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Title(s):

Exhibitions that made art history / conceived and edited by Phaidon editors and Bruce Altshuler ; introductory essay and chapter introductions by Bruce Altshuler.

Published/Created:
London ; Phaidon, ©2008-©2013.
New York, N.Y. : Phaidon, ©2008-©2013.
Physical Description:
2 volumes : illustrations (some color) ; 30 cm
Holdings:
Reference Library
N6447 .S256 2008 (LC) Oversize
Accessible in the Reference Library [Hours]
Note: The Reference Library is open to Yale ID holders by appointment. Please visit the Reference Library page on our website for more details. For scans from the reference collection please email ycba.reference@yale.edu.

Classification:
Books
Notes:
Includes bibliographical references and indexes.
This is the most comprehensive reference book on contemporary art group exhibitions. Coverage includes the development of modern art, shown through all of the most influential group exhibitions in history. This is intended to be a two-volume set, with the second volume intended for publication in 2009. Volume 1 opens with the revolutionary first Salon des Refusés in Paris of 1863 and concludes with the multi-locational international exhibition 'The New American Painting', organized by the Museum of Modern Art, New York, 1958-59. This work includes a wealth of rare documentary material and ephemera, such as installation photographs, publications and reviews of the period. This is an exceptional sourcebook for anyone interested in the history of twentieth-century art, exhibition design or curatorial practice. - Publisher.
Subject Terms:
Art, Modern -- 19th century -- Exhibitions -- History -- Sources.
Art, Modern -- 19th century -- Exhibitions -- History.
Art, Modern -- 20th century -- Exhibitions -- History -- Sources.
Art, Modern -- 20th century -- Exhibitions -- History.
Arte moderna.
Bienais de arte.
Exposições de arte (história)
Kunstausstellung.
Contributors:
Altshuler, Bruce.
Phaidon Press.
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  • v. 1. Salon to biennial, 1863-1959
  • Salon des Refusés, Paris, 1863
  • The first Impressionist Exhibition, Paris, 1874
  • The first Salon des Indépendants, Paris, 1884
  • Salon d'Automne, Paris, 1905
  • The first Brücke Exhibition, Desden-Löbtau, 1906
  • Manet and the Post-Impressionists, London, 1910
  • The first Blaue Reiter Exhibition, Munich, 1911
  • Les Peintres Futuristes Italiens, Paris, 1912
  • Salon de la Section d'Or, Paris, 1912
  • The first German Autumn Salon, Berlin, 1913
  • The Armony Show, New York, 1913
  • 0.10: The last Futurist Exhibition of Pictures, Petrograd, 1915
  • The first International Dada Fair, Berlin, 1920
  • The first Russian Art Exhibition. Berlin, 1922
  • Film und Foto, Stuttgart, 1929
  • Cubism and abstract art, New York, 1936
  • Degenerate Art, Munich, 1937
  • Exposition Internationale du Surréalisme, Paris, 1938
  • First Papers of Surrealism, New York, 1942
  • Art of This Century, New York, 1951
  • Ninth Street Show, New York, 1951
  • The first Gutai Art Exhibition, Tokyo, 1955
  • The is Tomorrow, London, 1956
  • The New American Painting, New York, 1959 --
  • [v. 2]. Biennials and beyond, 1962-2002
  • Dylaby, Amsterdam, 1962
  • New Realists, New York, 1962
  • Primary Structures, New York, 1966
  • Arte Povera + Azioni povere, Amalfi, 1968
  • January 5-31, 1969, New York, 1969
  • When Attitudes Become Form, Bern, 1969
  • 557,087, Seattle, 1969
  • Information, New York, 1970
  • Sonsbeek 71, The Netherlands, 1971
  • Documenta 5, Kassel, 1972
  • The Bulldozer Exhibition, Moscow, 1974
  • The Times Square Show, New York, 1980
  • A New Spirit in Painting, London, 1981
  • Les Immatériaux, Paris, 1985
  • Chambres d' Amis, Ghent, 1986
  • Second Havana Biennial, 1986
  • Freeze, London, 1988
  • China/Avant-garde, Beijing, 1989
  • Magiciens de la Terre, Paris, 1989
  • Places with a Past, Charleston, 1991
  • Whitney Biennial, New York, 1993
  • Traffic, Bordeaux, 1996
  • Citis on the Move, Vienna, 1997
  • 24th São Paulo Biennial, 1998
  • Documenta 11, Kassel, 2002.