<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Classification Prints

Remove constraint Classification: Prints

Search Results

John Neagle "-the Stag repells each bold assault."
John Neagle, 1796–1865, American
"-the Stag repells each bold assault."
August 1, 1796
William Blake "A Select Collection of English Songs," London, 1783
William Blake, 1757–1827, British
"A Select Collection of English Songs," London, 1783
1783
Pierre Charles Canot "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894, German
"Antony and Cleopatra," Act III, Scene XI
undated
George Stubbs "Anvil"
George Stubbs, 1724–1806, British
"Anvil"
1794
unknown artist "Bubbles"
unknown artist, ( J. Hodson )
"Bubbles"
1897
John Cooke Bourne "Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"
John Cooke Bourne, 1814–1896, British
"Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"
1838
John Cooke Bourne "Building the Stationary Engine House, Camden Town, April 26th 1837"
John Cooke Bourne, 1814–1896, British
"Building the Stationary Engine House, Camden Town, April 26th 1837"
1839
George Cruikshank "Captain Kelly conveys a slight remonstance"
Print made by George Cruikshank, 1792–1878, British
"Captain Kelly conveys a slight remonstance"
undated
unknown artist "Cherry Ripe"
unknown artist, ( J. Hodson )
"Cherry Ripe"
1897
John Doyle ('H.B.') "Concert Monstre" of "Musical Congress" Extraordinary!
Print made by John Doyle ('H.B.'), 1797–1868, Irish
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827, British
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Heath "Fashion and Folly": set of 23 on 12 leaves, with front printed wrapper
William Heath, 1795–1840, British
"Fashion and Folly": set of 23 on 12 leaves, with front printed wrapper
John Hoyland "Fly Away"
Print made by John Hoyland, 1934–2011, British
"Fly Away"
1981
William Blake "For Children. The Gates of Paradise", London, by William Blake
William Blake, 1757–1827, British
"For Children. The Gates of Paradise", London, by William Blake
1793
Sir Howard Hodgkin "For John Constable"
Sir Howard Hodgkin, 1932–2017, British
"For John Constable"
1976
James R. Mackrell "Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott
James R. Mackrell, c.1815–1846
"Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott
1841
Donald Wilkinson "Grasmere" from Gray's Journal
Print made by Donald Wilkinson, born 1937, British
"Grasmere" from Gray's Journal
1982
unknown artist "Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
unknown artist, eighteenth century
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834, British
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834, British
"Hubert, let me not be bound!"
1802
William Heath "Illustrations to Heraldry": set of six with title-page and printed wrapper
William Heath, 1795–1840, British
"Illustrations to Heraldry": set of six with title-page and printed wrapper
Eleanor Erlund Hudson "In the Wings". Dancer & Dressers
Eleanor Erlund Hudson, 1912–2011, British
"In the Wings". Dancer & Dressers
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809, British
"King Lear", Act V, Scene III
1792
Gustav Kuhn "Macbeth": Theatre-Figuren
Gustav Kuhn, 1872–ca. 1928
"Macbeth": Theatre-Figuren
Sir Max Beerbohm "Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw
Sir Max Beerbohm, 1872–1956, British
"Magnetic, has the power to infect almost everyone with the delight that he takes in himself," George Bernard Shaw
1905
William Woollett "Maid of the Mill"
William Woollett, 1735–1785, British
"Maid of the Mill"
ca. 1765
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834, British
"Mark your divorce young sir, whom son I dare not call"
1804
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878, British
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
Garnet Terry "Mr. John Farley" Cook at the London Tavern
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
James R. G. Exley "No Bird can with the well-bred cock compare..."
James R. G. Exley, 1878–1967
"No Bird can with the well-bred cock compare..."
1924
George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...
George Hunt, active 1820–1840, British
"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..
1836
John Raphael Smith "Painting"
John Raphael Smith, 1752–1812, British
"Painting"
1783
John Hamilton Mortimer "Richard II", Act III, Scene II
John Hamilton Mortimer, 1740–1779, British
"Richard II", Act III, Scene II
1775
unknown artist "Romeo And Juliet", Act I, Scene V
unknown artist
"Romeo And Juliet", Act I, Scene V
unknown artist "Shoeing the Bay Mare"
unknown artist, ( J. Hodson )
"Shoeing the Bay Mare"
1899
Peter Blake "Side Show" Portfolio
Peter Blake, born 1932, British
"Side Show" Portfolio
between 1974 and 1978
Gustav Kuhn "Sommernachtstraum": Theatre-figuren
Gustav Kuhn, 1872–ca. 1928
"Sommernachtstraum": Theatre-figuren
Benjamin Smith "Tempest", Act I, Scene I
Benjamin Smith, 1775–1833, British
"Tempest", Act I, Scene I
1797
George Cruikshank "That aint him!"
Print made by George Cruikshank, 1792–1878, British
"That aint him!"
undated
Bradford Rudge "The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
Bradford Rudge, 1805–1885
"The Bedford Times" / This print of the Bedford Times Coach, is respectfully dedicated / by permission, to William Henry Whitbread Esq're. / by his most obedient & obliged Servant / J. Matthew Crispin
undated
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827, British
"The Book of Thel William Blake Original Wrappers 1789"
James Gillray "The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar.
James Gillray, 1757–1815, British
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
Henry Heath "The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park...
Henry Heath, active 1824–1835, British
"The Impudent Challenge" / The following Anecdote was told with great glee by his late Majesty William IV, at a Dinner given by George IV, at the Cottage, Windsor Park..
undated
Robert Dodd "The Indian Emperor" or "The Conquest of Mexico"
Robert Dodd, 1748–1816, British
"The Indian Emperor" or "The Conquest of Mexico"
1792
Thomas Bewick "The Mute Swan" or "Tame Swan"
Print made by Thomas Bewick, 1753–1828, British
"The Mute Swan" or "Tame Swan"
undated
unknown artist "The Prince Albert in a Dangerous Position" / "Advance and Rescue Drifting"
unknown artist, nineteenth century (Lossing-Barritt)
"The Prince Albert in a Dangerous Position" / "Advance and Rescue Drifting"
undated
Leslie Matthew 'Spy' Ward "The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair.
Leslie Matthew 'Spy' Ward, 1851–1922, British
"The Queen's Memorial". Thomas Brock 21 September 1905 (with biography). Vanity Fair
1905
James Heath "Then go, bid the huntsmen wake them with their horns"
James Heath, 1757–1834, British
"Then go, bid the huntsmen wake them with their horns"
1802
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827, British
"There is No Natural Religion", London, by William Blake
James Heath "This is fairy gold, boy, and will prove so"
James Heath, 1757–1834, British
"This is fairy gold, boy, and will prove so"
1804
 "Tween the Gloamin' and the Mirk, When the Kye Come Hame"
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
Mary Nimmo Moran "Tween the Gloamin' and the Mirk, When the Kye Come Hame"
Mary Nimmo Moran, 1842–1899, American
"Tween the Gloamin' and the Mirk, When the Kye Come Hame"
1883
James Gillray "Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
James Gillray, 1757–1815, British
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
Henry Morton "Views / illustrative of / Hastings / and its vicinity / Drawn & Engraved / by H. Morton 15 Eaton St. Pimlico, London" [Title Page]
Print made by Henry Morton, ca. 1807–1825, British
"Views / illustrative of / Hastings / and its vicinity / Drawn & Engraved / by H. Morton 15 Eaton St. Pimlico, London" [Title Page]
1817
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827, British
"Visions of the Daughters of Albion", London, by William Blake
1793
James Heath "We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
James Heath, 1757–1834, British
"We come to visit you: and purpose now, to lead you to our court: vouchsafe it then."
1802
Isaac Cruikshank "Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
Isaac Cruikshank, 1756–1810, British
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
John Smith "When Love Doth Make His Arrow Sharp"
Print made by John Smith, 1652–1743, British
"When Love Doth Make His Arrow Sharp"
undated
John Kay "Why, Sir John, my face does you no harm..."
John Kay, (?), 1742–1826, British
"Why, Sir John, my face does you no harm..."
1789
John Raphael Smith "William and Margaret"
John Raphael Smith, 1752–1812, British
"William and Margaret"
1802
James Gillray "all Bond Street trembled as he strode"
James Gillray, 1757–1815, British
"all Bond Street trembled as he strode"
1802
unknown artist 'A Mapp of Lime Street Ward'
unknown artist
'A Mapp of Lime Street Ward'
unknown artist 'A Mapp of St. Andrews Holborn Parish...'
unknown artist, eighteenth century
'A Mapp of St. Andrews Holborn Parish...'
undated
unknown artist 'A Mapp of the Parish of St. Anns'
unknown artist, eighteenth century
'A Mapp of the Parish of St. Anns'
undated
unknown artist 'A Mapp of the Parish of St. Saviours, Southwark, and St. Georges'
unknown artist
'A Mapp of the Parish of St. Saviours, Southwark, and St. Georges'
Henry Herbert La Thangue 'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
Henry Herbert La Thangue, 1859–1929, British
'A Study' from 'Representative Art of Our Time' (a portfolio of eight prints)
undated
George Townly Stubbs 'Anvil'
George Townly Stubbs, 1748–1815, British
'Anvil'
1794
George Vertue 'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
George Vertue, 1684–1756, British
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815, British
'Baronet'
1794
George Townly Stubbs 'Baronet'
George Townly Stubbs, 1748–1815, British
'Baronet'
1794
unknown artist 'Creplegate Ward with its Divisions into Parishes....'
unknown artist
'Creplegate Ward with its Divisions into Parishes....'
Giovanni Vendramini 'Cries of London' Plate 10: "Old Chairs to mend"
Giovanni Vendramini, 1769–1839, Italian
'Cries of London' Plate 10: "Old Chairs to mend"
1795
Anthony Cardon 'Cries of London' Plate 11: "A New Love Song only ha'penny a piece"
Anthony Cardon, 1772–1813, Flemish
'Cries of London' Plate 11: "A New Love Song only ha'penny a piece"
1796
Luigi Schiavonetti 'Cries of London' Plate 1: "Two bunches a penny primroses, two bunches a penny"
Luigi Schiavonetti, 1765–1810, Italian
'Cries of London' Plate 1: "Two bunches a penny primroses, two bunches a penny"
1793
Luigi Schiavonetti 'Cries of London' Plate 2: "Milk below Maids"
Luigi Schiavonetti, 1765–1810, Italian
'Cries of London' Plate 2: "Milk below Maids"
1793
Luigi Schiavonetti 'Cries of London' Plate 3: "Sweet China Oranges, Sweet China"
Luigi Schiavonetti, 1765–1810, Italian
'Cries of London' Plate 3: "Sweet China Oranges, Sweet China"
1794
Anthony Cardon 'Cries of London' Plate 4: "Do you want any Matches?"
Anthony Cardon, 1772–1813, Flemish
'Cries of London' Plate 4: "Do you want any Matches?"
1794
Niccoló Schiavonetti 'Cries of London' Plate 5: "New Mackrel, New Mackrel"
Niccoló Schiavonetti, 1771–1813, Italian
'Cries of London' Plate 5: "New Mackrel, New Mackrel"
1795
Giovanni Vendramini 'Cries of London' Plate 6: "Knives Scissors and Razors to Grind"
Giovanni Vendramini, 1769–1839, Italian
'Cries of London' Plate 6: "Knives Scissors and Razors to Grind"
1795
Giovanni Vendramini 'Cries of London' Plate 7: "Fresh gathered Peas Young Hastings"
Giovanni Vendramini, 1769–1839, Italian
'Cries of London' Plate 7: "Fresh gathered Peas Young Hastings"
1795
Anthony Cardon 'Cries of London' Plate 8: "Round & Sound Five pence a Pound Duke Cherries"
Anthony Cardon, 1772–1813, Flemish
'Cries of London' Plate 8: "Round & Sound Five pence a Pound Duke Cherries"
1795
Giovanni Vendramini 'Cries of London' Plate 9: "Strawberrys Scarlet Strawberrys"
Giovanni Vendramini, 1769–1839, Italian
'Cries of London' Plate 9: "Strawberrys Scarlet Strawberrys"
1795
unknown artist 'Dog and Duck', St. George's Fields
unknown artist
'Dog and Duck', St. George's Fields
1825
unknown artist 'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'
unknown artist, ( Thomas Tegg )
'Dramatic Action Illustrated, or Hamlet's advice to Players, suit the Action to the Word, and the Word to the Action'
George Townly Stubbs 'Dungannon'
George Townly Stubbs, 1748–1815, British
'Dungannon'
1794
Charles Hunt 'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers...
Charles Hunt, 1803–1877, British
'Eclipse' / 'He was bred in 1764, by H.R.H. Wm. Cuke of Cumberland, got by Marsk, son of squirt, a son of Gartletts Childers, own brother to Flying Childers..
1839
William Pether 'Gimcrack'
William Pether, ca. 1738–1821, British
'Gimcrack'
1766
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene II
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene II
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene III
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene III
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act II, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act II, Scene IV
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act III, Scene III
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act III, Scene III
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act III, Scene III
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act IV, Scene II
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act IV, Scene II
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act V, Scene I
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act V, Scene I
undated
Daniel Nikolaus Chodowieki 'Henry IV, Part I,' Act V, Scene IV
Print made by Daniel Nikolaus Chodowieki, German, 1726–1801, German
'Henry IV, Part I,' Act V, Scene IV
undated