Norham Castle on the Tweed
- Part Of:
- Etching and mezzotint, printed in brown ink on medium, slightly textured, cream laid paper
- 11 1/4 × 16 7/8 inches (28.6 × 42.9 cm), 8 1/4 × 11 1/2 inches (21 × 29.2 cm), and 7 × 10 1/4 inches (17.8 × 26 cm)
Inscribed in graphite, lower left: "Col | 57/I"; lower right: "1"; inscribed on verso in graphite, lower left: "57. I"; lower center: "Cotswold Gallery 424. ea G.E.Blood."; lower right: "a/8"
Blind embossed: "G.E. Blood" (Lugt 265c)
Lettered above image: "P"; below image, lower left: "Drawn & Etched by J.M.W.Turner"; lower center: "NORHAM CASTLE ON THE TWEED | the Drawing in the Possession of the late Lord Lascells | Publish'd Jan 1, 1816, by I.M.W.Turner, Queen Ann Street West"; lower right: "Engraved by C Turner"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- Prints and Drawings
- View by request in the Study Room [Request]
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- IIIF Manifest:
Picturesque and Sublime - Thomas Cole's Trans-Atlantic Inheritance (Thomas Cole National Historic Site, 2018-04-29 - 2018-11-04) [YCBA Objects in the Exhibition]
Nobleness and Grandeur - Forging Historical Landscape in Britain, 1760 - 1850 (Yale Center for British Art, 2005-01-27 - 2005-04-24) [YCBA Objects in the Exhibition]
The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09) [YCBA Objects in the Exhibition]
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) [YCBA Objects in the Exhibition]
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) [YCBA Objects in the Exhibition]
Timothy J. Barringer, Picturesque and sublime : Thomas Cole's trans-Atlantic inheritance, Yale University Press, New Haven and London, 2018, pp. 110-113, no. 12, NJ18 .C67 B37 2018 (LC) YCBA [OCLC]