Search the collections

Francis Danby, 1793–1861

The Avon Gorge

(between 1816 and 1818)

• Materials & TechniquesOil on panel
• Dimensions13 × 9 3/4 inches (33 × 24.8 cm), Frame: 18 × 15 inches (45.7 × 38.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

The Avon Gorge at Sunset

(ca. 1850)

• Materials & TechniquesOil on paper
• Dimensions5 7/16 × 6 7/16 inches (13.8 × 16.4 cm), Frame: 8 1/4 × 9 1/4 inches (21 × 23.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Lear, 1812–1888

The Marble Rocks — Nerbudda Jubbolpore

(1882)

• Materials & TechniquesOil on canvas
• Dimensions15 × 9 1/2 inches (38.1 × 24.1 cm), Frame: 18 × 12 1/2 inches (45.7 × 31.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Francis Danby, 1793–1861

The Avon Gorge, Looking toward Clifton

(ca. 1820)

• Materials & TechniquesWatercolor, gouache, and graphite with scraping out on medium, moderately textured, cream wove paper
• DimensionsSheet: 19 1/4 x 28 3/4 inches (48.9 x 73 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Martin, 1789–1854

The Last Judgement (study)

(between 1851 and 1853)

• Materials & TechniquesOil on panel
• Dimensions7 3/4 × 12 inches (19.7 × 30.5 cm), Frame: 11 × 15 inches (27.9 × 38.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Fund

Samuel Jackson, 1794–1869

The Avon near Bristol

(undated)

• Materials & TechniquesWatercolor and gouache, with scraping and gum on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 1/4 x 17 1/4 inches (28.5 x 43.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Frederick Lewis, 1804–1876

The Via Mala

(1827)

• Materials & TechniquesWatercolor, white gouache and graphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 8 5/8 x 5 3/4 inches (21.9 x 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Duffield Harding, 1798–1863

Gorge du Mont Terrible

(undated)

• Materials & TechniquesLithograph with chine collé on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 5/8 x 16 5/16 inches (29.6 x 41.4 cm), Sheet: 7 3/16 x 9 1/16 inches (18.3 x 23 cm), Image: 5 7/8 x 7 15/16 inches (14.9 x 20.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Francis Seymour Haden, 1818–1910

Encombe Woods, no. 2

(1881-1882)

• Materials & TechniquesEtching and drypoint on moderately thick, smooth, cream laid paper
• DimensionsSheet: 11 11/16 x 17 inches (29.7 x 43.2 cm), Plate: 8 3/8 x 13 5/16 inches (21.3 x 33.8 cm), Image: 8 3/8 x 13 5/16 inches (21.3 x 33.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

Sir Francis Seymour Haden, 1818–1910

Nine Barrow Down

(1877)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/16 x 11 7/8 inches (20.4 x 30.1 cm), Plate: 5 7/8 x 8 13/16 inches (14.9 x 22.4 cm), Image: 5 7/8 x 8 13/16 inches (14.9 x 22.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

Sir Francis Seymour Haden, 1818–1910

Nine Barrow Down

(1877)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 3/4 x 10 3/8in. (19.7 x 26.4cm), Plate: 5 7/8 x 8 13/16 inches (15 x 22.4 cm), Image: 5 7/8 x 8 13/16 inches (15 x 22.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery