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Title(s)
John Constable and the theory of landscape painting / Ray Lambert.
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Published/Created
Cambridge, UK ; Cambridge University Press, c2005.
New York, NY : Cambridge University Press, c2005. -
Physical Description
xi, 269 p. : ill. ; 26 cm.
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Holdings
Reference Library
NJ18.C74 L36 2005 (LC)
Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email the Reference Library]
Reference Library
NJ18.C74 L36 2005 (LC)
Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email the Reference Library] -
Copyright Status
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Full Alma Record
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Classification
Books
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Notes
Revision of thesis (Ph. D.)--University of London.
Includes bibliographical references (p. 253-259) and index.
"In this study, Ray Lambert provides a close study of Constable's landscapes and his writings about them. Linking the artist's theories with those of Joshua Reynolds, Lambert demonstrates that Constable was an intellectual painter whose works are not a revolutionary break with the past. Moreover, his theory and practice place him within the great tradition of landscape painting in the West."--BOOK JACKET. -
Subject Terms
Constable, John <1776–1837> | Constable, John, 1776–1837 -- Aesthetics. | Constable, John, 1776–1837 -- Criticism and interpretation. | Constable, John, 1776–1837 -- Critique et interprétation. | Constable, John, 1776–1837 -- Esthétique. | Constable, John, 1776–1837. | Constable, John. | Landscape painting, English -- 19th century. | Landschaftsmalerei. | Landschapschilderkunst. | Landschapschilderkunst. | Peinture de paysage. | Peinture de paysage. | Peinture de paysages anglaise -- 19e siècle. | Theorieën. | Theorieën.
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