Unmounted carte de visite portrait photographs, 1860s-early 1870s
Unmounted carte de visite portrait photographs.
- Great Britain, 1860s-early 1870s.
- Physical Description:
- 115 photographs : albumen prints ; each approximately 9.3 x 5.8 cm
- Rare Books and ManuscriptsAcq 2018226Yale Center for British Art, Paul Mellon FundAccessible by request in the Study Room [Request]
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- Copyright Status:
- Copyright Information
- Collection of 115 of trimmed but apparently never mounted portrait photographs intended as cartes de visite. The collection includes a variety of recurring backdrops. The relative consistency of the images suggests that most (or all) may come from a single British portrait studio. The studio backdrops and props include: an elegant drawing room with a long curtained window and ornate fireplace; idyllic rural landscapes, with dainty wooden fences; a lake with yachts. Props include notebooks, dolls, rocking horses, rifles, a stereoscope, a graphoscope, and a game of chess. Sitters appear to come from a range of economic classes and trades. The portraits include numerous children and men in soldier's uniform.
There is no indication of the photographer's or sitters' identities. A carte de visite photograph of Frances Harriet Catherine Rouse-Boughton in the collections of the National Portrait Gallery (NPG x1555) depicts the same faux fireplace backdrop shown in some of the images in the present collection. The Rouse-Boughton portrait is by the London studio McLean, Melhuish & Haes, dated 1861-1863. The NPG portrait, however, lacks the carpet and wall molding shown in the present set. In one photograph, the photographer has stepped back and allowed a behind-the-scenes view to enter the frame, revealing what looks like the actual studio window, the raised floor and an onlooker waiting in the wings.
- Subject Terms:
- Carte de visite photographs -- Great Britain.Photography -- Great Britain.
- Albumen prints.
Cartes-de-visite (card photographs)
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