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Print made by Robert Polhill Bevan, 1865–1925

The Meet

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 5/16 inches (38.1 x 49 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Found!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 7/16 inches (38.1 x 49.3 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm), Plate: 11 1/8 x 14 inches (28.3 x 35.5 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm), Plate: 11 3/16 x 14 inches (28.4 x 35.5 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Lear, 1812–1888

Near Suez, evening, 15 January 1849 (43)

(1849)

• Materials & TechniquesWatercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
• DimensionsSheet: 5 1/4 x 9 1/8 inches (13.3 x 23.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Edward Lear, 1812–1888

Near Suez, 1 pm, 16 January 1849 (48)

(1849)

• Materials & TechniquesWatercolor with pen in brown ink over graphite on moderately thick, rough, beige wove paper
• DimensionsSheet: 5 3/16 x 9 1/16 inches (13.2 x 23 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Edward Lear, 1812–1888

Outside the Walls of Suez, 8:30 a.m., 17 January 1849 (54)

(1849)

• Materials & TechniquesWatercolor with pen in brown ink over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 5/8 x 5 1/16 inches (19.4 x 12.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Benjamin Marshall, 1768–1835

George, Marquess of Huntly (later fifth Duke of Gordon), on Tiny

(between 1806 and 1807)

• Materials & TechniquesOil on canvas
• Dimensions40 x 50 inches (101.6 x 127 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Stringer, 1722–1790

John Corbet, Sir Robert Leighton and John Kynaston with their Horses and... [Read more]

(1779)

• Materials & TechniquesOil on canvas
• Dimensions37 3/4 x 57 1/2 inches (95.9 x 146.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Wootton, 1682–1764

Rievaulx Abbey

(ca. 1745)

• Materials & TechniquesOil on canvas
• Dimensions22 x 22 inches (55.9 x 55.9 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Benjamin Marshall, 1768–1835

Foxhunting Scene

(1808)

• Materials & TechniquesOil on canvas
• Dimensions40 x 50 inches (101.6 x 127 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

William Tasker, 1808–1852

The Liverpool and National Steeplechase at Aintree, 1843

(ca. 1843)

• Materials & TechniquesOil on canvas
• Dimensions34 3/8 x 71 1/2 inches (87.3 x 181.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

John Wootton, 1682–1764

The Death of the Hare

(ca. 1735)

• Materials & TechniquesOil on canvas
• Dimensions40 1/2 x 50 1/4 inches (102.9 x 127.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Doyle ('H.B.'), 1797–1868

Breaking Cover, Desperate Struggle for the Lead, Consequences of... [Read more]

(1849)

• Materials & TechniquesLithograph in tan and black ink on moderately thick, smooth, beige wove paper
• DimensionsSheet: 11 3/4 x 17 5/16 inches (29.8 x 44 cm), Image: 9 3/4 x 13 11/16 inches (24.7 x 34.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Barenger, 1780–after 1831

The Saddling Enclosure, Epsom

(undated)

• Materials & TechniquesPen and brown ink, gray wash, and brown wash on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 10 1/8 × 12 11/16 inches (25.7 × 32.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Rowlandson, 1756–1827

The Stable of an Inn

(ca. 1790)

• Materials & TechniquesWatercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, beige laid paper
• DimensionsMount: 10 1/4 × 17 13/16 inches (26 × 45.2 cm), Contemporary drawn border: 9 3/8 × 17 1/4 inches (23.8 × 43.8 cm), Sheet: 7 7/8 x 15 7/8 inches (20 x 40.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Doyle ('H.B.'), 1797–1868

A Brummagem Don Quixote, Meditating his Grand Attack Upon the Leading Giant

(1847)

• Materials & TechniquesLithograph in tan and black ink on moderately thick, smooth, beige wove paper
• DimensionsSheet: 12 x 17 1/2 inches (30.5 x 44.5 cm), Image: 9 1/4 x 13 9/16 inches (23.5 x 34.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Havell, 1769–1832

Crofton Hall, Yorkshire

(1813)

• Materials & TechniquesAquatint with etching, hand-colored on thick, moderately textured, beige wove paper
• DimensionsSheet: 11 9/16 x 17 3/8 inches (29.4 x 44.2 cm), Plate: 10 1/2 x 14 9/16 inches (26.6 x 37 cm), Image: 6 1/4 x 9 1/2 inches (15.8 x 24.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Isaac Weld, 1774–1856

Studies of Roman Saddles

(ca. 1818)

• Materials & TechniquesGraphite and pen and brown ink on thin, smooth, cream wove paper
• DimensionsSheet: 8 3/8 × 10 1/16 inches (21.3 × 25.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

(undated)

• Materials & TechniquesEtching with hand coloring on thick, slightly textured, beige card
• DimensionsSheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm), Plate: 4 1/2 x 6 7/16 inches (11.4 x 16.4 cm), Image: 4 3/16 x 6 1/8 inches (10.6 x 15.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Hudibras and Rolpho

(undated)

• Materials & TechniquesBrown ink and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 7/8 x 6 inches (17.5 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Bradshaw & Blacklock, active ca.1850

The Crimean War

(after 1850)

• Materials & TechniquesAquatint, stipple engraving, etching and color woodcut on cream card mounted on beige card
• DimensionsSheet: 8 1/8 × 9 7/16 inches (20.7 × 23.9 cm), Image: 6 11/16 × 7 inches (17 × 17.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Austin, 1895–1973

Italian Fair

(1923)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 6 9/16 x 8 3/4 inches (16.7 x 22.2 cm), Plate: 3 5/8 x 5 1/2 inches (9.2 x 14 cm), Image: 3 7/16 x 5 1/4 inches (8.7 x 13.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Thomas Rowlandson, 1756–1827

Interior of a Stable

(undated)

• Materials & TechniquesWatercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 5 15/16 x 9 1/4 inches (15.1 x 23.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Grant, Died 1873

Royal Horse Artillery, 1843

(1843)

• Materials & TechniquesAquatint, hand-colored on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 13 7/8 x 18 inches (35.3 x 45.7 cm), Plate: 10 15/16 x 16 5/16 inches (27.8 x 41.4 cm), Image: 9 1/8 x 14 1/2 inches (23.2 x 36.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Henry William Bunbury, 1750–1811

Love and Wind

(undated)

• Materials & TechniquesHand-colored etching on thick beige card
• DimensionsSheet: 12 1/2 x 9 3/4 inches (31.8 x 24.8 cm), Plate: 9 13/16 x 7 15/16 inches (25 x 20.1 cm), Image: 8 9/16 x 7 1/4 inches (21.8 x 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Burford, ca. 1710–after 1774

Making a Cast at a Fault

(1794)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 11 1/8 x 15 7/8 inches (28.3 x 40.3 cm), Plate: 9 13/16 x 13 11/16 inches (24.9 x 34.8 cm), Image: 9 1/4 x 13 11/16 inches (23.5 x 34.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Bradshaw & Blacklock, active ca.1850

Greek set

(after 1850)

• Materials & TechniquesAquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into eight scenes and mounted on moderately thick, smooth, cream wove paper
• DimensionsImage: 2 13/16 x 7/8 inches (7.2 x 2.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Bradshaw & Blacklock, active ca.1850

Review of the Troops

(after 1850)

• Materials & TechniquesAquatint, etching and stipple engraving with color woodcut on moderately thick, slightly textured, cream wove paper cut into six scenes and mounted on moderately thick, smooth, cream wove paper
• DimensionsImage: 2 1/16 x 1 1/16 inches (5.3 x 2.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection