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IIIF Actions
Roger Morris, 1695–1749

Whitton House, Middlesex: Elevation of the East Front

Former Title(s):

Design for Whitton House, Middlesex

between 1732 and 1739
Graphite, pen and black ink and gray wash on medium, slightly textured, beige wove paper
Sheet: 12 x 16 5/16 inches (30.5 x 41.4 cm)

Inscribed in pen and black ink, lower center: "End Prospect of the House and offices Letter A"

Watermark: fleur-de-lis within crowned cartouche and W below

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Drawing & Watercolors-Architectural
Prints and Drawings
Subject Terms:
architectural subject | country house | exterior view
Associated Places:
England | Europe | Middlesex | United Kingdom
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IIIF Manifest:

This drawing is part of a set of designs for Whitton Place, Middlesex, a villa begun in 1731 by Roger Morris (see drawings B1977.14.1138–44). In 1722, Archibald Campbell, first Earl of Ilay, later third Duke of Argyll, acquired forty acres of Crown land at Whitton, a hamlet about eight miles west of London. An experienced gardener, Ilay cultivated the land with exotic trees and plants. He and his brother John, second Duke of Argyll, were active builders from 1714 and often turned to James Gibbs for their commissions, including the greenhouse and folly at Whitton. Rather than the Tory Gibbs, however, Ilay commissioned the Whig architect Roger Morris. The small house was built on a forty-five-foot square plan with small single-bay projections on each of the four walls. Contemporary reports describe the first floor as decorated in chinoiserie and the ground floor as a museum of curiosities. William Chambers lived at Whitton Place later in the century. The building was demolished in the mid-nineteenth century.
The side elevation is part of a set of drawings for a five-bay, three story house with a slightly shouldered plan and flanking office wings. The side elevation of Whitton Place shows the house behind one of the office wings. The wing is composed of two single-story pavilions flanking a tower. The house’s principal floor, mezzanine, and attic story are shown in the elevation, the principal floor demarcated by windows with full architraves.

Madeleine Helmer, 2014

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