3/8 x 5/8 inches (17.1 x 16.2 x 1.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Alfred W. Cooper, active 1850–1901
By the Sea (tail piece)
(undated)
- Materials & TechniquesWood-engraving with hand coloring on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 3 9/16 x 5 7/8 inches (9 x 15 cm), Image: 2 3/4 x 5 5/16 inches (7 x 13.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
William Camden Edwards, 1777–1855
John Bacon, R. A
(1830)
- Materials & TechniquesLine engraving and etching on moderately thick, slightly textured, cream wove paper, laid in mount
- DimensionsSheet: 5 1/2 × 3 1/4 inches (13.9 × 8.2 cm), Image: 3 3/8 × 2 11/16 inches (8.5 × 6.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Paul Sandby, 1731–1809
A Carriage and Pair, with Coachman
(1774)
- Materials & TechniquesGray wash, brown wash, white gouache and graphite on thin, slightly textured, beige laid paper
- DimensionsMount: 4 1/16 × 4 15/16 inches (10.3 × 12.5 cm), Sheet: 3 9/16 × 4 3/8 inches (9 × 11.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 7/16 x 2 7/16 inches (8.7 x 6.2 cm), Plate: 2 15/16 x 2 1/16 inches (7.4 x 5.2 cm), Image: 2 5/8 x 2 inches (6.6 x 5.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 9/16 x 2 11/16 inches (9.1 x 6.9 cm), Plate: 3 1/16 x 2 1/4 inches (7.8 x 5.7 cm), Image: 3 1/16 x 2 1/4 inches (7.8 x 5.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, orange laid paper
- DimensionsMount: 3 3/8 x 2 5/16 inches (8.6 x 5.8 cm), Sheet: 2 15/16 x 2 inches (7.5 x 5.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm), Plate: 3 3/8 x 2 1/2 inches (8.6 x 6.4 cm), Image: 3 3/8 x 2 1/2 inches (8.6 x 6.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
A Dead Horse on a Knacker's Cart
(undated)
- Materials & TechniquesWatercolor and graphite with pen and brown ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 3 7/16 x 6 1/16 inches (8.7 x 15.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Langdon, active 1800
Bishop Thomas Percy, Bishop of Dromore
(1793)
- Materials & TechniquesWatercolor, gouache and gum arabic on ivory in rose gold locket with hanger
- DimensionsImage: 3 3/8 × 2 3/4 inches (8.5 × 7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Ann and Kenneth Rapoport
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Accessible in the Study Room
Florence Claxton, active 1855–1889
Sketch for Whiskers
(undated)
- Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
- DimensionsSheet: 3 3/8 × 2 1/4 inches (8.6 × 5.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
William Woollet
(1795)
- Materials & TechniquesLine engraving and stipple engraving on thick, moderately textured, beige wove paper
- DimensionsSheet: 9 5/8 x 6 inches (24.4 x 15.2 cm), Plate: 4 3/4 x 3 3/4 inches (12 x 9.5 cm), Image: 3 3/8 x 2 5/8 inches (8.5 x 6.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Sir Henry Clinton
(1780)
- Materials & TechniquesStipple engraving on thin, smooth, cream laid paper, laid on contemporary mount made of medium, slightly textured, cream wove paper
- DimensionsMount: 7 7/8 x 6 7/16 inches (20 x 16.3 cm), Sheet: 7 7/8 x 6 5/16 inches (20 x 16.1 cm), Plate: 6 11/16 x 5 1/8 inches (17 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.5 x 6.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Francesco Bartolozzi, 1728–1815
Louis XVI
(1793)
- Materials & TechniquesStipple engraving on medium, slightly textured, cream laid paper
- DimensionsSheet: 10 1/8 x 7 7/8 inches (25.7 x 20 cm), Plate: 8 1/16 x 6 inches (20.4 x 15.2 cm), Image: 3 3/8 x 2 3/4 inches (8.5 x 7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Samuel Freeman, 1773–1857
Reverend Timothy Dwight, D.D., President of Yale College
(undated)
- Materials & TechniquesStipple engraving and etching on medium, slightly textured, cream wove paper
- DimensionsSheet: 8 5/16 x 5 1/4 inches (21.1 x 13.3 cm), Plate: 6 9/16 x 4 3/8 inches (16.7 x 11.1 cm), Image: 3 3/8 x 2 13/16 inches (8.5 x 7.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
George Chinnery, 1774–1852
A Man throwing a Ball to a Dog
(undated)
- Materials & TechniquesPen and brown ink, and graphite on medium, moderately textured, cream laid paper
- DimensionsSheet: 3 7/16 × 6 1/8 inches (8.7 × 15.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by George Cruikshank, 1792–1878
The Commodore's Wedding
(undated)
- Materials & TechniquesEtching on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 9 5/16 x 5 11/16 inches (23.7 x 14.4 cm), Plate: 7 5/16 x 3 3/4 inches (18.5 x 9.5 cm), Image: 3 11/16 x 2 15/16 inches (9.4 x 7.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Janet and James Sale, Yale BA 1960
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Accessible in the Study Room
Print made by J. Brown, active 1839–1869
John Gibson
(1851)
- Materials & TechniquesCrayon manner and line engraving with chine collé on thick, slightly textured, cream wove paper
- DimensionsSheet: 13 7/16 x 10 inches (34.1 x 25.4 cm), Plate: 6 15/16 x 5 1/16 inches (17.7 x 12.8 cm), Image: 3 11/16 x 2 5/8 inches (9.3 x 6.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
George Chinnery, 1774–1852
Portrait of a Man
(between 1795 and 1805)
- Materials & TechniquesWatercolor and graphite on medium, slightly textured cream wove paper mounted to card
- DimensionsSheet: 3 5/8 × 3 inches (9.2 × 7.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Jacob Gole, 1660–1737
Man Taking Snuff
(undated)
- Materials & TechniquesMezzotint on medium, moderately textured, cream laid paper
- DimensionsSheet: 4 9/16 x 4 5/16 inches (11.6 x 11 cm), Plate: 3 9/16 x 3 1/2 inches (9.1 x 8.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Jacobus Houbraken, 1698–1780
Gilbert Burnet, Bishop of Salisbury
(undated)
- Materials & TechniquesEngraving on medium, moderately textured, beige laid paper
- DimensionsSheet: 5 7/16 × 3 1/8 inches (13.8 × 7.9 cm), Image: 3 9/16 × 3 inches (9 × 7.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Robert Smirke, 1752–1845
She Never Told Her Love, But Sat Like Patience on a Monument
(1827)
- Materials & TechniquesBrown ink with brown wash and gouache and oil on medium, smooth, beige wove paper
- DimensionsSheet: 5 1/8 x 3 7/8 inches (13 x 9.8 cm), Image: 3 5/8 x 3 9/16 inches (9.2 x 9.1 cm), Frame: 8 1/2 × 7 1/8 × 3/4 inches (21.6 × 18.1 × 1.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by T. Blood, active 1812–1814
Jacob Bryant Esq
(between 1812 and 1814)
- Materials & TechniquesStipple engraving on medium, moderately textured, cream wove paper, laid in mount made of moderately thick, smooth, cream wove paper
- DimensionsMount: 11 3/8 x 17 3/16 inches (28.9 x 43.7 cm), Sheet: 4 5/8 x 3 5/16 inches (11.7 x 8.4 cm), Image: 3 9/16 x 3 1/16 inches (9.1 x 7.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
John Nixon, ca. 1760–1818
At Brighton, 1804: Three Women, Child and Man Looking Out to Sea
(1804)
- Materials & TechniquesWatercolor and graphite with pen and black ink on medium, smooth, cream wove paper
- DimensionsSheet: 3 3/8 × 6 1/8 inches (8.6 × 15.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
James Scouler, 1741–1812
Portrait of a Gentleman
(1796)
- Materials & TechniquesGouache and watercolor on ivory
- DimensionsImage: 3 1/2 x 2 5/8 inches (8.9 x 6.7 cm), Frame: 4 3/8 x 2 7/8 x 1/2 inches (11.1 x 7.3 x 1.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection