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1
- Young's Night Thoughts, Page 86, "His hand the good man fastens on the skies"
- ca. 1797
2
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- ca. 1797
3
- Young's Night Thoughts, Page 55, "Ungrateful, shall we grieve their hovering shades"
- ca. 1797
4
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
5
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
6
- The Poems of Thomas Gray, Design 41, "The Progress of Poesy."
- between 1797 and 1798
7
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
8
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
9
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
10
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
11
- Jerusalem, Plate 9, "Condens'd his Emanations...."
- 1804 to 1820
12
- The Poems of Thomas Gray, Design 95, "Ode for Music."
- between 1797 and 1798
13
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
14
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
15
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
16
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
17
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
18
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
19
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
20
- Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"
- 1797
21
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
22
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
23
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
24
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
25
- The Poems of Thomas Gray, Design 81, "The Descent of Odin."
- between 1797 and 1798
26
- The Poems of Thomas Gray, Design 99, "Ode for Music."
- between 1797 and 1798
27
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
28
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
29
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
30
- Young's Night Thoughts, Page 24, "Time, in Advance, behind Him Hides His Wings"
- 1797
31
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
32
- Satan Approaching the Court of Chaos
- 1784 to 1785
33
- Young's Night Thoughts, Page 25, "Behold him, when past by; what then is seen"
- ca. 1797
34
- Songs of Innocence and of Experience
- 1789-1794
![Robert Smirke Scenes from an Eastern Romance [Arabian Nights]](https://media.collections.yale.edu/thumbnail/ycba/95364f08-fc87-4e6e-901b-6a2cbe751cea)
35
- Scenes from an Eastern Romance [Arabian Nights]
- undated
36
- Pandemonium
- 1831
37
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
38
- Venus and Cupid
- undated
39
- The Death of the Good Old Man
- 1808
40
- The Death of the Good Old Man
- 1808
41
- The Meeting of a Family in Heaven
- 1808
42
- The Day of Judgment
- 1808
43
- The Meeting of a Family in Heaven
- 1808
44
- The Day of Judgment
- 1808