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Creator:
Yale University. Art Gallery.
Title(s):

The critique of reason : Romantic art, 1760-1860 : March 6-July 26, 2015, Yale University Art Gallery / exhibition and brochure organized by Elisabeth (Lisa) Hodermarsky, Sutphin Family Senior Associate Curator of Prints and Drawings, Yale University Art Gallery; Paola D'Agostino, Nina and Lee Griggs Assistant Curator of European Art, Yale University Art Gallery; A. Cassandra Albinson, Curator of Paintings and Sculpture, Yale Center for British Art; Nina Amstutz, Postdoctoral Research Associate, Yale Center for British Art; Izabel Gass, Graduate Research Assistant, Yale University Art Gallery and Yale Center for British Art.

Published/Created:
[New Haven] : Yale University Art Gallery : Yale Center for British Art, [2015]
Physical Description:
20 unnumbered pages : illustrations (chiefly color) ; 24 x 30 cm
Holdings:
Reference Library
V 2574
Accessible in the Reference Library [Hours]
Note: The Reference Library is open to Yale ID holders by appointment. Please visit the Reference Library page on our website for more details. For scans from the reference collection please email ycba.reference@yale.edu.

Classification:
Books
Notes:
Title from cover.
"Made possible by the Art Gallery Exhibition and Publication Fund and the Robert Lehman, B.A. 1913, Endowment Fund, as well as by funds from the Yale Center for British Art Program Endowment"--Colophon.
Includes bibliographical references (page [18]).
"The first major collaborative exhibition between the Yale University Art Gallery and the Yale Center for British Art, The Critique of Reason offers an unprecedented opportunity to display together treasured works from both museums' collections. The show comprises paintings, sculptures, medals, watercolors, drawings, prints, and photographs by such iconic artists as William Blake, Théodore Géricault, Francisco de Goya, and Joseph Mallord William Turner. The broad range of work selected challenges the traditional notion of the Romantic artist as a brooding genius given to introversion and fantasy. Instead, the exhibition's eight thematic sections juxtapose arresting works that reveal the Romantics as attentive explorers of their natural and cultural worlds. The Critique of Reason celebrates the richness and range of Yale's Romantic holdings, presenting them afresh for a new generation of museumgoers"--Yale University Art Gallery Web site.
Subject Terms:
Art, British -- 18th century -- Themes, motives -- Exhibitions.
Art, British -- 19th century -- Themes, motives -- Exhibitions.
Art, European -- 18th century -- Themes, motives -- Exhibitions.
Art, European -- 19th century -- Themes, motives -- Exhibitions.
Art, Modern -- 18th century -- Themes, motives -- Exhibitions.
Art, Modern -- 19th century -- Themes, motives -- Exhibitions.
Enlightenment -- Europe -- Influence -- Exhibitions.
Romanticism in art -- Exhibitions.
Yale Center for British Art -- Exhibitions.
Yale University. Art Gallery -- Exhibitions.
Contributors:
Hodermarsky, Elisabeth.
D'Agostino, Paola.
Albinson, A. Cassandra.
Amstutz, Nina.
Gass, Izabel.
Yale Center for British Art.
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