YCBA Collections Search
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- James Moore, 1762–1799, British10
- Print made by Richard Earlom, 1743–1822, British4
- Published by Boydell & Co., 1720–1804, British4
- Richard Wilson RA, 1714–1782, British, active in Italy (1750–56)4
- after Claude Lorrain, 1600–1682, French4
- Thomas Rowlandson, 1756–1827, British3
- John Martin, 1789–1854, British2
- after Jan Vorsterman, ca. 1643–after 1685, Dutch2
- unknown artist, nineteenth century2
- Anthony Vandyke Copley Fielding, 1787–1855, British1
- Arthur Nelson, active 1765–1773, British1
- Charles Gore, 1729–1807, British1
- Charles Hamilton Smith, 1776–1859, Belgian1
- Formerly Richard Parkes Bonington, 1802–1828, British1
- Formerly attributed to Joseph Mallord William Turner, 1775–1851, British1
- Formerly attributed to Peter DeWint, 1784–1849, British1
- Francis Frith & Co., 1859–1971, British1
- Francis Wheatley, 1747–1801, British1
- Hercules Brabazon Brabazon, 1821–1906, British1
- Hugh William "Grecian" Williams, 1773–1829, British1
- more Creator »
Current results range from 9 to 180
Current results range from 0 to 245
- Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25)3
- Richard Wilson - The Landscape of Reaction (National Museum Wales, 1983-01-29 - 1983-03-20)3
- Richard Wilson - The Landscape of Reaction (Tate Britain, 1982-11-03 - 1983-01-02)3
- Richard Wilson - The Landscape of Reaction (Yale Center for British Art, 1983-04-20 - 1983-06-19)3
- Art in Focus : Wales (Yale Center for British Art, 2014-04-04 - 2014-08-10)2
- Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20)2
- Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02)2
- Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)2
- Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24)2
- Painting in England 1700-1850 - From The Collection of Mr. and Mrs. Paul Mellon (Yale University Art Gallery, 1965-04-15 - 1965-06-20)2
- Presences of Nature - British Landscape 1780-1830 (Yale Center for British Art, 1982-10 - 1983-02)2
- Richard Wilson and the Transformation of European Landscape Painting (National Museum Wales, 2014-07-05 - 2014-10-26)2
- Richard Wilson and the Transformation of European Landscape Painting (Yale Center for British Art, 2014-03-06 - 2014-06-01)2
- Rowlandson Drawings from the Paul Mellon Collection (Royal Academy of Arts, 1978-03-04 - 1978-05-28)2
- Rowlandson Drawings from the Paul Mellon Collection (Yale Center for British Art, 1977-11-16 - 1978-01-15)2
- This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of New South Wales, 1998-05-01 - 1998-07-05)2
- This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Art Gallery of South Australia, 1998-09-16 - 1998-11-15)2
- This Other Eden : British Paintings from the Paul Mellon Collection at Yale (Queensland Art Gallery, 1998-07-15 - 1998-09-06)2
- Adapting the Eye: an archive of the British in India, 1770-1830 (Yale Center for British Art, 2011-10-11 - 2011-12-31)1
- Company Culture (Yale Center for British Art, 2003-09-16 - 2004-01-05)1
- more Exhibition History »
- Yale Center for British Art, Paul Mellon Collection36
- Yale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 19482
- Yale Center for British Art, Transfer from the Yale University Library and the Yale University Art Gallery2
- Yale Center for British Art; Yale University Art Gallery Collection; Bequest of Ralph Kirkpatrick, Yale MA (HON.) 19652
- Yale Center for British Art, Gift of Charles Isaacs and Carol Nigro1
- Yale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 19531
- Yale Center for British Art, Gift of Rutgers Barclay, Yale BA 19571
- Yale Center for British Art, Paul Mellon Fund1