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Creator:
Attributed to William Hodges, 1744–1797, British
Formerly attributed to William Marlow, 1740–1813, British
Formerly William Hodges, 1744–1797, British
Title:

The Thames and the Adelphi

Former Title(s):

The Adelphi under construction

A Study of the Thames with the Final Stages of the Adelphi

Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
Support (PTG): 18 1/4 x 23 3/4 inches (46.4 x 60.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.2.2
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
abbey | boats | buildings | church | cityscape | dock | river | water
Associated Places:
England | Greater London | London | Thames | United Kingdom | Westminster
Access:
Not on view
Link:
https://collections.britishart.yale.edu/catalog/tms:241
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Canaletto to Constable, paintings of town and country from the Yale Center for British Art , Yale Center for British Art, New Haven, Conn., 1998, p. 67, pl. 21, ND1354.4 Y25 1998 (YCBA)

Malcolm Cormack, A Concise Catalogue of Paintings in the Yale Center for British Art, Yale Center for British Art, New Haven, CT, 1985, pp. 154-155, N590.2 A83 (YCBA)

Geoff Quilley, William Hodges, 1744-1797 : The art of exploration : catalogue to the exhibition at the National Maritime Museum, Greenwich, 5 July-21 November, 2004 and the Yale Center for British Art, New Haven, 27 January-24 April 2005 , , Yale University Press, New Haven, CT, 2004, pp. 189-90, no. 71, NJ18 H646 +W55 2004 (YCBA)


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