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Joseph Mallord William Turner, 1775–1851

Wreckers -- Coast of Northumberland, with a Steam-Boat Assisting a Ship off... [Read more]

(exhibited 1834)

• Materials & TechniquesOil on canvas
• Dimensions35 5/8 x 47 9/16 inches (90.5 x 120.8 cm), Frame: 48 1/4 × 60 1/4 × 3 1/2 inches (122.6 × 153 × 8.9 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Peter Brook, 1927–2009

Cumbrian Village Bowling Team and Supporters Playing Away and Waiting for... [Read more]

(late 1960s)

• Materials & TechniquesOil on canvas
• Dimensions20 x 24 inches (50.8 x 61 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Iola S. Haverstick Fund

William Beilby, 1740–1819

Kielder Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Norham Castle - Moonrise

(1834)

• Materials & TechniquesEtching and engraving, with chine collé, graphite, white chalk, and scraping out; touched engraver's proof on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 5/8 × 13 3/8 inches (21.9 × 34 cm), Plate: 5 3/4 × 10 inches (14.6 × 25.4 cm), Image: 3 1/2 × 5 1/2 inches (8.9 × 14 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Gateway Alnwick

(1786)

• Materials & TechniquesPen and black ink and watercolor on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 3/8 × 10 7/8 inches (21.3 × 27.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

(1834)

• Materials & TechniquesEtching and engraving with chine collé on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 3/4 × 17 1/4 inches (29.8 × 43.8 cm), Plate: 6 × 8 1/4 inches (15.2 × 21 cm), Chine collé: 5 3/4 × 7 7/8 inches (14.6 × 20 cm), Image: 3 1/4 × 5 3/4 inches (8.3 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1827-1838)

• Materials & TechniquesEtching with chine collé; open etched state on medium, slightly textured, cream wove paper
• DimensionsSheet: 16 1/4 × 21 3/4 inches (41.3 × 55.2 cm), Plate: 10 × 12 1/2 inches (25.4 × 31.8 cm), Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1827-1838)

• Materials & TechniquesEtching and engraving with chine collé; engraver's proof (b) on medium, slightly textured, cream wove paper
• DimensionsSheet: 15 1/2 × 20 1/8 inches (39.4 × 51.1 cm), Plate: 10 × 12 1/2 inches (25.4 × 31.8 cm), Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

(1834)

• Materials & TechniquesEtching and engraving with chine collé; engraver's proof on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 7/8 × 12 1/8 inches (22.5 × 30.8 cm), Plate: 6 × 8 1/4 inches (15.2 × 21 cm), Chine collé: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm), Image: 3 1/4 × 5 3/4 inches (8.3 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Alnwick Castle

(undated)

• Materials & TechniquesWatercolor with pen and black ink over graphite on medium, slightly textured, white laid paper
• DimensionsSheet: 8 3/16 x 10 7/16 inches (20.8 x 26.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Alnwick Keep

(undated)

• Materials & TechniquesPen and black ink and watercolor on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 3/8 × 10 3/4 inches (21.3 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1827-1838)

• Materials & TechniquesEtching and engraving with chine collé; engraver's proof (a) on medium, slightly textured, cream wove paper
• DimensionsSheet: 15 × 21 inches (38.1 × 53.3 cm), Plate: 10 1/8 × 12 1/4 inches (25.7 × 31.1 cm), Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1827-1838)

• Materials & TechniquesEtching and engraving with chine collé; first published state on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 12 1/8 × 15 1/8 inches (30.8 × 38.4 cm), Plate: 10 × 12 1/2 inches (25.4 × 31.8 cm), Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

(1832)

• Materials & TechniquesEtching and engraving with chine-collé; first published state on medium, slightly textured, beige wove paper
• DimensionsSheet: 15 × 21 inches (38.1 × 53.3 cm), Plate: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Image: 6 × 9 3/8 inches (15.2 × 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

(1832)

• Materials & TechniquesEtching and engraving, with graphite and scraping out; touched engraver's proof (a) on medium, slightly textured, cream wove paper
• DimensionsSheet: 12 1/4 × 17 1/2 inches (31.1 × 44.5 cm), Plate: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Image: 6 × 9 3/8 inches (15.2 × 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

(1832)

• Materials & TechniquesEtching with chine-collé; open etched state on medium, slightly textured, cream wove paper
• DimensionsSheet: 16 1/8 × 22 1/2 inches (41 × 57.2 cm), Plate: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Image: 6 × 9 3/8 inches (15.2 × 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Ward, 1769–1859

Study for the View of Cambridge from Castle Hill

(undated)

• Materials & TechniquesBrown ink over graphite on medium, smooth, beige wove paper
• DimensionsSheet: 14 × 21 7/8 inches (35.6 × 55.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Varley, 1778–1842

View of Rugged Coastline, Bamburgh, Northumberland

(undated)

• Materials & TechniquesWatercolor, graphite and scraping out on medium, slightly textured, cream laid paper
• DimensionsSheet: 4 x 5 7/8 inches (10.2 x 14.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Hastings, active 1804–1861

Gateway at Bamburgh Castle

(1810)

• Materials & TechniquesWatercolor and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 3/8 × 8 5/8 inches (18.7 × 21.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Varley, 1778–1842

Bamburgh Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor and scratching out on moderately thick, moderately textured, cream wove paper mounted on board
• DimensionsMount: 7 11/16 x 9 9/16 inches (19.5 x 24.3 cm), Sheet: 3 13/16 x 5 inches (9.7 x 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

A Border Tower

(undated)

• Materials & TechniquesWatercolor, with pen and brown ink over graphite on very thick, rough, beige wove paper
• DimensionsSheet: 8 3/4 × 12 3/8 inches (22.2 × 31.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Downman, 1750–1824

Mrs. Ives of Catton

(1780)

• Materials & TechniquesBlack chalk and red chalk with stumping on medium, smooth, beige wove paper
• DimensionsSheet: 9 x 7 1/4 inches (22.8 x 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

(1832)

• Materials & TechniquesEtching and engraving; engraver's proof (b) on medium, slightly textured, cream wove paper
• DimensionsSheet: 11 3/4 × 17 inches (29.8 × 43.2 cm), Plate: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Image: 6 × 9 3/8 inches (15.2 × 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Tynemouth, Northumberland

(after 1814)

• Materials & TechniquesWatercolor with pen and black ink on medium, smooth, cream wove paper
• DimensionsSheet: 6 1/2 x 9 3/8 inches (16.5 x 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Varley, 1778–1842

An Arch at Holy Island, Northumberland

(1809)

• Materials & TechniquesWatercolor and graphite on thick, moderately textured, beige wove paper
• DimensionsSheet: 11 1/2 x 9 1/2 inches (29.2 x 24.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Moore, 1762–1799

Coupland Castle, Northumberland

(1792)

• Materials & TechniquesGraphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 7 1/16 × 9 inches (17.9 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1830)

• Materials & TechniquesEtching and engraving with chine collé; second state on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 10 7/8 × 14 3/4 inches (27.6 × 37.5 cm), Plate: 10 × 12 9/16 inches (25.4 × 31.9 cm), Chine collé: 9 5/8 × 12 3/16 inches (24.4 × 31 cm), Image: 6 1/2 × 9 5/8 inches (16.5 × 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by James Tibbits Willmore, 1800–1863

Alnwick Castle, Northumberland

(1830)

• Materials & TechniquesEtching and engraving; third state on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 9/16 × 14 5/8 inches (26.8 × 37.1 cm), Plate: 10 × 12 9/16 inches (25.4 × 31.9 cm), Image: 6 1/2 × 9 11/16 inches (16.5 × 24.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by J. C. Varrall, active 1815–1827

Brinkburn Priory, Northumberland

(1832)

• Materials & TechniquesEtching and engraving; third state on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 10 5/8 × 14 3/4 inches (27 × 37.5 cm), Plate: 9 1/2 × 12 1/2 inches (24.1 × 31.8 cm), Image: 6 1/16 × 9 7/16 inches (15.4 × 24 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

(1834)

• Materials & TechniquesEtching and engraving with chine collé on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/8 × 14 1/2 inches (26.4 × 36.8 cm), Plate: 6 × 8 1/4 inches (15.2 × 21 cm), Chine collé: 5 3/4 × 7 7/8 inches (14.6 × 20 cm), Image: 3 1/4 × 5 3/4 inches (8.3 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

(1834)

• Materials & TechniquesEtching and engraving, with scraping out and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 × 10 inches (20.3 × 25.4 cm), Plate: 6 × 8 1/4 inches (15.2 × 21 cm), Chine collé: 5 1/2 × 7 5/8 inches (14 × 19.4 cm), Image: 3 1/4 × 5 3/4 inches (8.3 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Miller, 1796–1882

Berwick-upon-Tweed

(1834)

• Materials & TechniquesEtching and engraving, with graphite and chine collé; touched engraver's proof on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 5/8 × 10 3/4 inches (19.4 × 27.3 cm), Plate: 6 × 8 1/4 inches (15.2 × 21 cm), Chine collé: 5 3/4 × 7 3/4 inches (14.6 × 19.7 cm), Image: 3 1/4 × 5 3/4 inches (8.3 × 14.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Prudhoe Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Kielder Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 1/4 × 10 3/4 inches (21 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Warkworth Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Warkworth Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 3/16 × 10 3/4 inches (20.8 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Beilby, 1740–1819

Bridge at Alnwick Castle, Northumberland

(undated)

• Materials & TechniquesWatercolor on slightly textured, medium, beige laid paper
• DimensionsSheet: 8 1/8 × 10 3/4 inches (20.6 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Moore, 1762–1799

Warkworth Castle, Northumberland

(1792)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Moore, 1762–1799

Bothal Castle, Northumberland

(1792)

• Materials & TechniquesGraphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 7 1/8 × 9 inches (18.1 × 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Moore, 1762–1799

Warkworth Castle, Northumberland

(1792)

• Materials & TechniquesGraphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 7 1/8 × 8 15/16 inches (18.1 × 22.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection