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Title(s)
Titian's painting technique from 1540.
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Published/Created
London : National Gallery Company Ltd., 2015.
New Haven : Yale University Press. -
Physical Description
128 pages : illustrations (chiefly color) ; 30 cm.
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Holdings
Reference Library
Suppressed
Accessible in the Reference Library [Hours]
Note: Please contact the Reference Library to schedule an appointment [Email the Reference Library] -
Copyright Status
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Full Alma Record
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Classification
Books
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Notes
Includes bibliographical references (pages 134-136).
Volume 36 completes the study begun with Volume 34 (in 2013) of the painting materials and technique of the most influential artist of the 16th century, by the National Gallery, a global center for research into Venetian painting. An introduction addresses the consistencies and variations in Titian's practice, including the use of new materials such as the blue pigment smalt. Entries cover eight key works dating from 1540, and a final essay discusses the conservation history of Diana and Actaeon and Diana and Callisto, the two great mythological paintings recently acquired by the National Gallery and the National Galleries of Scotland. -
Subject Terms
Italy -- Venice. | Painters -- Italy -- Venice -- 16th century. | Painters. | Technique. | Titian, approximately 1488–1576 -- Technique. | Titian, approximately 1488–1576.
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Export
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IIIF Manifest
Dr. Ashok Roy and the National Gallery Technical Bulletin / Nicholas Penny -- Titian after 1540: technique and style in his later works / Jill Dunkerton and Marika Spring -- Catalogue / all catalogue entries by Jill Dunkerton and Marika Spring, with contributions from Rachel Billinge and seven others -- The conservation of history of Titian's Diana and Actaeon and Diana and Callisto / Jacqueline Ridge and Marika Spring.
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