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Migrants : art, artists, materials and ideas crossing borders / edited by Lucy Wrapson, Victoria Sutcliffe, Sally Woodcock and Spike Bucklow.

Cambridge : Archetype Publications in association with the Hamilton Kerr Institute, University of Cambridge, 2019.
Physical Description:
xi, 230 pages : illustrations (some color), portraits, maps ; 30 cm
Reference Library
N72.S6 M54 2019 (LC) Oversize
Accessible in the Reference Library [Hours]
Note: The Reference Library is open to Yale ID holders by appointment. Please visit the Reference Library page on our website for more details. For scans from the reference collection please email ycba.reference@yale.edu.

Proceedings of a conference organized by the ICOM Art Technological Source Research Working Group in Cambridge on 15-16 November 2018 -- page vii.
Includes bibliographical references.
Subject Terms:
Art objects -- Conservation and restoration.
Assimilation (Sociology) -- In art.
Cultural property -- Protection -- Congresses.
Emigration and immigration in art -- Congresses.
Ethnology -- In art.
Material culture -- Congresses.
Wrapson, Lucy, editor.
Sutcliffe, Victoria, editor.
Woodcock, Sally (Paintings conservator), editor.
Bucklow, Spike, editor.
University of Cambridge, issuing body.

  • Art and Artists: Part production of 'Hanseatic' alterpieces in late medieval Scandinavian diaspora communities / Kristin Kausland
  • Daniël van den Queborn, painter to the House of Orange and its English allies in the Netherlands / Edward Town and Jessica David
  • Italian artisans of marble mosaic in the United Kingdom: migrants as conveyors of skills and knowledge from a transnational perspective / Javier P. Grossutti
  • The migration of Concretist thought between Latin America and Europe: Max Bill, Kázmér Fejér, Tomás Maldonado and Georges Vantongerloo / Pia Gottschaller
  • Conservators and Conservation: Waxing enthusiastic: transmission and migration of consolidation materials in the early twentieth century / Caitlin R. O'Grady
  • Migration of ideas and approaches: tracing conservation practices in Ukraine from the Soviet period to the present day / Valeriia Kravchenko and Katya Belaia
  • In their own words: why Western European conservators chose to migrate to the United States and what they found when they arrived / Rebecca Anne Rushfield
  • Art and Conflict: Stolen colours, coercion and kidnap: a defeated nation's artists' materials and conservation knowledge in the aftermath of the Second World War / Morwenna Blewett
  • Narrowed minds and destroyed communities: Anglo-American perseptions of Jewish cultural heritage in Thessaloniki, 1943-46 / Roderick Bailey
  • Give sorrow images: trauma and loss in the works of displaced artists from Syria / Charlotte Bank
  • 'I am not just here to make you cry': unexpected challenges to the artistic freedom of refugee artists / Nausikaä El-Mecky
  • Materials and Techniques: 'Plaster of Paris' and Italian formatori / Eckart Marchand
  • The face of a metal and the skin of a bomb / Jenny Bulstrode
  • London, 1815-1914: importing and exporting artists' materials, artists and the role of immigrant suppliers / Jacob Simon
  • Transmitting Ideas: A symbiotic relationship: local and foreign artistic exchanes at the fifteenth-century Ethiopian court / Karen French, Glenn Gates, Hae Min Park and Christine Sciacca
  • A technical study of selected polychrome wooden sculptures from the Jesuit province of Paracuaria in four Brazilian museums / Isabel Wagner and Julia Brandt
  • Positioning migration in the art collection of the Stedelijk Museum Amsterdam, 1895-2003 / Rosa Marie Mulder, Esmee Schoutens and Janneke Sif Rutten.