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Shows 1 - 8 from 8 results
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Accessible in the Study Room
George Romney, 1734–1802
Execution of Mary Stuart
(early 1770s)
- Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
- DimensionsSheet: 6 x 6 1/4 inches (15.2 x 15.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
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Accessible in the Study Room
George Romney, 1734–1802
Execution of Mary Stuart
(early 1770s)
- Materials & TechniquesGray wash and graphite on medium, slightly textured, cream laid paper
- DimensionsSheet: 5 1/2 x 6 inches (14 x 15.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mr. and Mrs. J. Richardson Dilworth, B.A. 1938
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Accessible in the Study Room
Print made by John Maurer, active 1713–1761
A Perspective View of Tower Hill and the Place of Execution of the Lords Kilmarnock... [Read more]
- Materials & TechniquesHand-colored engraving on wove paper
- DimensionsPlate: 10 × 16 1/2 inches (25.4 × 41.9 cm), Sheet: 12 1/2 × 18 inches (31.8 × 45.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Imitator of John Michael Rysbrack, 1694–1770
The Stoning of St. Stephen
(undated)
- Materials & TechniquesPen and brown ink, brown wash and white gouache on medium, slightly textured, beige wove paper
- DimensionsSheet: 12 1/2 × 20 1/8 inches (31.8 × 51.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Wallerant Vaillant, 1623–1677
Judith with Head of Holofernes
(undated)
- Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 16 11/16 × 10 5/16 inches (42.4 × 26.2 cm), Plate: 15 3/4 × 9 15/16 inches (40 × 25.2 cm), Image: 15 11/16 × 9 15/16 inches (39.8 × 25.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Print made by Theodore Casper von Furstenberg, ca. 1615–1675
Head of St. John Baptist on a Charger
(ca. 1656)
- Materials & TechniquesMezzotint and line engraving on medium, slightly textured, cream laid paper
- DimensionsSheet: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm), Plate: 14 1/8 × 18 1/4 inches (35.9 × 46.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Print made by Prince Rupert, 1619–1682
The Great Executioner
(1658)
- Materials & TechniquesMezzotint on moderately thick, moderately textured, cream laid paper
- DimensionsSheet: 25 1/8 × 17 1/2 inches (63.8 × 44.5 cm), Image: 23 7/8 × 17 3/8 inches (60.6 × 44.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Sir Stanley Spencer, 1891–1959
Deposition
(1910)
- Materials & TechniquesWatercolor, pen and black ink, and graphite, with scraping out on medium, moderately textured, beige wove paper
- DimensionsSheet: 14 5/16 x 9 3/4 inches (36.4 x 24.8 cm), Image: 14 1/4 x 9 5/8 inches (36.2 x 24.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund