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unknown artist

View of Horse Guards and Whitehall

(ca. 1750)

• Materials & TechniquesOil on canvas
• Dimensions25 3/4 × 36 1/2 inches (65.4 × 92.7 cm), Frame: 31 3/4 × 42 1/2 inches (80.6 × 108 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Richard Redgrave, 1804–1888

The Deserter's Home

(1847)

• Materials & TechniquesOil on canvas
• Dimensions30 x 40 1/4 inches (76.2 x 102.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir Joshua Reynolds, 1723–1792

Sir Jeffery Amherst

(ca. 1768)

• Materials & TechniquesOil on canvas
• Dimensions30 x 25 inches (76.2 x 63.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

David Roberts, 1796–1864

Edinburgh from the Castle

(1847)

• Materials & TechniquesOil on canvas
• Dimensions48 x 84 inches (121.9 x 213.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Martin, 1789–1854

Joshua Commanding the Sun to Stand Still

(ca. 1840)

• Materials & TechniquesOil on canvas
• Dimensions18 7/8 × 24 5/8 inches (47.9 × 62.5 cm), Frame: 24 1/2 × 30 1/4 inches (62.2 × 76.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

William Anderson, 1757–1837

Hussars Embarking at Deptford

(1793)

• Materials & TechniquesOil on canvas
• Dimensions18 1/4 x 24 inches (46.4 x 61 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

George Jones, 1786–1869

Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the... [Read more]

(1815)

• Materials & TechniquesOil on paper
• Dimensions11 3/4 x 15 1/4 inches (29.8 x 38.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

A Review of the London Volunteer Cavalry and Flying Artillery in Hyde... [Read more]

(ca. 1804)

• Materials & TechniquesOil on board laid down on panel
• Dimensions15 7/8 x 20 1/16 inches (40.3 x 51 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Luke Clennell, 1781–1840

Baggage Wagons in a Thunderstorm

(ca. 1815)

• Materials & TechniquesOil on canvas
• Dimensions31 3/4 × 47 inches (80.6 × 119.4 cm), Frame: 38 1/2 × 54 × 3 5/8 inches (97.8 × 137.2 × 9.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Godfrey Kneller, 1646–1723

Henry Portman Seymour

(1714)

• Materials & TechniquesOil on canvas
• Dimensions49 x 39 inches (124.5 x 99.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Martin, 1789–1854

The Bard

(ca. 1817)

• Materials & TechniquesOil on canvas
• Dimensions50 × 40 inches (127 × 101.6 cm), Frame: 57 × 47 × 2 1/2 inches (144.8 × 119.4 × 6.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

James Northcote, 1746–1831

Sir Ralph Milbanke, Bt., in the Uniform of the Yorkshire (North Riding)... [Read more]

(1784)

• Materials & TechniquesOil on canvas
• Dimensions50 x 40 inches (127 x 101.6 cm), Frame: 3 1/2 × 58 1/2 × 48 1/2 inches (8.9 × 148.6 × 123.2 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Philips, 1708–1747

Tea Party at Lord Harrington's House, St. James's

(1730)

• Materials & TechniquesOil on canvas
• Dimensions40 1/4 x 49 3/4 inches (102.2 x 126.4 cm), Frame: 51 1/4 × 61 1/4 × 2 1/2 inches (130.2 × 155.6 × 6.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Francis Burney, 1760–1848

Mary, Queen of Scots

(undated)

• Materials & TechniquesWatercolor and pen and black ink on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 1/8 x 18 3/8 inches (25.7 x 46.7 cm), Image: 8 3/4 x 17 3/8 inches (22.2 x 44.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Simpson, 1823–1899

The Governor-General's and Commander-in-Chief's... [Read more]

(ca. 1860)

• Materials & TechniquesWatercolor and gouache over graphite on medium, slightly textured, blue wove paper
• DimensionsSheet: 9 7/8 x 13 7/8 inches (25.1 x 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Fennell Robson, 1788–1833

Macbeth and Banquo on the Heath

(ca. 1830)

• Materials & TechniquesWatercolor with gouache and scraping over graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 7 1/2 × 10 3/8 inches (19 × 26.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Dirk Langendyck, 1748–1805

British Troops Disembarking

(1799)

• Materials & TechniquesWatercolor, pen and black ink, and graphite on medium, smooth, cream wove paper
• DimensionsSheet: 9 1/8 x 13 7/8 inches (23.2 x 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Martin, 1789–1854

Joshua Commanding the Sun to Stand Still

(1818)

• Materials & TechniquesGraphite, brown wash, scratching out and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 16 × 24 1/8 inches (40.6 × 61.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Copley, 1875–1950

Recruits

(1915)

• Materials & TechniquesLithograph on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 19 7/8 x 25 13/16 inches (50.5 x 65.6 cm), Image: 14 1/8 x 16 11/16 inches (35.9 x 42.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by John Doyle ('H.B.'), 1797–1868

The State Wagon in Difficulties

(1847)

• Materials & TechniquesLithograph in tan and black ink on moderately thick, smooth, beige wove paper
• DimensionsSheet: 12 x 17 9/16 inches (30.5 x 44.6 cm), Image: 10 1/8 x 14 7/8 inches (25.7 x 37.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

T. St. Clair, active 1810–1815

No.1 Passage of the Mondego at Pena Cova by the 3rd Division of allied Army, 1810

(1810)

• Materials & TechniquesAquatint, colored
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Turner, 1774–1857

No.2 Battle of Sierra de Basaco above St. Antonio de Cantaro

(1810)

• Materials & TechniquesAquatint, colored
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Turner, 1774–1857

No.6 Battle of Fuontes d'Ouoro, 5th July 1811

(1811)

• Materials & TechniquesAquatint, colored
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Turner, 1774–1857

No. 9 The Frontier of Pina Macor. Portugese Troops on the March to Costello Branco,... [Read more]

(1811)

• Materials & TechniquesAquatint, colored
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Charles Turner, 1774–1857

No. 11 The Passage of the Tagus by the 3rd Division at Villa Velha, 20 May 1811

(1811)

• Materials & TechniquesAquatint, colored
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Bryant Campion, 1796–1870

Royal Horse Artillery at the Gallop

(undated)

• Materials & TechniquesBlack chalk, white gouache and watercolor on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 1/8 × 12 3/4 inches (20.6 × 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Sandby, 1721–1798

Encampment at Maestricht

(1747)

• Materials & TechniquesPen and black ink, graphite and gray wash on medium, moderately textured, beige laid paper
• DimensionsSheet: 2 1/2 × 16 1/16 inches (6.4 × 40.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

"Landscape Scenery", No. 13: Groups of Infantry and Army Horses

(1821)

• Materials & TechniquesGraphite and red chalk on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 5/16 × 9 11/16 inches (16 × 24.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Henry William Bunbury, 1750–1811

Pistol eating Fluellen's Leak - "Henry V"

(between 1811 and 1815)

• Materials & TechniquesHand-colored etching on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 x 15 3/8 inches (26 x 39 cm), Plate: 9 13/16 x 13 13/16 inches (25 x 35.1 cm), Image: 8 3/8 x 12 3/4 inches (21.3 x 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by George Cruikshank, 1792–1878

Another Part of the Field: 'Henry IV Part I,' Act V, Scene IV

(after 1857)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 6 3/16 × 8 7/16 inches (15.7 × 21.4 cm), Image: 4 11/16 × 6 7/8 inches (11.9 × 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act IV, Scene II

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 4 × 2 3/8 inches (10.2 × 6 cm), Image: 2 11/16 × 1 7/8 inches (6.8 × 4.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene I

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 4 1/16 x 2 3/8 inches (10.3 x 6 cm), Image: 3 1/4 x 1 7/8 inches (8.2 x 4.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Daniel Nikolaus Chodowieki, German, 1726–1801

'Henry IV, Part I,' Act V, Scene IV

(undated)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 4 1/16 × 2 3/8 inches (10.3 × 6 cm), Image: 3 5/16 × 1 7/8 inches (8.4 × 4.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by William Faithorne, ca. 1620–1691

Sir Thomas Fairfax

(ca. 1646)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 1/8 × 7 9/16 inches (28.2 × 19.2 cm), Image: 8 1/16 × 6 9/16 inches (20.4 × 16.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Edward B. Greene

William Woollett, 1735–1785

The Death of General Wolfe

(1776)

• Materials & TechniquesLine-engraving with etching, published state
• DimensionsPlate: 16 3/4 x 23 1/4in. (42.5 x 59.1cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Jones, ca. 1745–1797

Charles Marquis Cornwallis

(1793)

• Materials & TechniquesMezzotint on medium, slightly textured, cream wove paper
• DimensionsSheet: 24 5/8 × 15 5/8 inches (62.5 × 39.7 cm), Plate: 24 × 15 1/8 inches (61 × 38.4 cm), Image: 23 1/2 × 15 inches (59.7 × 38.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art; Yale University Art Gallery Collection; Gift of Mrs. Francis P. Garvan

Print made by Francesco Bartolozzi, 1728–1815

Sir Henry Clinton

(1780)

• Materials & TechniquesStipple engraving on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 10 7/8 x 7 15/16 inches (27.6 x 20.1 cm), Plate: 6 3/4 x 5 1/8 inches (17.1 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

Sir Henry Clinton

(1780)

• Materials & TechniquesStipple engraving on thin, smooth, cream laid paper, laid on contemporary mount made of medium, slightly textured, cream wove paper
• DimensionsMount: 7 7/8 x 6 7/16 inches (20 x 16.3 cm), Sheet: 7 7/8 x 6 5/16 inches (20 x 16.1 cm), Plate: 6 11/16 x 5 1/8 inches (17 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.5 x 6.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

Sir Henry Clinton

(1780)

• Materials & TechniquesStipple engraving on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 10 3/16 x 7 1/2 inches (25.9 x 19 cm), Plate: 6 3/4 x 5 1/8 inches (17.1 x 13 cm), Image: 3 3/8 x 2 5/8 inches (8.6 x 6.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Grant, Died 1873

Royal Artillery Repository Exercises, 1844

(1844)

• Materials & TechniquesAquatint, hand-colored on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 13 15/16 x 18 inches (35.4 x 45.7 cm), Plate: 11 7/8 x 16 7/16 inches (30.2 x 41.8 cm), Image: 9 7/8 x 14 13/16 inches (25.1 x 37.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection