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Shows 1 - 40 from 169 results
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On view
Print made by William Blake, 1757–1827
"The Terror Answered: I am Orc, wreath'd round the accursed tree..." (Plate 10)
1793
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On view
Richard Cosway, 1742–1821
John Phillippo Nighorus
1771
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On view
Francis Smith, active 1763–1779
A Turkish Woman and an Attendant Going to the Hamam (Public Baths)
ca. 1765
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On view
Edward Penny, 1714–1791
The Virtuous Comforted by Sympathy
1774
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On view
Jairam Das, active 1815–1840
Household Servants with Provisions
between 1815 and 1840
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Accessible in the Study Room
Edward Lear, 1812–1888
Egyptian Man
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Tapha, 7:50 a.m., February 17, 1867
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Egpytian Man on Camel
1867
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Accessible in the Study Room
Edward Lear, 1812–1888
Study of an Egyptian Man on a Camel
1867
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Accessible in the Study Room
Print made by William Blake, 1757–1827
'O treacherous conscience! while she seems to sleep" (Page 27)
1797
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1793
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"Highgates heights & Hampsteads..." (Plate 84)
1804 to 1820
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Accessible in the Study Room
William Blake, 1757–1827
"And purple tyrants vainly groan..." (Design 37)
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
"The laughing flowers, that round them blow, Drink life and fragrance as they... [Read more]
between 1797 and 1798
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Accessible in the Study Room
William Blake, 1757–1827
The Bard Weaving Edwards Fate (Design 55)
between 1797 and 1798
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Death's Door (Plate 17)
1826
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"And that toward Eden, four..." (Plate 13)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
"They saw their Wheels rising up poisonous..." (Plate 43)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Chapter 3 Frontispiece (Plate 51)
1804 to 1820
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Illustrations of Imitation of Eclogue I, Frontispiece
1821
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Accessible in the Study Room
George Romney, 1734–1802
Study for the Portrait of George Spencer, Fourth Duke of Marlborough
1778–1783
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Accessible in the Study Room
George Romney, 1734–1802
Standing Figure and Seated Figure
ca. 1773-1775
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Michael "Angelo" Rooker, 1746–1801
Merton College, Oxford
1771
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Benjamin West, 1738–1820
Cymon and Iphigenia
ca. 1766
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Studio of Sir Godfrey Kneller, 1646–1723
Alexander Pope Profile, Crowned with Ivy
ca. 1721
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Sir Godfrey Kneller, 1646–1723
Lucretia
between 1672 and 1675
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unknown artist
A Woman, Previously Thought to Be Anne, Lady Cavendish
ca. 1725
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William Hilton, 1786–1839
Cupid Armed
ca. 1833
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Attributed to William Daniell, 1769–1837
Indian Landscape with Figures near a Stream
ca. 1830
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William Smith, 1707–1764
A Landscape with Distant Classical Ruins, a Bridge, Figures, and Cattle
1752
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Gilbert Soest, ca. 1600–1681
Lord John Hay and Charles Hay, third Marquis of Tweeddale
1673
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Benjamin Robert Haydon, 1786–1846
Venus and Anchises
1826
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John de Critz, ca. 1550–1642
Sir Francis Walsingham (ca. 1532–1590)
ca. 1589
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Allan Ramsay, 1713–1784
Alexander Boswell, Lord Auchinleck
between 1754 and 1755
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Richard Dadd, 1817–1886
Caravanserai at Mylasa in Asia Minor
1845
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Joseph Highmore, 1692–1780
The Angel of Mercy
ca. 1746
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George Henry Laporte, 1799–1873
Grey Arabian mare and foal, with a family
ca. 1835
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Accessible in the Study Room
Print made by George Fennitzer, active 1697–1700
Michael Lochmann (1630-1674)
undated
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Accessible in the Study Room
Print made by George Fennitzer, active 1697–1700
Michael Lochmann (1630-1674)
undated
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Accessible in the Study Room
Print made by George Fennitzer, active 1697–1700
Michael Lochmann (1630-1674)
undated
