This is one of many portrait busts produced within the lifetime of poet and translator Alexander Pope, the leading literary celebrity of his day. From his position of privilege and detachment from contemporary politics, Pope used his talents to satirize the increasingly materialistic world he inhabited.
Scheemakers had studied antique sculpture in Rome and rendered Pope, who was also a translator of Homer’s Iliad, in a classical form, equating the eighteenth-century writer with his Greek and Roman predecessors. Imitating classical forms in both literature and art was in keeping with the Augustan fashions of the day, which saw Britain’s colonial empire mirror the omnipotence of ancient Rome.
-
Title
Alexander Pope
-
Date
ca. 1740
-
Materials & Techniques
Marble
-
Dimensions
Overall: 27 x 18 x 9 inches (68.6 x 45.7 x 22.9 cm)
-
Inscription(s)/Marks/Lettering
Chiseled on front of socle: "POPE."
-
Credit Line
Yale Center for British Art, Paul Mellon Collection
-
Copyright Status
-
Accession Number
B1977.14.29
-
Classification
Sculptures
-
Collection
Paintings and Sculpture
-
Subject Terms
-
Associated People
-
Access
On view
-
Link
-
Export
-
IIIF Manifest
In a New Light: 500 Years of British Art (Yale Center for British Art, 2025-04-01 - 2026-01-30) [YCBA Objects in the Exhibition] [Exhibition Description]
Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Waddesdon (NT), 2014-06-18 - 2014-10-26) [YCBA Objects in the Exhibition] [Exhibition Description]
Fame and Friendship : Pope , Roubiliac , and the Eighteenth-Century Portrait Bust (Yale Center for British Art, 2014-02-20 - 2014-05-19) [YCBA Objects in the Exhibition] [Exhibition Description]
The World of Alexander Pope (Yale Center for British Art, 1988-04-08 - 1988-05-29) [YCBA Objects in the Exhibition]
If you have information about this object that may be of assistance please contact us.