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Joseph Mallord William Turner, 1775–1851

Venice, The Mouth of the Grand Canal

(1832)

• Materials & TechniquesWatercolor on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 3/4 x 12 1/2 inches (22.2 x 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Lear, 1812–1888

Venice, the Doge's Palace

(undated)

• Materials & TechniquesWatercolor, pen and brown ink, graphite, and gouache on medium, moderately textured, cream wove paper
• DimensionsSheet: 7 × 10 inches (17.8 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The William K. Rose and Eugene A. Carroll Collection

Richard Parkes Bonington, 1802–1828

Corso Sant'Anastasia, Verona

(1828)

• Materials & TechniquesOil on millboard
• Dimensions25 5/8 x 17 3/8 inches (65.1 x 44.1 cm), Frame: 30 1/4 × 24 × 3 7/8 inches (76.8 × 61 × 9.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Richard Sickert, 1860–1942

Venice, the Rialto Bridge and the Palazzo dei Camerlenghi

(1895 to 1896)

• Materials & TechniquesOil on panel
• Dimensions6 3/16 x 9 7/8 inches (15.7 x 25.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum

Walter Richard Sickert, 1860–1942

St. Mark's Facade, Venice

(1901)

• Materials & TechniquesOil on canvas
• Dimensions18 1/16 x 15 inches (45.9 x 38.1 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Patricia Cornwell and Harvard Art Museum

Walter Richard Sickert, 1860–1942

A View of the Laguna, Venice

(1895 to 1896)

• Materials & TechniquesOil on canvas laid down on board
• Dimensions10 5/8 × 16 inches (27 × 40.6 cm), Frame: 21 3/8 × 25 inches (54.3 × 63.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Patricia Cornwell

Richard Parkes Bonington, 1802–1828

Grand Canal, Venice

(1826)

• Materials & TechniquesOil on millboard
• Dimensions9 1/4 x 13 3/4 inches (23.5 x 34.9 cm), Frame: 13 1/4 × 18 inches (33.7 × 45.7 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Duncan Grant, 1885–1978

Venetian Canal

(ca. 1920)

• Materials & TechniquesOil on canvas
• Dimensions27 3/4 × 20 inches (70.5 × 50.8 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Sir Frank William Brangwyn, 1867–1956

Departure of the Bucintoro

(ca. 1910)

• Materials & TechniquesOil on canvas
• Dimensions52 x 69 inches (132.1 x 175.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Gift of Joseph F. McCrindle, Yale LLB 1948

David Roberts, 1796–1864

The Giudecca, Venice

(1854)

• Materials & TechniquesOil on canvas
• Dimensions22 × 51 inches (55.9 × 129.5 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Richard Sickert, 1860–1942

L'Ospedale Civile, Venice

(ca. 1901)

• Materials & TechniquesOil on canvas
• Dimensions26 x 18 1/2 inches (66 x 47 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Edward Pritchett, active ca. 1828–1864

The Piazzetta, Venice

(mid-19th century)

• Materials & TechniquesOil on board
• Dimensions5 3/4 x 8 inches (14.6 x 20.3 cm)
• CollectionPaintings and Sculpture
• Credit lineYale Center for British Art, Paul Mellon Collection

Walter Richard Sickert, 1860–1942

Venezia

(undated)

• Materials & TechniquesBlue chalk with pen and brown ink on thick, slightly textured, brown board
• DimensionsSheet: 12 1/2 x 9 inches (31.8 x 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Hercules Brabazon Brabazon, 1821–1906

Venice from the Lagoon

(undated)

• Materials & TechniquesWatercolor and graphite on medium, medium textured, gray wove paper
• DimensionsSheet: 6 x 9 inches (15.2 x 22.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Hercules Brabazon Brabazon, 1821–1906

Grand Canal Sunset

(undated)

• Materials & TechniquesWatercolor over graphite on moderately thick, moderately textured, cream wove paper, mounted on thick, slightly textured, beige board
• DimensionsMount: 9 x 12 inches (22.8 x 30.5 cm), Sheet: 6 7/16 x 9 3/8 inches (16.3 x 23.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Hercules Brabazon Brabazon, 1821–1906

Venice

(undated)

• Materials & TechniquesWatercolor, gouache, blue chalk and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 5 1/2 × 7 inches (14 × 17.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Hercules Brabazon Brabazon, 1821–1906

Venice

(undated)

• Materials & TechniquesGouache on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 5 1/2 x 7 1/16 inches (13.9 x 17.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

Martin Hardie, 1875–1952

A Street in Asiago

(1918)

• Materials & Techniqueswatercolor, pen and brown ink and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 11 3/4 x 8 1/4 inches (29.8 x 21 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Bequest of Joseph F. McCrindle, Yale LLB 1948

circle of John Ruskin, 1819–1900

Ponte Pietra, Verona

(undated)

• Materials & TechniquesWatercolor, graphite and gouache on medium, slightly textured, beige wove paper
• DimensionsSheet: 5 3/4 x 8 7/8 inches (14.6 x 22.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

John Ruskin, 1819–1900

Doorhead of the Palazzo Contarini della Porta di Ferro

(undated)

• Materials & TechniquesPen and black ink, brown wash and white gouache on medium, slightly textured, cream wove paper
• DimensionsSheet: 8 7/8 x 10 7/8 inches (22.5 x 27.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Chauncey B. Tinker, B.A. 1899

Lucien Marcelin Gautier, 1850–1925

Venetian Canal

(ca. 1880)

• Materials & TechniquesEtching on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 12 3/8 x 16 5/8 inches (31.5 x 42.3 cm), Plate: 8 1/8 x 10 3/16 inches (20.7 x 25.9 cm), Image: 7 3/8 x 9 5/8 inches (18.8 x 24.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Janet and James Sale, Yale BA 1960

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Six Venice Etchings, Title Page

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 7/8 x 9 1/16 inches (32.7 x 23 cm), Plate: 8 7/8 x 6 9/16 inches (22.5 x 16.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Canale Grande

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 15/16 x 18 5/16 inches (32.8 x 46.5 cm), Plate: 8 1/2 x 12 11/16 inches (21.6 x 32.2 cm), Image: 8 3/8 x 12 1/2 inches (21.2 x 31.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Robert Austin, 1895–1973

Cadore

(1927)

• Materials & TechniquesEtching and drypoint on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 11 1/4 x 8 1/4 inches (28.6 x 21 cm), Plate: 4 3/4 x 4 7/16 inches (12 x 11.3 cm), Image: 4 7/16 x 4 5/16 inches (11.2 x 10.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by John Pye, 1782–1874

The Rialto, Venice

(1820)

• Materials & TechniquesEtching and engraving on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 11/16 × 15 3/16 inches (27.1 × 38.6 cm), Plate: 9 × 12 inches (22.9 × 30.5 cm), Image: 5 5/8 × 8 11/16 inches (14.3 × 22.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Andrew Fairbairn Affleck, 1874/7–1936

San Giorgio Maggiore

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm), Plate: 7 7/8 x 13 inches (20 x 33 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Ca d'Oro

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 12 7/8 x 18 5/16 inches (32.7 x 46.5 cm), Plate: 8 1/16 x 10 1/16 inches (20.4 x 25.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Porta della Carta

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 18 5/16 x 12 7/8 inches (46.5 x 32.7 cm), Plate: 12 1/16 x 7 1/8 inches (30.7 x 18.1 cm), Image: 11 3/4 x 6 7/8 inches (29.9 x 17.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

The Rialto

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 18 1/4 x 12 7/8 inches (46.4 x 32.7 cm), Plate: 10 13/16 x 8 1/8 inches (27.4 x 20.6 cm), Image: 10 9/16 x 7 7/8 inches (26.8 x 20 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Andrew Fairbairn Affleck, 1874/7–1936

Rio Malibran

(undated)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream Asian paper
• DimensionsSheet: 17 1/4 x 12 1/16 inches (43.8 x 30.7 cm), Plate: 12 1/16 x 7 7/8 inches (30.7 x 20 cm), Image: 11 3/4 x 7 9/16 inches (29.9 x 19.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Robert Austin, 1895–1973

Ponte Pietra, Verona

(1928)

• Materials & TechniquesEtching on moderately thick, slightly textured, beige laid paper
• DimensionsSheet: 12 1/16 x 8 3/4 inches (30.6 x 22.2 cm), Plate: 5 5/16 x 4 13/16 inches (13.5 x 12.3 cm), Image: 5 1/8 x 4 5/8 inches (13 x 11.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Sir Muirhead Bone, 1876–1953

The Fishmarket, Venice, No. 2

(1912)

• Materials & TechniquesDrypoint and etching on medium, slightly textured, cream Asian paper
• DimensionsSheet: 10 3/8 x 15 7/8 inches (26.4 x 40.4 cm), Plate: 8 15/16 x 11 9/16 inches (22.7 x 29.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The Walter R. Callender, Yale BA 1894, Memorial Collection, Gift of Ivy Lee Callender, transfer from the Yale University Art Gallery

Print made by Vincent Robert Alfred Brooks, 1814–1885

Ten Needle-Box Prints

(undated)

• Materials & TechniquesEtching, aquatint, and stipple engraving with color woodcut on moderately thick, smooth, cream wove paper
• DimensionsSheet: 4 3/16 x 5 1/2 inches (10.6 x 14 cm), Image: 3 11/16 x 5 1/16 inches (9.3 x 12.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Henderson, 1764–1843

Venetian Scene

(undated)

• Materials & TechniquesPen and brown ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 1/8 × 9 3/4 inches (18.1 × 24.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Frederick Lewis, 1804–1876

Venice: The Grand Canal and Rialto

(1838)

• Materials & TechniquesWatercolor, white gouache, pen and black ink and graphite on medium, slightly textured, beige wove paper
• DimensionsSheet: 7 5/8 x 10 3/8 inches (19.4 x 26.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Richard Parkes Bonington, 1802–1828

Le Repos

(1826)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 14 1/2 x 10 7/8 inches (36.8 x 27.6 cm), Image: 5 7/16 x 4 1/16 inches (13.8 x 10.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Shotter Boys, 1803–1874

Verona, Hay Barge on the Medway, and a Calvary (three prints)

(after 1833)

• Materials & TechniquesTransfer lithograph on medium, moderately textured, cream laid paper
• DimensionsSheet: 10 3/8 x 8 1/8 inches (26.4 x 20.6 cm), Image: 9 3/4 x 6 7/8 inches (24.7 x 17.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Sir David Young Cameron, 1865–1945

Venice from the Lido [North Italian Set: No. 17]

(1896)

• Materials & TechniquesEtching on thin, slightly textured, cream wove paper
• DimensionsSheet: 7 3/4 × 14 inches (19.7 × 35.6 cm), Image: 6 7/8 × 13 3/4 inches (17.5 × 34.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Sir David Young Cameron, 1865–1945

Doge's Palace

(1902)

• Materials & TechniquesEtching and drypoint on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/8 × 16 1/8 inches (26.4 × 41 cm), Image: 10 × 15 5/8 inches (25.4 × 39.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Sir David Young Cameron, 1865–1945

St. Mark's No. 2

(1900)

• Materials & TechniquesEtching on thin, slightly textured, cream wove paper
• DimensionsSheet: 14 × 9 3/8 inches (35.6 × 23.8 cm), Image: 12 × 7 1/2 inches (30.5 × 19.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery