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Richard Dadd, 1817–1886

Caravanserai at Mylasa in Asia Minor

(1845)

• Materials & TechniquesOil on panel
• Dimensions8 3/8 × 12 inches (21.3 × 30.5 cm), Frame: 11 7/8 × 15 1/2 inches (30.2 × 39.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Morton, ca. 1807–1825

Gateway to Battle Abbey

(after 1819)

• Materials & TechniquesWatercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 3/16 × 11 7/16 inches (20.8 × 29.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

(undated)

• Materials & TechniquesWatercolor with pen and black ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 1/4 × 10 inches (21 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to John Martin, 1789–1854

The Raising of Lazarus

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, pen and black ink, white gouache, and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 2 1/8 x 2 3/4 inches (5.4 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Shepheard, ca. 1770–1842

Winkle Street, Southampton

(1819)

• Materials & TechniquesWatercolor, black ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 8 1/8 × 5 inches (20.6 × 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Inigo Richards, 1730/31?–1810

Thornbury Castle, Gloucestershire

(undated)

• Materials & TechniquesWatercolor and pen and gray ink on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 8 3/8 × 12 5/8 inches (21.3 × 32.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James McArdell, ca. 1729–1765

The Tribute Money

(undated)

• Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 18 5/8 × 22 5/8 inches (47.3 × 57.5 cm), Plate: 15 15/16 × 19 13/16 inches (40.5 × 50.3 cm), Image: 15 × 19 3/4 inches (38.1 × 50.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Frederik Christiaan Bierweiler, active 1800–1831

De Geboorten

(ca. 1820)

• Materials & TechniquesMezzotint and etching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 26 1/4 × 20 7/8 inches (66.7 × 53 cm), Plate: 24 1/4 × 17 inches (61.6 × 43.2 cm), Image: 23 × 17 inches (58.4 × 43.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by J. King

Cupid in Masquerade

(undated)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 7/8 × 5 3/16 inches (20 × 13.2 cm), Image: 7 1/4 × 5 1/8 inches (18.4 × 13 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by James McArdell, ca. 1729–1765

The Tribute Money

(undated)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 16 1/4 × 20 1/4 inches (41.3 × 51.4 cm), Plate: 15 3/4 × 19 7/8 inches (40 × 50.5 cm), Image: 15 × 19 7/8 inches (38.1 × 50.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by James McArdell, ca. 1729–1765

The Tribute Money

(undated)

• Materials & TechniquesMezzotint on medium, moderately textured, cream laid paper
• DimensionsSheet: 16 1/4 × 20 3/8 inches (41.3 × 51.8 cm), Plate: 15 7/8 × 20 inches (40.3 × 50.8 cm), Image: 15 × 19 15/16 inches (38.1 × 50.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by John Simon, 1675–1751

The Death of Ananias

(undated)

• Materials & TechniquesMezzotint on medium, moderately textured, beige laid paper
• DimensionsSheet: 9 15/16 × 13 7/8 inches (25.2 × 35.2 cm), Image: 9 1/2 × 13 1/2 inches (24.1 × 34.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Thomas Hosmer Shepherd, 1792–1864

Temple Bar

(undated)

• Materials & TechniquesWatercolor, brown ink, graphite, and gouache on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 3/4 × 7 5/8 inches (14.6 × 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Isaac Shaw, active 1830

Opening of the Liverpool and Manchester Railway

(ca. 1830)

• Materials & TechniquesBrown wash, brown ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 6 3/16 × 8 1/2 inches (15.7 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James William Giles, 1801–1870

Nemi

(1824)

• Materials & TechniquesBrown wash, graphite, pen and brown ink, and white gouache on moderately thick, moderately textured, blue wove paper
• DimensionsSheet: 10 3/8 x 14 3/4in. (26.4 x 37.5cm), Sheet: 10 3/8 × 14 3/4 inches (26.4 × 37.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Sir Charles D'Oyly, 1781–1845

A Mussalmaum Schoolmaster

(ca. 1830)

• Materials & TechniquesLithograph with hand coloring in watercolor on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, beige wove paper
• DimensionsMount: 9 15/16 x 6 9/16 inches (25.2 x 16.6 cm), Sheet: 6 13/16 x 5 3/8 inches (17.3 x 13.7 cm), Image: 6 7/16 x 5 3/8 inches (16.3 x 13.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James McBey, 1883–1959

Sotto Portico, Venice

(1925)

• Materials & TechniquesEtching on medium, slightly textured, light blue laid paper
• DimensionsSheet: 14 1/4 × 11 3/8 inches (36.2 × 28.9 cm), Image: 12 3/8 × 8 3/4 inches (31.4 × 22.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Willey Reveley, 1760–1799

Views in the Levant: Rome with Ruins seen Through an Archway

(ca. 1785)

• Materials & TechniquesWatercolor, graphite, pen and brown ink, and gum arabic on medium, slightly textured, cream laid paper
• DimensionsSheet: 19 1/4 × 14 13/16 inches (48.9 × 37.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to Willey Reveley, 1760–1799

Views in the Levant: Ruined Flat Archway

(ca. 1785)

• Materials & TechniquesWatercolor, pen and gray ink, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 11/16 × 8 11/16 inches (34.8 × 22.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Benjamin Robert Haydon, 1786–1846

Study of the Resurrection of Lazarus

(undated)

• Materials & TechniquesPen and brown ink, and brown wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Luigi Schiavonetti, 1765–1810

The Soul Exploring the Recesses of the Grave

(1808, published 1813)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 15 × 11 3/8 inches (38.1 × 28.9 cm), Plate: 11 1/4 × 6 1/4 inches (28.6 × 15.9 cm), Image: 9 1/4 × 4 5/8 inches (23.5 × 11.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Robert Smirke the younger, 1781–1867

Interior of a Church

(1802-1804)

• Materials & TechniquesGray wash and graphite on moderately thick, moderately textured, beige wove paper
• DimensionsSheet: 13 5/8 × 10 1/2 inches (34.6 × 26.7 cm), Image: 12 1/4 × 10 1/2 inches (31.1 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Caernarfon Castle

(undated)

• Materials & TechniquesWatercolor and graphite with pen and brown ink on very thick, slightly textured, cream wove paper
• DimensionsMount: 10 1/4 x 9 1/2 inches (26 x 24.1 cm), Sheet: 4 5/8 x 7 5/8 inches (11.7 x 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

The South Gate, Exeter

(undated)

• Materials & TechniquesGray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 x 7 5/8 inches (12.7 x 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Dr. Syntax Attends the Execution

(1820)

• Materials & TechniquesWatercolor with pen and red-brown ink, over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 5 7/16 x 8 1/2 inches (13.8 x 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

St. Alban's Cathedral, Hertfordshire

(ca. 1797)

• Materials & TechniquesWatercolor with pen and brown ink over graphite on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 12 9/16 x 9 11/16 inches (31.9 x 24.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

St. Alban's Cathedral, Hertfordshire

(ca. 1797)

• Materials & TechniquesGraphite on medium, moderately textured, beige laid paper
• DimensionsSheet: 14 3/8 x 10 1/4 inches (36.5 x 26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Stothard, 1755–1834

October 1st: Yeomen Make Room (Vol. 2, p. 335)October 2nd: She Stood With One Foot... [Read more]

(undated)

• Materials & TechniquesGray wash with pen and black ink on thin, smooth, cream wove paper
• DimensionsSheet: 3 3/4 × 4 1/2 inches (9.5 × 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir William Nicholson, 1872–1949

Canterbury Gate, Christ Church, Oxford

(1903)

• Materials & TechniquesWatercolor, black chalk, gouache, and graphite on medium, moderately textured, beige wove paper
• DimensionsSheet: 13 3/4 x 10 7/8in. (34.9 x 27.6cm), Sheet: 13 7/8 × 11 inches (35.2 × 27.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Benjamin Robert Haydon, 1786–1846

Study of the Resurrection of Lazarus

(undated)

• Materials & TechniquesPen and brown ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 5/8 × 10 9/16 inches (19.4 × 26.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

Hot Spice Gingerbread All Hot

(undated)

• Materials & TechniquesWatercolor with pen and gray and red-brown ink over graphite on medium, smooth, cream wove paper
• DimensionsSheet: 4 3/16 x 2 3/4 inches (10.6 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Sawrey Gilpin, 1762–1843

Priory At Dover

(undated)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/16 x 14 5/8in. (25.9 x 37.1cm), Sheet: 10 1/8 × 14 5/8 inches (25.7 × 37.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Heneage Finch, 4th Earl of Aylesford, 1751–1812

Ruined Archway with a Line of Washing, possibly in Rome

(after 1771)

• Materials & TechniquesWatercolor, graphite, and blue wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 10 1/2 × 8 7/8 inches (26.7 × 22.5 cm), Mount: 14 3/8 × 12 7/8 inches (36.5 × 32.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

East Bergholt Church, Looking Out the South Archway of the Ruined Tower

(1806)

• Materials & TechniquesWatercolor over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 3/8 x 5 3/8 inches (18.7 x 13.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

After Edward Burne-Jones, 1833–1898

The Garden Court

(1892)

• Materials & TechniquesPhotogravure on medium, slightly textured, cream wove paper
• DimensionsSheet: 16 1/2 × 30 1/2 inches (41.9 × 77.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Joseph F. McCrindle, Yale LLB 1948, Fund

unknown artist

Stone Tower and Arch with Two Figures Below

(undated)

• Materials & TechniquesGraphite and gouache on moderately thick, moderately textured, green wove paper
• DimensionsSheet: 14 × 10 5/8 inches (35.6 × 27 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Cecil Beaton, 1904–1980

Lion Atop London Brewery after German Bombing

(1940)

• Materials & TechniquesGelatin silver print on photographic paper
• DimensionsFrame: 15 5/8 × 13 1/4 × 7/8 inches (39.7 × 33.7 × 2.2 cm), Image: 8 3/8 × 6 1/4 inches (21.3 × 15.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Joy of Giving Something, Inc.