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Arthur Devis, 1712–1787

Probably John Trevor, third Baron Trevor, of St. Anne's Hill, Surrey, and Trevalyn... [Read more]

(1763)

• Materials & TechniquesOil on canvas
• Dimensions30 1/8 x 25 inches (76.5 x 63.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Bequest of Mr. Ernest Hillman, Jr.

Sir Joshua Reynolds, 1723–1792

Sir Jeffery Amherst

(ca. 1768)

• Materials & TechniquesOil on canvas
• Dimensions30 x 25 inches (76.2 x 63.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Attributed to David Allan, 1744–1796

Thomas Graham, Baron Lynedoch

(ca. 1769)

• Materials & TechniquesOil on canvas
• Dimensions54 1/2 x 38 3/4 inches (138.4 x 98.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

George Richmond, 1809–1896

A Gathering at Fulham Palace

(between 1843 and 1845)

• Materials & TechniquesIron gall ink on thin, smooth, cream wove paper
• DimensionsSheet: 8 7/8 × 7 1/2 inches (22.5 × 19.1 cm), Mount: 11 7/8 × 9 7/8 inches (30.2 × 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Richard J. Mammana Jr., Yale MAR 2012, in memory of Cynthia McFarland

Print made by John Doyle ('H.B.'), 1797–1868

This is NOT the Baron of Oakland, in the Opera of the Haunted Tower

(1831)

• Materials & TechniquesLithograph, hand-colored on moderately thick, smooth, beige wove paper
• DimensionsSheet: 15 7/8 x 11 3/4 inches (40.4 x 29.8 cm), Image: 12 3/8 x 10 1/16 inches (31.4 x 25.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art; Gift of Brian and Linda Gracie

Print made by Francesco Bartolozzi, 1728–1815

John Dunning

(1787)

• Materials & TechniquesMezzotint and etching on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 10 7/8 × 8 3/4 inches (27.7 × 22.2 cm), Image: 7 7/8 × 6 5/8 inches (20 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Faithorne, ca. 1620–1691

Sir Thomas Fairfax

(ca. 1646)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 1/8 × 7 9/16 inches (28.2 × 19.2 cm), Image: 8 1/16 × 6 9/16 inches (20.4 × 16.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Edward B. Greene

Print made by Ebenezer Challis, active 1837–1859

The Baron's Hall

(1844)

• Materials & TechniquesEtching on moderately thick, smooth, beige wove paper
• DimensionsPlate: 6 7/8 x 9 13/16 inches (17.4 x 24.9 cm), Sheet: 8 3/4 x 11 1/8 inches (22.3 x 28.3 cm), Image: 4 3/16 x 6 9/16 inches (10.6 x 16.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

John Dunning

(1787)

• Materials & TechniquesMezzotint and etching on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 11 × 8 7/8 inches (27.9 × 22.6 cm), Image: 7 15/16 × 6 5/8 inches (20.2 × 16.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Finlayson, 1730–1776

Lord Cardross

(1765)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 15 1/16 × 11 inches (38.2 × 28 cm), Image: 13 9/16 × 10 7/8 inches (34.4 × 27.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection