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Etched by Joseph Mallord William Turner, 1775–1851
Engraved by Charles Turner, 1774–1857
after Joseph Mallord William Turner, 1775–1851
Norham Castle on the Tweed
Part Of:

Collective Title: Liber Studiorum

Materials & Techniques:
Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
Sheet: 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm), Plate: 8 1/4 × 11 1/2 inches (21 × 29.2 cm), Image: 7 × 10 1/4 inches (17.8 × 26 cm)

Inscribed in graphite, lower left: "Col | 57/I"; lower right: "1"; inscribed on verso in graphite, lower left: "57. I"; lower center: "Cotswold Gallery 424. ea G.E.Blood."; lower right: "a/8"

Collector’s mark: G. E. Blood (Lugt 265c)

Lettered above image: "P"; below image, lower left: "Drawn & Etched by J.M.W.Turner"; lower center: "NORHAM CASTLE ON THE TWEED | the Drawing in the Possession of the late Lord Lascells | Publish'd Jan 1, 1816, by I.M.W.Turner, Queen Ann Street West"; lower right: "Engraved by C Turner"

Credit Line:
Yale Center for British Art, Paul Mellon Collection
Copyright Status:
Public Domain
Accession Number:
Prints and Drawings
Accessible by appointment in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
IIIF Manifest:

Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04) [YCBA Objects in the Exhibition]

Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24) [YCBA Objects in the Exhibition] [Exhibition Description]

The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) [YCBA Objects in the Exhibition]

The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) [YCBA Objects in the Exhibition] [Exhibition Description]

Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) [YCBA Objects in the Exhibition]

Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, pp. 110-113, no. 12, NJ18 .C67 B37 2018 (YCBA) [YCBA]

Eric M. Lee, Translations : Turner and printmaking, Yale Center for British Art, New Haven, 1993, p. 15, no. 26, NJ18 .T85 L44 1993 (YCBA) [YCBA]

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