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Print made by William Blake, 1757–1827

'Love, and love only, is the loan for love' (Page 37)

(1797)

• Materials & TechniquesEtching, engraving, and letterpress, with hand coloring in watercolor on moderately thick, slightly textured, cream wove paper
• DimensionsSpine: 17 1/2 inches (44.5 cm), Sheet: 16 3/4 x 12 7/8 inches (42.5 x 32.7 cm), Plate: 16 1/8 x 12 3/4 inches (41 x 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Blake, 1757–1827

The Prophetess Rising from Her Grave (Design 81)

(between 1797 and 1798)

• Materials & TechniquesWatercolor with pen and black ink and graphite on moderately thick, slightly textured, cream wove paper with inlaid letterpress page
• DimensionsSheet: 16 1/2 x 12 3/4 inches (41.9 x 32.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Singleton Copley, 1738–1815

Study for 'The Red Cross Knight'

(ca. 1793)

• Materials & TechniquesOil on canvas
• Dimensions17 x 21 inches (43.2 x 53.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

James Northcote, 1746–1831

Master Betty as Hamlet, before a Bust of Shakespeare

(between 1804 and 1806)

• Materials & TechniquesOil on canvas
• Dimensions22 x 16 inches (55.9 x 40.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Fund

Eric Gill, 1882–1940

The Mystery of the Faith

(undated)

• Materials & TechniquesWood-engraving on moderately thick, smooth, cream wove paper
• DimensionsSheet: 4 9/16 x 3 1/8 inches (11.6 x 8 cm), Image: 4 x 2 9/16 inches (10.1 x 6.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

Print made by Placido Columbani, born ca. 1744, active 1801

At Rome

(undated)

• Materials & TechniquesEtching and line engraving on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 8 3/4 x 5 13/16 inches (22.3 x 14.8 cm), Plate: 6 3/8 x 4 9/16 inches (16.2 x 11.6 cm), Image: 4 x 2 3/16 inches (10.2 x 5.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Placido Columbani, born ca. 1744, active 1801

At the City of Albano

(undated)

• Materials & TechniquesEtching and line engraving on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 8 3/4 x 5 13/16 inches (22.2 x 14.8 cm), Plate: 6 1/8 x 4 1/4 inches (15.5 x 10.8 cm), Image: 4 5/16 x 2 3/4 inches (10.9 x 7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Placido Columbani, born ca. 1744, active 1801

At Rome

(undated)

• Materials & TechniquesEtching and line engraving on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 5 13/16 x 8 11/16 inches (14.8 x 22.1 cm), Plate: 4 9/16 x 6 5/16 inches (11.6 x 16.1 cm), Image: 3 5/8 x 5 inches (9.2 x 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Placido Columbani, born ca. 1744, active 1801

At the Minerva at Rome

(undated)

• Materials & TechniquesEtching and line engraving on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 8 11/16 x 5 13/16 inches (22.1 x 14.8 cm), Plate: 7 5/16 x 5 1/16 inches (18.6 x 12.8 cm), Image: 6 11/16 x 4 5/8 inches (17 x 11.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Gillray, 1756–1815

Doublûres of Characters; - or - Striking Resemblance in Phisiognomy

(1798)

• Materials & TechniquesEtching and stipple engraving, hand-colored on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 13 9/16 x 18 11/16 inches (34.4 x 47.4 cm), Plate: 10 1/4 x 14 3/16 inches (26.1 x 36 cm), Image: 9 3/8 x 13 7/8 inches (23.8 x 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Edward Fisher, 1722–1785

Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'

(between 1752 and 1763)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 13 7/16 x 9 3/8 inches (34.2 x 23.8 cm), Plate: 13 1/16 x 9 inches (33.1 x 22.8 cm), Image: 11 x 9 inches (27.9 x 22.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by John Blackmore, active 1740–1780

Sigismonda

(between 1769 and 1771)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 16 7/8 x 12 13/16 inches (42.8 x 32.5 cm), Plate: 15 1/2 x 10 7/8 inches (39.3 x 27.7 cm), Image: 13 7/16 x 10 7/8 inches (34.2 x 27.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Benjamin Robert Haydon, 1786–1846

Study For, Christ's Entry into Jerusalem

(1814 to 1820)

• Materials & TechniquesPen and brown ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 3 3/8 × 4 1/16 inches (8.6 × 10.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by unknown artist

Christus Crucifixus

(undated)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 3/8 × 4 11/16 inches (18.7 × 11.9 cm), Plate: 7 3/16 × 4 1/2 inches (18.3 × 11.4 cm), Image: 6 7/8 × 4 7/16 inches (17.5 × 11.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Thomas Watson, 1743–1781

Circe

(1778)

• Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 13 3/16 × 10 inches (33.5 × 25.4 cm), Plate: 9 15/16 × 7 11/16 inches (25.2 × 19.5 cm), Image: 8 9/16 × 7 5/8 inches (21.7 × 19.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Philip Dawe, ca.1750–ca.1790

Juliet

(1779)

• Materials & TechniquesMezzotint and etching on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 21 x 14 1/8 inches (53.4 x 35.9 cm), Plate: 10 1/16 x 7 15/16 inches (25.6 x 20.1 cm), Image: 8 7/8 x 7 15/16 inches (22.6 x 20.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Henry Fuseli, 1741–1825

The Mighty Mother Sails Through the Air

(1787)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 10 5/16 × 7 5/8 inches (26.2 × 19.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Johann Philip Koch, ca. 1716–1796

Le Ete - Der Sommer

(undated)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 15 7/8 × 19 1/4 inches (40.3 × 48.9 cm), Plate: 13 1/4 × 16 3/4 inches (33.7 × 42.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Johann Lorenz Haid, 1702–1750

S. Johannes

(early 1750s)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 20 1/16 x 14 inches (51 x 35.5 cm), Plate: 15 1/16 x 10 9/16 inches (38.2 x 26.9 cm), Image: 13 3/4 x 10 9/16 inches (34.9 x 26.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Johann Jacobus Haid, 1704–1767

S. Ionnes

(undated)

• Materials & TechniquesMezzotint on medium, slightly textured, cream wove paper
• DimensionsSheet: 21 1/2 × 14 5/8 inches (54.6 × 37.1 cm), Plate: 16 1/8 × 10 3/4 inches (41 × 27.3 cm), Image: 14 1/2 × 10 3/4 inches (36.8 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Augustus Welby Northmore Pugin, 1812–1852

Window West End, South Aisle, Saint Vincent

(undated)

• Materials & TechniquesGraphite, watercolor, pen and black ink, and pen and brown ink on moderately thick, smooth, cream wove paper
• DimensionsSheet: 8 7/8 × 3 7/8 inches (22.5 × 9.8 cm), Image: 8 15/16 × 3 15/16 inches (22.7 × 10 cm), Mount: 10 1/4 × 8 inches (26 × 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Charles Turner, 1774–1857

Miss O'Neill as Hebe

(1811)

• Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 21 7/8 × 16 5/8 inches (55.6 × 42.2 cm), Plate: 20 × 13 9/16 inches (50.8 × 34.4 cm), Image: 18 1/4 × 13 3/8 inches (46.4 × 34 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by John Faber the Younger, ca. 1695–1756

St. John, Apostle and Evangelist

(1751)

• Materials & TechniquesMezzotint on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 9/16 x 9 1/2 inches (34.4 x 24.1 cm), Plate: 12 15/16 x 8 15/16 inches (32.8 x 22.7 cm), Image: 10 13/16 x 8 15/16 inches (27.5 x 22.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Elias Nessenthaler, 1664–1714

S. Johannes

(undated)

• Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 13 1/2 × 9 1/4 inches (34.3 × 23.5 cm), Plate: 9 13/16 × 7 3/16 inches (24.9 × 18.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Jean Marie Delatre, 1746–1840

The Death of Mark Antony

(1805)

• Materials & TechniquesLine engraving and stipple engraving with hand coloring on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 14 5/8 × 12 1/4 inches (37.2 × 31.1 cm), Image: 11 7/16 × 11 7/16 inches (29 × 29 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection