Search the collections

Vanessa Bell, 1879–1961

Snow at Charleston

(ca. 1950)

• Materials & TechniquesOil on paper
• Dimensions12 3/8 x 16 5/16 inches (31.4 x 41.4 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Bequest of Elizabeth S. Tower

John Constable, 1776–1837

View Towards the Rectory, East Bergholt

(1813)

• Materials & TechniquesOil on canvas laid on board
• Dimensions4 1/4 × 5 5/8 inches (10.8 × 14.3 cm), Frame: 10 5/8 × 12 inches (27 × 30.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Constable, 1776–1837

East Bergholt

(ca. 1813)

• Materials & TechniquesOil on board
• DimensionsFrame: 14 7/8 × 21 7/8 × 2 inches (37.8 × 55.6 × 5.1 cm), 12 1/2 x 18 1/2 inches (31.8 x 47 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Scenes from a steeplechase: Near the Finish

(ca. 1845)

• Materials & TechniquesOil on canvas
• Dimensions10 x 14 inches (25.4 x 35.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Scenes from a steeplechase: Taking a Hedge

(ca. 1845)

• Materials & TechniquesOil on canvas
• Dimensions10 x 14 inches (25.4 x 35.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Scenes From a Steeplechase: Another Hedge

(ca. 1845)

• Materials & TechniquesOil on canvas
• Dimensions10 x 14 inches (25.4 x 35.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Neil Cawthorne, 1936–1978

Last Run of the Day: The Quorn

(ca. 1975)

• Materials & TechniquesOil on canvas
• Dimensions20 1/4 x 30 1/4 inches (51.4 x 76.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

The Bell Tower of Evesham

(ca. 1795)

• Materials & TechniquesOil on panel
• Dimensions21 x 62 inches (53.3 x 157.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Cecil Charles Windsor Aldin, 1870–1935

`Ar Never Gets Off' - Hunting Scene

(undated)

• Materials & TechniquesWatercolor, pen and black ink, gouache, and graphite on moderately thick, slightly textured, cream wove paper
• DimensionsImage: 11 5/8 × 18 15/16 inches (29.5 × 48.1 cm), Contemporary drawn border: 11 3/4 × 19 1/16 inches (29.8 × 48.4 cm), Sheet: 13 9/16 × 20 9/16 inches (34.4 × 52.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Cecil Charles Windsor Aldin, 1870–1935

Up and Over

(undated)

• Materials & TechniquesWatercolor, pen and black ink, graphite and gouache on moderately thick, slightly textured, cream wove paper
• DimensionsImage: 9 13/16 × 13 15/16 inches (24.9 × 35.4 cm), Contemporary drawn border: 9 15/16 × 14 1/16 inches (25.2 × 35.7 cm), Sheet: 10 5/8 × 14 1/2 inches (27 × 36.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Denholm Armour, 1864–1949

Some Have Greatness Thrust Upon Them

(undated)

• Materials & TechniquesWatercolor, graphite, and gouache, with pen and brown ink on linen
• DimensionsSheet: 19 5/8 × 14 1/8 inches (49.8 × 35.9 cm), Mount: 21 5/8 × 15 15/16 inches (54.9 × 40.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Nathaniel Smith, 1740–1787

Westminster Abbey and St. Paul's from Battersea Fields

(undated)

• Materials & TechniquesWatercolor, ink, and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 1/8 x 6 3/8in. (10.5 x 16.2cm), Mount: 6 × 8 7/8 inches (15.2 × 22.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by unknown artist

The Obelisk in the Garden at Versailles

(between 1740 and 1757)

• Materials & TechniquesEtching and engraving hand-coloured in watercolor and gouache on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 12 5/16 x 18 1/16 inches (31.2 x 45.9 cm), Plate: 9 9/16 x 17 13/16 inches (24.3 x 45.2 cm), Image: 9 3/16 x 17 1/2 inches (23.3 x 44.4 cm), Image: 8 7/16 x 17 1/2 inches (21.5 x 44.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

"Sporting Notions": 'This Gives Me a Notion it's Better to "Look Before You... [Read more]

(between 1831 and 1832)

• Materials & TechniquesGraphite with red chalk on thin, smooth, cream wove paper
• DimensionsSheet: 6 9/16 × 8 7/16 inches (16.7 × 21.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Rider Holding on to a Gray Horse After a Fall

(undated)

• Materials & TechniquesGraphite and watercolor on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 1/8 × 12 9/16 inches (23.2 × 31.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Jumping a Double Oxer - A Rider in Difficulties

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/4 × 14 5/8 inches (27.3 × 37.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Thomas Alken, 1785–1851

Steeplechasing: Four Riders Taking a Ditch and an Oxer

(undated)

• Materials & TechniquesWatercolor, pen and black ink, and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 15/16 × 16 3/16 inches (25.2 × 41.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

(1859)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, smooth, cream Asian paper
• DimensionsSheet: 8 1/8 x 5 13/16 inches (20.6 x 14.7 cm), Plate: 6 1/4 x 4 5/8 inches (15.9 x 11.8 cm), Image: 6 1/4 x 4 5/8 inches (15.9 x 11.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

(1859)

• Materials & TechniquesEtching and drypoint, with plate tone on thin, smooth, cream laid paper
• DimensionsSheet: 8 1/8 x 5 11/16 inches (20.6 x 14.4 cm), Plate: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm), Image: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Leonard C. Hanna, B.A. 1910

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

(1859)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/2 x 6 5/8 inches (21.6 x 16.9 cm), Plate: 6 1/4 x 4 5/8 inches (15.8 x 11.7 cm), Image: 6 1/4 x 4 5/8 inches (15.8 x 11.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Sir Francis Seymour Haden, 1818–1910

Cottages behind Horsley's House

(1865)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 9 1/8 x 14 7/16 inches (23.2 x 36.7 cm), Plate: 6 7/8 x 9 7/8 inches (17.4 x 25.1 cm), Image: 6 7/8 x 9 7/8 inches (17.4 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Mrs. Howard Mansfield

Sir Francis Seymour Haden, 1818–1910

Cottages behind Horsley's House

(1865)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/2 x 13 1/16 inches (21.6 x 33.1 cm), Plate: 6 7/8 x 9 7/8 inches (17.4 x 25.1 cm), Image: 6 7/8 x 9 7/8 inches (17.4 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Joseph Edward Southall, 1861–1944

At the Cottage Gate, July 16, 1906

(1906)

• Materials & TechniquesWatercolor, gouache and graphite on medium, moderately textured, blue laid paper
• DimensionsSheet: 8 7/8 x 5 5/8 inches (22.5 x 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Francis Seymour Haden, 1818–1910

Kensington Gardens, no. 1 (small plate)

(1859)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 5/8 x 5 9/16 inches (19.3 x 14.2 cm), Plate: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm), Image: 6 1/4 x 4 5/8 inches (15.9 x 11.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Lionel Edwards, 1878–1966

Foxhunting in England

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, graphite, gouache, and gum arabic on very thick, smooth, cream wove paper
• DimensionsSheet: 5 1/16 × 10 inches (12.9 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection