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Shows 1 - 40 from 312 results
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Ben Nicholson, 1894–1982
April 1950 (goblets)
1950
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Ben Nicholson, 1894–1982
1951 (still life – sweet peas)
1951
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On view
Ben Nicholson, 1894–1982
May 1955 (Gwithian)
1955
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On view
William Hogarth, 1697–1764
The Montagu Family and an Unknown Attendant
between 1730 and 1735
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William Hogarth, 1697–1764
A Club of Gentlemen
ca. 1730
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Accessible in the Study Room
Vanessa Bell, 1879–1961
Design for an Embroidered Stool
ca. 1925
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Homeward Star
begun ca. 1880
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Homeward Star
etching begun ca. 1880; impression printed in 1924
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by Samuel Palmer, 1805–1881
The Vine
1852
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Accessible in the Study Room
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
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Accessible in the Study Room
Edward Lear, 1812–1888
Fruit trees, 3 April 1863
1863
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Page 18
1821
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Measuring his motions by revolving spheres' (Page 26)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Love, and love only, is the loan for love' (Page 37)
1797
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Accessible in the Study Room
William Blake, 1757–1827
"Oft did the harvest to their sickle yield..." (Design 109)
between 1797 and 1798
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Laughing Song (Plate 28)
1789
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Like that, the dial speaks; and points to thee' (Page 33)
ca. 1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'Trembling each gulp, lest death should snatch the bowl' (Page 57)
ca. 1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
ca. 1797
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On view
Print made by William Blake, 1757–1827
The Ecchoing Green (Plate 8)
1789
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Accessible in the Study Room
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
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Accessible in the Study Room
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
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Accessible in the Study Room
George Romney, 1734–1802
MacBeth: Banquet Scene
ca. 1793
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On view
Charles Ginner, 1878–1952
The Fruit Stall, King's Cross
1914
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George Chinnery, 1774–1852
Men Round the Food Vendor’s Stall
after 1825
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Walter Richard Sickert, 1860–1942
La Belle Alliance
ca. 1916
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Patrick Caulfield, 1936–2005
Wine Bar
1983
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William Collins, 1788–1847
May Day
between 1811 and 1812
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William Collins, 1788–1847
Frost Scene
1827
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Francis Calcraft Turner, active 1782–1846
Bachelors' Hall: The Hunt Breakfast
1842
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Francis Wheatley, 1747–1801
Noon
1799
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Gilbert Stuart Newton, 1794–1835
Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera',... [Read more]
1826
