Towards an African Canadian art history , 
Towards an African Canadian art history : art, memory, and resistance / edited by Charmaine A. Nelson.
- Concord, ON : Captus Press, 
- Physical Description:
- xviii, 382 pages : illustrations (some color) ; 26 cm
- Reference LibraryN6545 .T69 2019 (LC)Accessible in the Reference Library [Hours]
Note: The Reference Library is open to Yale ID holders by appointment. Please visit the Reference Library page on our website for more details. For scans from the reference collection please email email@example.com.
- Includes bibliographical references.
- Subject Terms:
- Art -- Canada -- History.Art, Canadian.Artists, Black -- Canada -- History.
- Part 1: Memory, Nostalgia, and Spectacle
- Chapter 1: "Just Imported and To Be Sold": Creolization and the Slave-Master Relationship in Eighteenth-Century Nova Scotia / Aditi Ohri
- Chapter 2: Exerting and Cultivating Selves: Nineteenth-Century Photography and the Black Subject in Southern Ontario / Julie Crooks
- Chapter 3: "History Could be Taught by Means of Dolls ... ": Race, Doll-Play, and the History of Black Female Slavery in Canada / Alexandra Kelebay
- Chapter 4: "Come One, Come All": Blackface Minstrelsy as a Canadian Tradition and Early Form of Popular Culture / Cheryl Thompson
- Part 2: Resistance and Cultural Preservation
- Chapter 5: "The Canadian Inhabitants are Remarkably Fond of Dancing": Reading the African Musicians in George Heriot's 'Minuets of the Canadians' (1807) / Charmaine A. Nelson
- Chapter 6: The Likeness of Fugivity: Transatlantic Considerations of a Canadian Photograph / Emilie Boone
- Chapter 7: Invisible Empires / Deanna Bowen
- Chapter 8: Spiritual Baptist Ritual Garments in Church and Community / Carol B. Duncan.
- Part 3: Institutional Practice
- Chapter 9: From 'Portrait of a Negro Slave' to 'Portrait of a Haitian Woman': The Racial Politics of Renaming Art in Canadian Museum Practice / Charmaine A. Nelson
- Chapter 10: Cricket in Montreal: Visualizing Race, Masculinity, and Community in Nineteenth- and Twentieth- Century Canada / Mercelie Dionne-Petit
- Chapter 11: Visualities of "Difference": De-Constructing Gendered "Third World" Subjects in Representations of Canadian International Aid / Christiana Abraham
- Part 4: Historiography
- Chapter 12: Authoring Belonging: Early African Canadian Fine Artists George H. McCarthy (1860-1906) and Edith H. McDonald (c. 1880-1954) / Adrienne R. Johnson
- Chapter 13: Beyond Parochialism: Telling Tales about Black Activism and Conceptual Art / Krys Verrall
- Chapter 14: Articulating Spaces of Representation: Contemporary Black Women Artists in Canada / Alice Ming Wai Jim
- Chapter 15: Claiming Space: The Development of Black Canadian Cultural Activism of the 1980s and 1990s / Andrea Fatona.