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Creator:
Attributed to William Hodges, 1744–1797, British
Formerly attributed to William Marlow, 1740–1813, British
Formerly William Hodges, 1744–1797, British
Title:
The Thames and the Adelphi
Date:
ca. 1772
Medium:
Oil on canvas
Dimensions:
Support (PTG): 18 1/4 x 23 3/4 inches (46.4 x 60.3 cm)
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
B1976.2.2
Classification:
Paintings
Collection:
Paintings and Sculpture
Subject Terms:
abbey | boats | buildings | church | cityscape | dock | river | water
Associated Places:
England | Greater London | London | Thames | United Kingdom | Westminster
Access:
Not on view
Exhibition History:
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Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Wadsworth Atheneum Museum of Art, 1998-02-08 - 1998-04-26)

Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (The Grand Rapids Art Museum, 1999-10-22 - 2000-01-02)

Canaletto to Constable: Paintings of Town and Country from the Yale Center for British Art (Ferrara Galleries of Modern & Contemporary Art, 2001-02-25 - 2001-05-20)

William Hodges, RA (1744-1797) (Auckland Art Gallery: Toi o Tamaki, 2005-05-20 - 2005-07-31)

William Hodges, RA (1744-1797) (National Maritime Museum, 2004-07-06 - 2004-11-21)

William Hodges, RA (1744-1797) (Yale Center for British Art, 2005-01-27 - 2005-04-24)

Publications:
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<double click to hide>

Geoff Quilley, William Hodges, 1744-1797 : The art of exploration : catalogue to the exhibition at the National Maritime Museum, Greenwich, 5 July-21 November, 2004 and the Yale Center for British Art, New Haven, 27 January-24 April 2005 , , Yale University Press, New Haven, CT, 2004, pp. 189-90, no. 71, NJ18 H646 +W55 2004 (YCBA)

Canaletto to Constable, paintings of town and country from the Yale Center for British Art , Yale Center for British Art, New Haven, Conn., 1998, p. 67, pl. 21, ND1354.4 Y25 1998 (YCBA)

Link:
https://collections.britishart.yale.edu/catalog/tms:241
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