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Shows 1 - 16 from 16 results
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Johan Joseph Zoffany, 1733–1810
David Garrick and Mary Bradshaw in David Garrick's "The Farmer's Return"
(ca. 1762)
- Materials & TechniquesOil on canvas
- Dimensions40 x 50 inches (101.6 x 127 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
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Benjamin West, 1738–1820
The Apotheosis of Nelson
(1807)
- Materials & TechniquesOil on canvas
- Dimensions39 1/2 x 29 inches (100.3 x 73.7 cm), Frame: 44 x 34 x 4 1/2 inches (111.8 x 86.4 x 11.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
unknown artist
Chair with Shelf and Inscription
(undated)
- Materials & TechniquesGraphite on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 11 1/4 × 7 1/2 inches (28.6 × 19.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Johann Jacobus Haid, 1704–1767
Uxor Zelotypa
(undated)
- Materials & TechniquesMezzotint on moderately thick, slightly textured, cream laid paper
- DimensionsSheet: 15 9/16 x 18 5/8 inches (39.6 x 47.3 cm), Plate: 12 15/16 x 16 5/8 inches (32.8 x 42.3 cm), Image: 11 7/8 x 16 5/8 inches (30.2 x 42.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Fund
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Accessible in the Study Room
Print made by Robert Barnes, 1840–1895
Boy Sketching a Man with Two Girls Watching
(undated)
- Materials & TechniquesWood-engraving with watercolor on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 9 1/8 x 7 1/4 inches (23.2 x 18.4 cm), Image: 7 1/8 x 5 1/2 inches (18.1 x 14 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Thomas Rowlandson, 1756–1827
The Undergraduate's Room
(undated)
- Materials & TechniquesWatercolor with pen and red-brown and brown-gray ink on medium, slightly textured, cream wove paper
- DimensionsSheet: 4 3/4 x 7 9/16 inches (12.1 x 19.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
James Pollard, 1792–1867
Cottager's Hospitality to Travellers of The Coach Broke Down
(1819)
- Materials & TechniquesWatercolor over etched outline, and pen and black ink on moderately thick, moderately textured, cream wove paper
- DimensionsSheet: 11 3/4 x 17 1/2 inches (29.8 x 44.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Sir Tony Cragg, born 1949
Grey Container
(1983)
- Materials & TechniquesWood, ceramic, glass and crayon
- DimensionsOverall: 68 1/2 x 72 x 19 1/2 inches (174 x 182.9 x 49.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Gift of Gerald W. and Jean W. Bush
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Accessible in the Study Room
Print made by Thomas Chambars, ca. 1724–1789
William Hogarth
(undated)
- Materials & TechniquesEtching and engraving on moderately thick, smooth, beige wove paper
- DimensionsSheet: 10 1/2 × 7 7/8 inches (26.7 × 20 cm), Plate: 6 7/8 × 5 1/4 inches (17.5 × 13.3 cm), Image: 6 × 4 3/4 inches (15.3 × 12.1 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
-
Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 1/16 x 2 3/16 inches (7.7 x 5.6 cm), Plate: 2 5/8 x 1 13/16 inches (6.6 x 4.6 cm), Image: 2 5/8 x 1 13/16 inches (6.6 x 4.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by John Chalon, 1738 – 1795
Study
(1789-1790)
- Materials & TechniquesEtching on medium, slightly textured, cream laid paper
- DimensionsSheet: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm), Plate: 3 3/8 x 2 1/2 inches (8.6 x 6.4 cm), Image: 3 3/8 x 2 1/2 inches (8.6 x 6.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Jason Florio, born 1965
Ali, Libyan Playboy, Tripoli
(2004)
- Materials & TechniquesChromogenic print on photographic paper
- DimensionsSheet: 16 × 20 inches (40.6 × 50.8 cm), Image: 12 5/8 × 18 7/8 inches (32.1 × 47.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Joy of Giving Something, Inc.
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Accessible in the Study Room
Bill Jay, 1940–2009
Terry Etherton
(1983, printed 2004)
- Materials & TechniquesDigital Ink jet print on medium, smooth, white wove paper
- DimensionsSheet: 11 × 8 1/2 inches (27.9 × 21.6 cm), Image: 7 1/2 × 5 inches (19.1 × 12.7 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Joy of Giving Something, Inc.
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Accessible in the Study Room
Jason Florio, born 1965
Suliman & Qaddafi, Ghadames
(2004)
- Materials & TechniquesChromogenic print on photographic paper
- DimensionsSheet: 16 × 20 inches (40.6 × 50.8 cm), Image: 12 5/8 × 18 7/8 inches (32.1 × 47.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Joy of Giving Something, Inc.
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Image not yet availableAccessible in the Study Room
Eliot Hodgkin, 1905–1987
Mural Painting at The Manor House
(1947)
- Materials & TechniquesGelatin silver print on medium, glossy photographic paper
- DimensionsSheet: 8 1/8 × 6 1/4 inches (20.6 × 15.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Estate of Brian Sewell
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Image not yet availableAccessible in the Study Room
Peter Fraser, born 1953
Untitled
(2002)
- Materials & TechniquesChromogenic print on photographic paper
- DimensionsSheet: 12 × 16 inches (30.5 × 40.6 cm), Image: 9 1/2 × 14 1/2 inches (24.1 × 36.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Joy of Giving Something, Inc.