<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

 
Title(s):

London and the emergence of a European art market, 1780-1820 / edited by Susanna Avery-Quash and Christian Huemer.

Published/Created:
Los Angeles : The Getty Research Institute, [2019]
©2019
Physical Description:
xii, 291 pages : illustrations (chiefly color) ; 26 cm.
Holdings:
Reference Library
N8600 .L66 2019 (LC)
Accessible in the Reference Library [Hours]
Note: The Reference Library is open to Yale ID holders by appointment. Please visit the Reference Library page on our website for more details. For scans from the reference collection please email ycba.reference@yale.edu.

Classification:
Books
Notes:
Includes bibliographical references and index.
"This volume employs a diverse methodological range to explore the commercial milieu of art sales and collecting around the years 1780-1820, when London became the primary hub of international art sales"--Provided by publisher.
Subject Terms:
Art -- Collectors and collecting -- England -- London -- History -- 18th century.
Art -- Collectors and collecting -- England -- London -- History -- 19th century.
Art -- Collectors and collecting.
Art -- Economic aspects -- Europe -- History -- 18th century.
Art -- Economic aspects -- Europe -- History -- 19th century.
Art -- Economic aspects.
Art auctions -- Europe -- History -- 18th century.
Art auctions -- Europe -- History -- 19th century.
Art auctions.
Art dealers -- Europe -- History -- 18th century.
Art dealers -- Europe -- History -- 19th century.
Art dealers.
England -- London.
Europa.
Europe.
Kunsthändler.
Kunstmarkt.
London.
Form/Genre:
History.
Contributors:
Avery-Quash, Susanna, editor.
Huemer, Christian, editor.
Export:
XML

  • Acknowledgments
  • Foreword / Thomas w. Gaehtgens and Nicholas Penny
  • Introduction / Susanna Avery-Quash and Christian Huemer
  • Patterns
  • Introduction to part one / Neil De Marchi
  • English and French auctions in a troubled period, 1780-1820: a quantitative analysis of volume, price, and taste based on the Getty Provenance Index(r) databases / Peter Carpreau
  • British buying patterns at auction sales, 1780-1800: did the influx of European art have an impact on the British public's preferences? / Bénédicte Miyamoto
  • International dealer networks and triangular art trade between Paris, Amsterdam, and London / Hans J. Van Miegroet, Hilary Cronheim, and Bénédicte Miyamoto
  • The export of works of art from Italy to the United Kingdom, 1792-1830 / Guido Guerzoni
  • The taste for eighteenth-century French paintings: internationalization and homogenization of demand on the London art market around 1800 / Olivier Bonfait
  • Collections
  • Introduction to part two / Malcolm Baker
  • From private to national: exhibiting fine arts in London around 1800 / Camilla Murgia
  • The evolution of the print market and its impact on the art market, 1780-1820 / David Alexander
  • Angelica Kauffman: the acquisition and dispersal of an artist's collection, 1782-1825 / Wendy Wassyng Roworth
  • The dispersal of the Orléans collection and the British art market / Susanna Avery-Quash and Nicholas Penny
  • The Trumbull sale of 1797: players in the Paris-London art market during the French Revolution / Sarah Bakkali
  • Selling the collection of Welbore Ellis Agar in 1806 / Rebecca Lyons
  • Agents
  • Introduction to part three / Filip Vermeylen
  • From jack-of-all-trades to professional: the development of the early modern picture dealer in eighteenth-century London / Julia Armstrong-Totten
  • James Christie: auctioneer and more / Francis Russell
  • Pierre-Joseph Lafontaine and his exploitation of European art market imbalances in Paris and London, 1795-1815 / Carole Blumenfeld
  • Thomas Hope and Gioacchino Marini: "Roman agent of English gentlemen" / Maria Celeste Cola
  • Commercial agents of Spanish painting in the United Kingdom, 1780-1820 / Ana María Fernández García
  • Selected bibliography
  • Biographical notes on the contributors
  • Illustration credits
  • Index.