Profile of a Woman Wearing a Turban-like Headdress
4403
Francesco Bartolozzi, 1728–1815
Man about to Execute Another
4404
Francesco Bartolozzi, 1728–1815
Old Man Weeping
4405
Francesco Bartolozzi, 1728–1815
Profile of an Old Man, Head and Shoulders Only
4406
Francesco Bartolozzi, 1728–1815
Portrait of a Young Woman wearing a Turban-like Headdress
4407
Francesco Bartolozzi, 1728–1815
Boys with a Garland of Flowers
4408
Francesco Bartolozzi, 1728–1815
Bearded Man wearing Cloak
4409
Francesco Bartolozzi, 1728–1815
Study of a Young Man reading a Letter
4410
Francesco Bartolozzi, 1728–1815
Study of Young Women sitting on Stones
4411
Francesco Bartolozzi, 1728–1815
North and South of Great Britain
4412
Francesco Bartolozzi, 1728–1815
Specchio son L'Acque a Rustica Beltade
4413
Francesco Bartolozzi, 1728–1815
Da' L'esca un picciol rivo a sobria mensa
4414
Francesco Bartolozzi, 1728–1815
Ruins, Three Figures and a Lamb in the Center
4415
Francesco Bartolozzi, 1728–1815
Ruins, Woman leaning against Horse talking to Man sitting on a Stone
4416
Francesco Bartolozzi, 1728–1815
Woman Picnicing on River Bank with Men Bathing
4417
Francesco Bartolozzi, 1728–1815
Joseph, Virgin and Child
4418
Francesco Bartolozzi, 1728–1815
Soldiers resting among Ruins
4419
Francesco Bartolozzi, 1728–1815
? Poet addressing a Queen on a Throne surrounded by Muses
4420
unknown artist
Hunt
4421
None
4422
unknown artist
Volume of etchings from paintings, chiefly Italian: From the library of Sir Joshua Reynolds
4423
Print made by Frederick Landseer Maur Griggs, 1876–1938
Maur's Farm
4424
Print made by Frederick Landseer Maur Griggs, 1876–1938
The Trent
4425
Mortimer L. Menpes, 1860–1938
Gateway, Merton College, Oxford
4426
Print made by Frederick Landseer Maur Griggs, 1876–1938
Maur's Farm
4427
unknown artist
Album
4428
unknown artist
Mr. J. Telford's Design for the Suspension Bridge across the River Avon, from St. Vincents Rocks to Leigh Down
4429
Francesco Bartolozzi, 1728–1815
The Fine Arts (Fan)
4430
Print (with several drawings) collection of approximately 1,200 sheets in accordance with letters exchanged between Helen Cooper (1/2/98) and Patrick McCaughey (2/6/98). Seventy-five (75) page list was supplied by the Yale Art Gallery