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1
- Cupid Armed
- ca. 1833
- Not on view
2
- The Agony in the Garden
- 1858
- Not on view
3
- Venus and Cupid
- 1809
- Not on view
4
- A Sketch of Gratitude Crowned by Peace, with Other Allegorical Figures of Industry, Fame and Plenty
- between 1712 and 1713
- Not on view
5
- Jacob's Dream
- 1705
- Not on view
6
- The Angel Binding Satan
- ca. 1797
- Not on view
7
- The Angel of Mercy
- ca. 1746
- Not on view
8
- The Mandrake: A Charm
- exhibited RA 1785
- Not on view
9
- St. George
- 1891 to 1896
- Not on view
10
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
11
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
12
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
13
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
14
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
15
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
16
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
17
- The Poems of Thomas Gray, Design 77, "The Descent of Odin."
- between 1797 and 1798
18
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
19
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
20
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
21
- Jerusalem, Plate 14, "One hair nor particle of dust...."
- 1804 to 1820
22
- Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
- 1804 to 1820
23
- Jerusalem, Plate 44, "With one accord...."
- 1804 to 1820
24
- Young's Night Thoughts, Page 25, "Behold Him, When Past by; What Then Is Seen"
- 1797
25
- Young's Night Thoughts, Page 26, "Measuring His Motions by Revolving Spheres"
- 1797
26
- Young's Night Thoughts, Page 27, "O Treacherous Conscience!"
- 1797
27
- Young's Night Thoughts, Page 23, "We Censure Nature for a Span Too Short"
- 1797
28
- Europe. A Prophecy, Plate 3, "Preludium"
- 1794
29
- Europe. A Prophecy, Plate 5, "A | Prophecy | The deep of winter came . . . . " (Bentley 6)
- 1794
30
- For the Sexes: The Gates of Paradise, Plate 1, Title Page
- 1826
31
- For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)
- 1826
32
- Jerusalem, Plate 23, "Jerusalem! Jerusalem!...."
- 1804 to 1820
33
- Jerusalem, Plate 3, "To the Public...."
- 1804 to 1820
34
- Jerusalem, Plate 30, "And the Two that escaped...."
- 1804 to 1820
35
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
36
- Jerusalem, Plate 39, "By Satans Watch-fiends...."
- 1804 to 1820
37
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
38
- Jerusalem, Plate 71, "And above Albions Land...."
- 1804 to 1820
39
- Jerusalem, Plate 72, "And the Thirty-two Counties...."
- 1804 to 1820
40
- Jerusalem, Plate 74, "The Four Zoa's clouded rage...."
- 1804 to 1820
41
- Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
- 1797
42
- Young's Night Thoughts, Page 65, Night the Fourth, "The Christian Triumph."
- 1797
43
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 47, "The Progress of Poesy."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 93, "Ode for Music."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 63, "The Bard."
- between 1797 and 1798
48
- Europe. A Prophecy, Plate 12, "Albions Angel rose . . . . " (Bentley 14)
- 1794
49
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
50
- For the Sexes: The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
- 1826
51
- Europe. A Prophecy, Frontispiece Proof Impression
- ca. 1820
52
- Jerusalem, Plate 2, Title Page
- 1804 to 1820
53
- Jerusalem, Plate 22, "Albion thy Fear has made me tremble...."
- 1804 to 1820
54
- Jerusalem, Plate 46, "Bath, mild Physician...."
- 1804 to 1820
55
- Jerusalem, Plate 48, "These were his last words...."
- 1804 to 1820
56
- Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
- 1804 to 1820
57
- Jerusalem, Plate 75, "And Rahab Babylon the Great...."
- 1804 to 1820
58
- Mary Magdalen at the Sepulchre
- ca. 1805
59
- The Man Sweeping the Interpreter's Parlour
- ca. 1822
60
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
61
- The Birth of Venus
- undated
62
- Design for a Ceiling
- undated
63
- Putto Holding a Torch
- undated
64
- An Allegory of Love
- Undated
65
- Design for a Ceiling Decoration
- 1723
66
- Allegory for Spring
- undated
67
- Angel and Instrument, Possibly Design for Interiors of St. Mary's, West Tofts, Norfolk
- undated
68
- The Destruction of Job's Sons
- undated
69
- Britannia Allegory
- between 1743 and 1747
70
- Hope Nursing Love
- 1771
71
- Vulcan's Forge
- 1802
72
- The Virgin
- 1778
73
- Ticket to Westminster Abbey
- before 1791
74
- Cupid Wounded
- 1801
75
- The Archangel Gabriel Awaiting Night
- ca. 1799
76
- Cupid and Psyche
- ca. 1870
77
- Time raising Truth, after Rubens’s “The Triumph of Truth”
- undated
78
- The Oracle, Representing Britannia, Hibernia, Scotia and America
- 1774
79
- The Harpies Attacking the Daughters of Pandarus
- 1848
80
- Cupid and Cephisa: "One Day as I was Walking in the Woods..."
- 1789
81
- Venus Chiding Cupid
- 1784
82
- Ticket: Mr. Cox's Museum
- 1772
83
- At the City of Albano
- undated
84
- At the Minerva at Rome
- undated
85
- Cupid Disarmed by Venus
- 1804
86
- Ticket to Westminster Abbey
- before 1791
87
- St. Michael and Lucifer
- undated
88
- Virgin
- undated
89
- Venus and Cupid
- ca. 1768
90
- Venus and Cupid
- undated
91
- Plaudit Ave Regina
- undated
92
- Madonna, Child, and Angel
- undated
93
- Madonna, Child, and Angel
- undated
94
- Cupid and Psyche
- undated
95
- Cupid and Psyche
- between 1690 and 1699
96
- Cupid and Psyche
- undated
97
- Venus and Adonis
- ca. 1690
98
- Tobit and the Angel
- undated
99
- Venus and Adonis
- undated
100
- Annuciation
- undated