Search the collections

Francis Danby, 1793–1861

The Avon Gorge at Sunset

(ca. 1850)

• Materials & TechniquesOil on paper
• Dimensions5 7/16 × 6 7/16 inches (13.8 × 16.4 cm), Frame: 8 1/4 × 9 1/4 inches (21 × 23.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Constable, 1776–1837

Study of Hollyhocks

(ca. 1826)

• Materials & TechniquesOil on board
• Dimensions9 1/2 x 7 inches (24.1 x 17.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Hadleigh Castle

(1828 to 1829)

• Materials & TechniquesOil on millboard
• Dimensions7 7/8 × 9 7/16 inches (20 × 24 cm), Frame: 10 1/2 × 12 × 1 1/2 inches (26.7 × 30.5 × 3.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Osmington Village

(1816 to 1817)

• Materials & TechniquesOil on canvas
• Dimensions10 1/8 x 12 inches (25.7 x 30.5 cm), Frame: 15 1/2 × 17 1/2 × 2 3/4 inches (39.4 × 44.5 × 7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Golding Constable's House, East Bergholt: the Artist's birthplace

(ca. 1809)

• Materials & TechniquesOil on canvas
• Dimensions5 3/4 × 10 inches (14.6 × 25.4 cm), Frame: 8 1/8 × 12 1/2 inches (20.6 × 31.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

Flatford Lock

(between 1810 and 1811)

• Materials & TechniquesOil on paper on canvas
• Dimensions14 1/2 x 14 1/2 inches (36.8 x 36.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to John Constable, 1776–1837

Flatford Mill

(between 1810 and 1811)

• Materials & TechniquesOil on panel
• Dimensions6 5/16 x 11 9/16 inches (16 x 29.4 cm), Frame: 8 3/4 × 14 1/2 inches (22.2 × 36.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Philippe-Jacques de Loutherbourg, 1740–1812

A Philosopher in a Moonlit Churchyard

(1790)

• Materials & TechniquesOil on canvas
• Dimensions34 × 27 inches (86.4 × 68.6 cm), Frame: 40 3/4 × 34 3/4 × 2 1/2 inches (103.5 × 88.3 × 6.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Richard Banks Harraden, 1778–1862

Procession of Boats on the River Cam below Clare College, Cambridge

(early 19th century)

• Materials & TechniquesOil on canvas
• Dimensions15 1/2 x 24 1/2 inches (39.4 x 62.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Michael "Angelo" Rooker, 1746–1801

St. Mary's Abbey, York

(ca. 1778)

• Materials & TechniquesOil on canvas
• Dimensions28 x 36 inches (71.1 x 91.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

Romantic Landscape with Figures and a Dog

(undated)

• Materials & TechniquesGray wash, pen and brown ink on medium, moderately textured, cream laid paper
• DimensionsSheet: 18 5/8 x 22 7/8 inches (47.3 x 58.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Adam, 1728–1792

Figures in a Lakeside Romantic Landscape

(1787)

• Materials & TechniquesWatercolor and graphite on medium, moderately textured, cream wove paper
• DimensionsSheet: 5 7/8 x 9 inches (14.9 x 22.9 cm), Mount: 8 3/8 x 11 5/8 inches (21.3 x 29.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Adam, 1728–1792

Figures in a Rocky Romantic Landscape

(1787)

• Materials & TechniquesWatercolor and graphite on medium, rough, cream laid paper
• DimensionsSheet: 5 3/4 x 9 1/4 inches (14.6 x 23.5 cm), Mount: 8 x 11 1/2 inches (20.3 x 29.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection