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Joseph Mallord William Turner, 1775–1851, British

Limekiln at Coalbrookdale

Former Title(s):

Lime Kilns by Night

Four a chaux a Coalbrookdale

ca. 1797
Oil on panel
Support (PTG): 11 3/8 x 15 7/8 inches (28.9 x 40.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Paintings and Sculpture
Subject Terms:
carts | cavern | fires | furnace | horses (animals) | industry | landscape | light | lime kiln | men | night | oven | ovens | rocks (landforms) | sky | smoke | valley (landform)
Associated Places:
Coalbrookdale | England | Europe | Shropshire | Telford | United Kingdom
Not on view

Mila Boutan, Turner et Moi, RMN Jeunesse, Paris, 2010, p. 25, No copy available at Yale Only locations given in WorldCat (4/21/12) are in France. N.B. This is a book written for a "Juvenile" audience

Martin Butlin, The paintings of J.M.W. Turner, The Paul Mellon Centre for Studies in British Art, New Haven, 1984, pp. 20-21, 30, No. 22, pl. 17, NJ18 T85 B885 1984 OVERSIZE (YCBA)

Malcolm Cormack, Oil on water, oil sketches by British watercolorists , Yale Center for British Art, New Haven, 1986, p. 57, fig. 61, ND467 C67 (YCBA)

Guillaume Faroult, Turner et ses peintres, [expositions], Tate Britain, Londres, 23 septembre 2009-31 janvier 2010 ; galeries nationales, grand palais, Paris, 22 février-24 mai 2010 ; museo nacional del Prado, Madrid, 21 juin-19 septembre 2010 , Editions Réunion des Musées Nationaux, Paris, 2010, p. 30, fig. 24, Nj18 T85 F37 2010 (YCBA)

Catherine M. Gordon, British paintings Hogarth to Turner, Frederick Warne, London, 1981, p. 67, ND466 G67 (YCBA)

Charlotte Gould, British art and the environment : changes, challenges, and responses since the Industrial Revolution, New York, p. 167, fig. 10.1, N8217.E28 B75 2022 (YCBA)

Louis Hawes, Presences of Nature : British Landscape, 1780-1830, , Yale Center for British Art, New Haven, CT, 1982, pp. 79, 181, no. V.7, pl. 64, ND1354.4 H38 (YCBA)

J.M.W. Turner : a selection of paintings from the collection of Mr. and Mrs. Paul Mellon., Exhibition held Oct. 31, 1968-Apr. 21, 1969 in the National Gallery of Art , National Gallery of Art, Washington, D.C., 1968, pp. 12, 17, no. 2, fig. 2, NJ18 T85 U5 (YCBA)

Frederic Ogee, Turner, les paysages absolus , Hazan, Paris, 2010, p. 55, NJ18 T85 O34 2010 (YCBA)

Rembrandt: Britain's Discovery of the Master, National Galleries of Scotland, Edinburgh, p. 47, fig. 44, NJ18.R29 A12 2018 (LC) Oversize (YCBA)

Graham Reynolds, Scene and Sensibility, TLS, the Times Literary Supplement, issue no. 4178, April 29, 1983, p. 438, Film S748 (SML) Also available OnLine in TLS Historical Archive (ORBIS)

Graham Reynolds, Turner : with a new introduction by David Blayney Brown, Thames & Hudson, London, fig. 18, NJ18.T85 R49 2020 (YCBA)

David H. Solkin, Turner and the masters, Tate Publishing, London, 2009, pp. 108-9, fig. 9, NJ18 T85 T8352 2009+ (YCBA)

Andrew Wilton, The life and work of J.M.W. Turner, Academy Editions, London, 1979, p. 255-6, No. P22, NJ18 T85 +W577 OVERSIZE (YCBA)

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