Search Constraints
Search Results
1
- Calais Jetty, France
- ca. 1824
- On view at YUAG
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- Ruined House
- between 1807 and 1810
- Not on view
4
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
5
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
6
- Rue Terre Neuve, Meudon
- between 1915 and 1925
- Not on view
7
- Alexander van Aken
- ca. 1770
- Not on view
8
- The Barber
- between 1760 and 1769
- Not on view
9
- Study of Rocks and Branches
- ca. 1795
- Not on view
10
- Southampton Water, near Hamble
- after 1837
- Not on view
11
- Seated Woman in a Broad-Brimmed Hat
- undated
- Not on view
12
- Mountainous Landscape with Figures and Cattle
- 1806 to 1807
- Not on view
13
- The Royal Mail Coach on the Road
- 1841
- Not on view
14
- Pheasant Shooting
- mid-19th century
- Not on view
15
- Grand Canal, Venice
- 1826
- Not on view
16
- Barges on a River
- 1826
- Not on view
17
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
18
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
19
- Nude in an Interior
- ca. 1911
- Not on view
20
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
21
- Portrait of a Lady
- ca. 1740
- Not on view
22
- Portrait of a Gentleman
- ca. 1740
- Not on view
23
- The Chaser: Sergeant Murphy
- cast 1963 (original model 1926)
- Not on view
24
- Harboro’ Nulli Secundus, Shire Stallion
- 1968
- Not on view
25
- Sketch of a Horse
- undated
26
- Farm Buildings and Well, Poland
- ca. 1908
27
- Crocks
- undated
28
- The Rising Moon
- 1857
29
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
30
- Tiger Body, Lateral View
- 1795 to 1806
31
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
32
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
33
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
34
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
35
- Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
- 1795 to 1806
36
- Tiger Body, Lateral View
- 1795 to 1806
37
- A Sleeping Leopard
- 1791
38
- Hogarth Painting the Comic Muse
- 1764
39
- Hudibras and the Lawyer (no.7)
40
- Plate 5, The Idle 'Prentice Turned Away, and Sent to Sea
- 1747
41
- Plate 2, The Industrious 'Prentice Performing the Duty of a Christian
- 1747
42
- Plate 3, The Idle 'Prentice at Play in the Church Yard during Divine Service
- 1747
43
- Plate 7, The Idle 'Prentice Returned from Sea and in a Garret with a Common Prostitute
- 1747
44
- Plate 6, The Industrious 'Prentice Out of his Time and Married to his Master's Daughter
- 1747
45
- Plate 4, The Industrious 'Prentice a Favourite, and Entrusted by his Master
- 1747
46
- Plate 8, The Industrious 'Prentice Grown Rich and Sheriff of London
- 1747
47
- Plate 10, The Industrious 'Prentice Alderman of London, The Idle One Brought Before him & Impeach'd by his Accomplice
- 1747
48
- Plate 9, The Idle 'Prentice Betrayed by his Whore and Taken in a Night Cellar with his Accomplice
- 1747
49
- Chain of Alps from Grenoble to Chamberi
- 1812
50
- Jason
- 1807
51
- Dent de Lion, Margate
- ca. 1791
52
- North Stoke. Oct. 21.1834
- 1834
53
- View Across a Meadow to a Church
- ca. 1834
54
- Hyacinthine Maccaw (Plate 9)
- 1832
55
- Tapha, 7:50 a.m., February 17, 1867
- 1867
56
- Amada, 9:30 am, 12 February 1867
- 1867
57
- Albogasio
- 1837
58
- Segni, 6 October 1838
- 1838
59
- Gerf Hoseyn, 2:30 pm, 15 February 1867 (484)
- 1867
60
- El Luxor
- 1867
61
- Wied Zurrik (Malta)
- 1848
62
- Platycercus Pacificus / Pacific Parrakeet (Plate 26)
- 1832
63
- Rocky Valley of Mosta, Malta, 1:30 p.m. (April 3, 1866)
- 1866
64
- Lear Awakened by Cordelia
- between 1774 and 1775
65
- Mother and Son
- undated
66
- Prospero and Miranda
- ca. 1787
67
- Duke of Dorset (So-called)
- undated
68
- Classical Male Nude with a Rearing Horse
- undated
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
69
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
70
- The Parable of the Wise and Foolish Virgins
- ca. 1825
71
- Designs for Gothic Ornamentation
- undated
72
- Maxstoke Priory
- undated
73
- View of Boldre Church
- undated
74
- Studies of a Hilly Coast, and a Rocky Waterfall
- undated
75
- A Rocky Hillside with Trees and Figures
- undated
76
- River Scene
- 1887
77
- A Human Skeleton
- undated
78
- Canterbury Cathedral from the meadows
- 1930
79
- View of Hagia Sophia Mosque and Shadirvan Fountain, Istanbul
- undated
80
- The Tank
- undated
81
- Senwick
- undated
82
- Nuntons
- undated
83
- Townhead and Drummore
- undated
84
- Drifting
- undated
85
- Entrance to Stonehouse Creek, between Plymouth and Dock, Devon
- undated
86
- Cloud Study
- undated
87
- Design for a Ceiling
- undated
88
- A Dramatic Scene with Three Women in an Interior
- 1794
89
- Lake Morat from Avenches
- ca. 1780
90
- Interior of an Eastern House
- between 1840 and 1851
91
- Diana Coope During a Performance of The Miracle; Diana Resting
- 1926
92
- Part of Goodrich Castle
- 1842
93
- Naples from the Strada Nouva, Nov.26, 1830
- 1830
94
- An unidentified Gothic Mansion: Side View of the House with Garden
- undated
95
- Chinatown, Philadelphia
- undated
96
- The Valley of Lutscheuen
- 1827
97
- Beauvais
- ca. 1831
98
- Landscape with Ledbury Church Spire
- undated
99
- Children with Pet Owls
- undated
100
- Interior of the Church of San Giovanni e Paolo, Venice
- 1835ated