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Shows 1 - 19 from 19 results
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On view
George Stubbs, 1724–1806
Labourers
(1781)
- Materials & TechniquesEnamel on Wedgwood biscuit earthenware
- Dimensions27 1/2 × 36 inches (69.9 × 91.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
(1915)
- Materials & TechniquesEtching; 1st state on medium, slightly textured, beige laid paper
- DimensionsSheet: 8 5/8 × 9 1/4 inches (21.9 × 23.5 cm), Plate: 6 1/2 × 5 1/4 inches (16.5 × 13.3 cm), Image: 5 × 4 1/2 inches (12.7 × 11.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching and engraving with chine collé; first state on thick, smooth, cream wove paper
- DimensionsSheet: 10 11/16 × 14 11/16 inches (27.1 × 37.3 cm), Plate: 10 3/8 × 12 11/16 inches (26.4 × 32.2 cm), Chine collé: 9 3/16 × 11 3/4 inches (23.3 × 29.8 cm), Image: 6 7/16 × 9 1/16 inches (16.4 × 23 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Henry Burn, active 1845
Bedford from the North
(ca. 1840)
- Materials & TechniquesHand-colored lithograph on moderately thick cream card
- DimensionsSheet: 12 7/8 x 19 13/16 inches (32.7 x 50.3 cm), Image: 11 x 18 7/8 inches (27.9 x 47.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
(1915)
- Materials & TechniquesEtching; 2nd state on medium, slightly textured, cream wove paper
- DimensionsSheet: 11 × 8 3/8 inches (27.9 × 21.3 cm), Plate: 5 1/4 × 4 5/8 inches (13.3 × 11.7 cm), Image: 5 1/8 × 4 1/2 inches (13 × 11.4 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
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Accessible in the Study Room
Print made by Frederick Landseer Maur Griggs, 1876–1938
Meppershall Chapel
(c.1915)
- Materials & TechniquesEtching; 3rd state on medium, slightly textured, cream laid paper
- DimensionsSheet: 10 3/4 × 6 3/4 inches (27.3 × 17.1 cm), Plate: 5 1/8 × 4 1/8 inches (13 × 10.5 cm), Image: 5 × 4 inches (12.7 × 10.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery
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Accessible in the Study Room
John Buckler FSA, 1770–1851
North East View of Crest Park, Bedfordshire
(1831)
- Materials & TechniquesWatercolor and pen and black ink on moderately thick, cream wove paper
- DimensionsSheet: 14 × 19 3/4 inches (35.6 × 50.2 cm), Image: 10 1/2 × 16 3/8 inches (26.7 × 41.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
John Buckler FSA, 1770–1851
South East View of Crest Park, Bedfordshire
(1831)
- Materials & TechniquesWatercolor and pen and black ink on moderately thick, cream wove paper
- DimensionsSheet: 14 × 19 3/4 inches (35.6 × 50.2 cm), Image: 10 5/8 × 16 1/8 inches (27 × 41 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by unknown artist
Plate 12: Robinson Crusoe and Family at His Farm in Bedfordshire
(1783)
- Materials & TechniquesEtching and engraving on medium, slightly textured, cream laid paper
- Dimensions
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Yale University Art Gallery Collection
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching and engraving with graphite; touched engraver's proof (b) on medium, slightly textured, cream wove paper
- DimensionsSheet: 12 × 17 1/4 inches (30.5 × 43.8 cm), Plate: 9 3/8 × 12 1/8 inches (23.8 × 30.8 cm), Image: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching engraving with chine-collé; first published state on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 15 × 21 inches (38.1 × 53.3 cm), Plate: 9 1/2 × 12 1/8 inches (24.1 × 30.8 cm), Image: 6 3/8 × 9 inches (16.2 × 22.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
- DimensionsSheet: 7 3/8 × 10 1/8 inches (18.7 × 25.7 cm), Image: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm), Mount: 11 5/8 × 16 5/8 inches (29.5 × 42.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
John Hassell, 1767–1825
Clapham Manor-House, Surry
(between 1804 and 1822)
- Materials & TechniquesAquatint and etching, hand-colored on moderately thick, slightly textured, beige wove paper
- DimensionsSheet: 8 × 10 inches (20.3 × 25.4 cm), Image: 5 1/16 × 7 5/16 inches (12.8 × 18.5 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching and chine-collé; open etched state on medium, slightly textured, cream wove paper
- DimensionsSheet: 16 5/8 × 22 5/8 inches (42.2 × 57.5 cm), Plate: 9 3/8 × 12 inches (23.8 × 30.5 cm), Image: 5 1/2 × 9 inches (14 × 22.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Print made by James Tibbits Willmore, 1800–1863
Bedford, Bedfordshire
(1831)
- Materials & TechniquesEtching and engraving; third state on moderately thick, slightly textured, cream wove paper
- DimensionsSheet: 10 5/8 × 14 7/8 inches (27 × 37.8 cm), Plate: 9 3/8 × 12 1/8 inches (23.8 × 30.8 cm), Image: 6 3/8 × 9 1/8 inches (16.2 × 23.2 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Paul Mellon Collection
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Accessible in the Study Room
Joan Beales, born 1926
Epping / Richmond / Whipsnade / Windsor
(1956)
- Materials & TechniquesChromolithograph
- DimensionsSheet: 40 x 24 15/16 inches (101.6 x 63.3 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Henry S. Hacker, Yale BA 1965
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Image not yet availableAccessible in the Study Room
Rubbed by Townsend Rich, 1909–1998
Dame Elizabeth Herwy, Abbess of Elstow, The Abbey Church of St. Mary and St. Helena,... [Read more]
(1968)
- Materials & TechniquesCrayon rubbing on thin, smooth, white wove paper
- DimensionsImage: 36 × 11 inches (91.4 × 27.9 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Townsend Rich
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Image not yet availableAccessible in the Study Room
Rubbed by Townsend Rich, 1909–1998
Sir Thomas Brounflet, The Parish Church of St. Lawrence, Wymington
(1968)
- Materials & TechniquesCrayon rubbing on thin, smooth, white wove paper
- DimensionsImage: 97 × 33 inches (246.4 × 83.8 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Townsend Rich
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Image not yet availableAccessible in the Study Room
Rubbed by Townsend Rich, 1909–1998
John Curteys and His Wife Albreca, The Parish Church of St. Lawrence, Wymington
(1968)
- Materials & TechniquesCrayon rubbing on thin, smooth, white wove paper
- DimensionsImage: 74 × 27 inches (188 × 68.6 cm)
- CollectionPrints and Drawings
- Credit lineYale Center for British Art, Gift of Townsend Rich