Ben Arthur, Scotland
- Part Of:
- Etching and mezzotint, printed in brown ink, First published state on medium, slightly textured, cream laid paper
- 11 × 16 1/4 inches (27.9 × 41.3 cm), 8 1/4 × 11 3/8 inches (21 × 28.9 cm), and 7 1/8 × 10 1/2 inches (18.1 × 26.7 cm)
Inscribed in graphite, lower left: "69. I"; inscribed on verso in graphite, lower left: "69. I."; lower center: "Cotswold Gallery 1924, ex. G.E.Blood"
Blind embossed: "G.E. Blood" (Lugt 265c)
Lettered above image: "M"; below image: "Drawn. & Etched by I.M.W. Turner Esq. R.A.P.P. | Engraved by T. Lupton | BEN ARTHUR. SCOTLAND | London. Pub. Jan.1. 1819. by I.M.W. Turner, Queen Anne Str West"
- Credit Line:
- Yale Center for British Art, Paul Mellon Collection
- Copyright Status:
- Public Domain
- Accession Number:
- Prints and Drawings
- View by request in the Study Room [Request]
Note: The Study Room is open by appointment. Please visit the Study Room page on our website for more details.
- IIIF Manifest:
The Romantic Landscape Prints - The Chiaroscuro of Nature (Yale Center for British Art, 2002-09-25 - 2002-12-29) [YCBA Objects in the Exhibition]
Translations - Turner and Printmaking (Yale Center for British Art, 1993-09-29 - 1993-12-05) [YCBA Objects in the Exhibition]
Fairest Isle - The Appreciation of British Scenery 1750-1850 (Yale Center for British Art, 1989-04-12 - 1989-06-25) [YCBA Objects in the Exhibition]
Turner and the Sublime (British Museum, 1981-05-15 - 1981-09-20) [YCBA Objects in the Exhibition]
Turner and the Sublime (Yale Center for British Art, 1981-02-11 - 1981-04-19) [YCBA Objects in the Exhibition]
Turner and the Sublime (Art Gallery of Ontario, 1980-11-01 - 1981-01-04) [YCBA Objects in the Exhibition]
Timothy J. Barringer, Unto this last : two hundred years of John Ruskin, Yale University Press, New Haven, CT, p. 187, fig. 93, NJ18.R895 .B37 2019 (LC) Oversize (YCBA) [YCBA]