Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1680 and 1703
3
unknown artist
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
4
Print made by John Faber the Younger, ca. 1695–1756
Kitty Clive as Lady Easy in "The Careless Husband"
1739
5
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
6
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene III
undated
7
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
8
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene II
undated
9
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
10
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
11
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act IV, Scene II
undated
12
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
13
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act III, Scene III
undated
14
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene IV
undated
15
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act II, Scene IV
undated
16
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
'Henry IV, Part I,' Act V, Scene I
undated
17
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela setting out in the travelling Chariot (for her Father's as She is made to believe) takes her farewel of Mrs. Jervis, and the other servants; Mr. B. observing her from the window; by whose private order she is carried into Lincolnshire
1745
18
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela having divided her clothes into threee Bundles, in order to leave the House, rejects that containing her Masters presents calling it the wicked bundle, & harangues over her own little Parcel which she huggs in her Arms;..
1745
19
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela with the Children and Miss Goodwin to whome she is telling her nursery tales. This last Piece leaves her in full possession of the peaceable fruits of her Virtue long after having surmounted all the difficulties it had been exposed to
1745
20
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela, being now in the custody of Mrs. Jenkes, seizes an occasion (as they are walking in the garden) to propose a Correspondence with Mr. Williams in order to contrive an Escape, who agree to hide their letters between two tiles near the Sunflower
1745
21
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
The Marriage Ceremony performed in Mr. B.'s own Chappel by Mr. Williams, Mr. Peters giving her away, Mrs. Jewkes waits behind Pamela and the Maid keeps the door
1745
22
Print made by Guillaume Philippe Benoist, 1725–ca. 1770
Pamela Swooning, after having discovered Mr. B. in the closet, He (frighted) endeavouring to recover her, Mrs. Jervis wringing her hands, and screaming
1745
23
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
1746
24
William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
25
Charles Grignion, 1717–1810
Mr. Garrick in the Charakter (sic) of Richard the 3D
1746
26
Print made by Pieter van Bleeck, 1700–1764
Griffin and Johnson
1748
27
Print made by John Faber the Younger, ca. 1695–1756
Margaret Woffington as Mrs. Ford in "The Merry Wives of Windsor"
1751
28
Print made by William Faithorne the Younger, ca. 1669–1703
Sylvio and Dorinda
between 1752 and 1768
29
Print made by Edward Fisher, 1722–1785
Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
between 1752 and 1763
30
Simon François Ravenet, 1706–1774
Mr. Garrick and Miss Bellamy in the Characters of Romeo and Juliet
1753
31
Charles Spooner, c.1720–1767
Mr. Garrick in the Character of King Lear - "King Lear", Act III, Scene V
1761
32
Johann Jacobus Haid, 1704–1767
Mr. Foote in the Character of Major Sturgeon in "The Mayor of Garratt"
1765
33
Engraved by William Woollett, 1735–1785
Celadon and Amelia
1766
34
Johann Jacobus Haid, 1704–1767
Mr. Garrick in "The Farmer's Return"
1766
35
Print made by William Woollett, 1735–1785
Celadon and Amelia
1766
36
Print made by Richard Earlom, 1743–1822
Angelica and Medoro
1768
37
John Finlayson, 1730–1776
David Garrick as Sir John Brute in Act IV, the Drunken Scene, in Vanburgh's 'The Provok'd Wife'
1768
38
Print made by John Finlayson, 1730–1776
La Signora Zamperini in the Character of Cecchina
1769
39
Print made by John Blackmore, active 1740–1780
Sigismonda
between 1769 and 1771
40
Print made by John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
41
John Finlayson, 1730–1776
David Garrick in the Character of 'Kitely'
1769
42
Print made by John Finlayson, 1730–1776
Mr. Foote and Mr. Weston in the Characters of the President and Dr. Last
1769
43
Giuseppe Marchi, ca. 1735–1808
Portrait of John Moody as Foigard
between 1769 and 1771
44
Print made by Valentine Green, 1739–1813
David Garrick with a Bust of Shakespeare
1769
45
William Woollett, 1735–1785
Macbeth and the Witches
1770
46
Print made by Francesco Bartolozzi, 1728–1815
John Henderson as Iago
before 1786
47
Print made by John Hall, 1739–1797
Comedies
ca. 1776
48
Print made by John Dixon, ca. 1740–1811
David Garrick as Richard III
1772
49
Print made by Valentine Green, 1739–1813
Pamela and Philoclea
ca. 1777
50
Print made by Lydia Bates, active 1784
Literary Characters Assembled around the Medallion of Shakespeare
ca. 1777
51
Richard Earlom, 1743–1822
Thomas King and Sophia Baddely in "The Clandestine Marriage"
1772
52
Print made by Henry William Bunbury, 1750–1811
The Battle of the Cataplasm
between 1773 and 1817
53
Print made by Henry William Bunbury, 1750–1811
Overthrow of Dr. Slop
between 1773 and 1817
54
Print made by Henry William Bunbury, 1750–1811
The Damnation of Obadiah
between 1773 and 1817
55
Print made by Henry William Bunbury, 1750–1811
The Siege of Namur
between 1773 and 1817
56
Francesco Bartolozzi, 1728–1815
A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting
1773
57
Print made by Richard Earlom, 1743–1822
Life School at the Royal Academy
1773
58
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1773
59
Francesco Bartolozzi, 1728–1815
Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
1773
60
John Hamilton Mortimer, 1740–1779
Caliban, from The Tempest
1775
61
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
62
Print made by unknown artist
The Death of Juliet
unknown
63
Valentine Green, 1739–1813
Rinaldo and Armida
1775
64
Print made by Edward Fisher, 1722–1785
Edwin
1776
65
Print made by Edward Fisher, 1722–1785
Lucilia
1776
66
Print made by Edward Fisher, 1722–1785
Angelina
1776
67
Print made by Edward Fisher, 1722–1785
Edwin
1776
68
Print made by Edward Fisher, 1722–1785
Burchell Reading the Ballad
1776
69
Print made by James Barry, 1741–1806
King Lear and Cordelia
1776
70
James Barry, 1741–1806
King Lear and Cordelia, Act V, Scene 10
1776
71
Valentine Green, 1739–1813
Mr. Garrick and Mrs. Pritchard, in the Tragedy of 'Macbeth.' Act II. Scene III
1776
72
Print finished by John Dixon, ca. 1740–1811
Garrick as Abel Drugger in "The Alchemist"
1776
73
Print made by Edward Fisher, 1722–1785
Don Ferdinand
1777
74
Print made by Edward Fisher, 1722–1785
Don Ferdinand
1777
75
Print made by Edward Fisher, 1722–1785
George Primrose
1777
76
Print made by Edward Fisher, 1722–1785
Clara
1777
77
John Dean, 1754–1798
Thomas Leland
1777
78
Print made by Daniel Berger, 1744–1824
Die Maussalle.... - "Hamlet," Act III, Scene II
between 1778 and 1780
79
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
...in ein Nonnen Kloster geh: 'Hamlet,' Act III, Scene IX
1778
80
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801
Seht Ihr denn nichts hier: 'Hamlet,' Act IV, Scene II
1778
81
Print made by Thomas Watson, 1743–1781
Sigismunda
1779
82
Print made by Philip Dawe, ca.1750–ca.1790
Juliet
1779
83
Print made by Francesco Bartolozzi, 1728–1815
Ticket: Anacreontic Society Meeting
1779
84
Andreas Geiger, 1765–1856
Viola nach Shakespeare von Deinhardstein - Costume Bild zur Theatrezeitung
undated
85
Print made by William Dickinson, 1746–1823
Mrs. Gwynne and Mrs. Bunbury in the Characters of the Merry Wives of Windsor
1780
86
James Gillray, 1756–1815
Sophia, Honour, and the Chambermaid
1780
87
Print made by Robert Blyth, 1750–1784
The Captive
1781
88
Edward Fisher, 1722–1785
Miss Farren in the Character of Hermione
1781
89
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
90
Print made by Francesco Bartolozzi, 1728–1815
Tom Jones Assisting Molly Seagrim
1782
91
Print made by Francesco Bartolozzi, 1728–1815
Celadon and Amelia
1782
92
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
ca. 1788
93
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
94
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
95
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
96
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
97
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
98
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
99
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
100
Print made by William Blake, 1757–1827
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)