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John Constable, 1776–1837

Osmington Village

(1816 to 1817)

• Materials & TechniquesOil on canvas
• Dimensions10 1/8 x 12 inches (25.7 x 30.5 cm), Frame: 15 1/2 × 17 1/2 × 2 3/4 inches (39.4 × 44.5 × 7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Lear, 1812–1888

Butrinto, Albania

(1861)

• Materials & TechniquesOil on canvas
• Dimensions13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Edward Lear, 1812–1888

Corfu from Santa Decca

(1862)

• Materials & TechniquesOil on canvas
• Dimensions13 1/2 x 21 1/2 inches (34.3 x 54.6 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Edward Lear, 1812–1888

Between Olavano and Civitella

(1842)

• Materials & TechniquesOil on canvas
• Dimensions10 3/8 × 14 1/2 inches (26.4 × 36.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Donald C. Gallup, Yale BA 1934, PhD 1939

Thomas Jones, 1742–1803

An Imaginary Landscape with a Traveller and Figures Overlooking the Bay... [Read more]

(1773)

• Materials & TechniquesOil on canvas
• Dimensions19 1/16 x 29 7/16 inches (48.4 x 74.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

Lower Lake Killarney, from Lord Kenmare's Grounds, September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

First View of Gowlan Cascade in Ye Gap of Dunloh, 6 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

Looking South From the Black Stream Bridge, 6 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

Black Stream Bridge, Gap of Dunlow, 6 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

The Purple Mountains, 6 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

(undated)

• Materials & TechniquesEtching with hand coloring on thick, slightly textured, beige card
• DimensionsSheet: 8 9/16 x 10 1/2 inches (21.7 x 26.7 cm), Plate: 4 1/2 x 6 7/16 inches (11.4 x 16.4 cm), Image: 4 3/16 x 6 1/8 inches (10.6 x 15.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by unknown artist

A View of the Salfatara, a Remarkable Mountain Near Naples

(undated)

• Materials & TechniquesEtching and line engraving on medium, slightly textured, cream laid paper
• DimensionsMount: 8 15/16 x 12 9/16 inches (22.7 x 31.9 cm), Sheet: 8 11/16 x 11 5/16 inches (22 x 28.7 cm), Plate: 7 13/16 x 9 7/8 inches (19.8 x 25.1 cm), Image: 7 1/16 x 9 1/2 inches (18 x 24.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

On the Killarney Road Leading to Ross Castle, 4 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

On the Killarney Road Leading to Ross Castle, 4 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

Ross Castle

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Capt. Thomas Hastings, 1778–1854

Entrance to the Gap of Dunloh, Killarney, 6 September 1841

(1841)

• Materials & TechniquesGraphite and pen and brown ink on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 1/4 inches (26 × 36.2 cm), Binding: 10 1/4 inches (26 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

David Cox, 1783–1859

Crossing Lancaster Sands

(mid-1830s)

• Materials & TechniquesWatercolor, gouache and graphite and scratching out on moderately thick, slightly textured, cream wove paper
• DimensionsMount: 14 5/16 × 20 1/16 inches (36.4 × 51 cm), Contemporary drawn border: 11 7/16 × 17 1/8 inches (29.1 × 43.5 cm), Sheet: 11 3/16 × 16 7/8 inches (28.4 × 42.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to Peter DeWint, 1784–1849

A Country Road with Traveller on Horseback

(undated)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 6 5/8 x 16 7/8 inches (16.8 x 42.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Tresham, 1751–1814

The Ascent of Vesuvius

(1785 to 1790)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 17 5/8 x 27 5/8 inches (44.8 x 70.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Gainsborough, 1727–1788

Travellers on Horseback Approaching a Village with a Spire

(between 1765 and 1770)

• Materials & TechniquesWatercolor over black chalk and gum on medium, slightly textured, cream laid paper, laid down on (laminated wove paper) card
• DimensionsSheet: 8 5/8 x 12 1/4 inches (21.9 x 31.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Arthur Fripp, 1813–1896

The Coupée, Isle of Sark

(undated)

• Materials & TechniquesWatercolor over graphite with scraping out on thick, rough, cream wove paper
• DimensionsSheet: 13 1/4 × 19 5/8 inches (33.7 × 49.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Richard Earlom, 1743–1822

A Landscape with Cattle

(1775)

• Materials & TechniquesEtching (proof) on moderately thick, moderately textured, beige laid paper
• DimensionsSheet: 11 x 16 inches (27.9 x 40.6 cm), Plate: 8 1/16 x 10 1/8 inches (20.5 x 25.7 cm), Image: 7 5/16 x 10 1/8 inches (18.6 x 25.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art; Yale University Art Gallery Collection

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

(1830)

• Materials & TechniquesEtching on very thick, rough, white wove paper
• DimensionsSheet: 11 7/16 x 15 3/4 inches (29.1 x 40 cm), Plate: 5 5/8 x 8 7/16 inches (14.3 x 21.5 cm), Image: 5 1/16 x 8 1/16 inches (12.9 x 20.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel David Colkett, 1806–1863

The Gipsy Encampment

(1822)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 5 7/16 × 8 1/2 inches (13.8 × 21.6 cm), Image: 5 1/8 × 8 1/16 inches (13 × 20.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

Italianate Landscape with Travellers no. 2

(ca. 1760)

• Materials & TechniquesWatercolor, pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 14 1/2 x 21 inches (36.8 x 53.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

Italianate Landscape with Travelers, No. 1

(ca. 1765)

• Materials & TechniquesWatercolor and gouache over graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 14 3/4 x 21 3/16 inches (37.5 x 53.8 cm), Mount: 15 x 21 3/8 inches (38.1 x 54.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Richard Wilson, ca. 1712–1782

The Via Nomentana

(1754)

• Materials & TechniquesBlack and white chalk with stumping on medium, moderately textured, gray laid paper
• DimensionsSheet: 10 7/8 x 16 5/8 inches (27.6 x 42.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Martin, 1789–1854

Travelers on a Road above a River

(1821)

• Materials & TechniquesBrown wash and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 3/4 x 10 5/8 inches (19.7 x 27 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Bretherton, ca. 1730–1806

Englishman at Paris, 1767

(1799)

• Materials & TechniquesEtching on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 14 7/16 x 18 7/8 inches (36.7 x 48 cm), Plate: 12 3/4 x 16 1/8 inches (32.4 x 40.9 cm), Image: 11 1/4 x 15 3/8 inches (28.6 x 39 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by George Cruikshank, 1792–1878

Traveling in France -or, -Le départ de la diligence

(1818)

• Materials & TechniquesEtching and stipple engraving, hand-colored on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 3/4 x 17 5/8 inches (29.9 x 44.7 cm), Plate: 9 13/16 x 13 7/8 inches (25 x 35.3 cm), Image: 8 7/16 x 12 15/16 inches (21.5 x 32.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Morland, 1763–1804

Two Men on a Country Road

(1793)

• Materials & TechniquesGraphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 17 7/16 x 12 9/16in. (44.3 x 31.9cm), Sheet: 17 3/8 × 12 5/8 inches (44.1 × 32.1 cm), Image: 15 3/8 × 10 1/2 inches (39.1 × 26.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir John Gilbert, 1817–1897

Wayfarers

(undated)

• Materials & TechniquesBrown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
• DimensionsSheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by David Allan, 1744–1796

Pilgrims Paying Their Devotion in St. Peters at Rome

(between 1773 and 1775)

• Materials & TechniquesEtching on moderately thick, rough, cream laid paper
• DimensionsSheet: 9 7/8 × 6 15/16 inches (25.1 × 17.7 cm), Image: 9 1/4 × 6 3/4 inches (23.5 × 17.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Views in the Levant: Landscape with Travellers Resting under Tree, Temple of... [Read more]

(ca. 1740)

• Materials & TechniquesPen and brown ink, gray wash, brown wash, and graphite; squared for transfer on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 1/2 × 18 1/2 inches (29.2 × 47 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Paul Sandby, 1731–1809

A Good-bye

(undated)

• Materials & TechniquesGraphite and brown wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 2 1/2 x 3 1/2 inches (6.4 x 8.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Peter DeWint, 1784–1849

A Yorkshire Road

(undated)

• Materials & TechniquesWatercolor and graphite on medium, rough, cream wove paper
• DimensionsSheet: 7 5/8 x 16 7/8 inches (19.4 x 42.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sigmund Ferdinand von Perger, 1778–1841

Costumes of the Alps

(1820)

• Materials & TechniquesColored etching
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sigmund Ferdinand von Perger, 1778–1841

Costumes of the Alps

(1820)

• Materials & TechniquesColored etching
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sigmund Ferdinand von Perger, 1778–1841

Costumes of the Alps

(1820)

• Materials & TechniquesColored etching
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection